Ensemble

Original version for Soprano Solo and 8 cellos (1-Cello 1, 1-Cello 2, 1-Cello 3, 1-Cello 4).

Includes 20 Scott Joplin favorites playable as solos or duets. Includes guitar chords. Contents: A Breeze from Alabama * The Chrysanthemum * The Easy Winners * Elite Syncopations * The Entertainer * T...

for piano, violin, and cello Written at the request of the Lawson Trio, this gracefully structured work contrasts atmospheric lyrical writing with bursts of turbulent fast music, including a rather ro...

for violin, viola, cello, double bass, and piano These arrangements of two keyboard sonatas by Scarlatti are stylish and approachable. The first sonata is vivacious and dance-like and the second is sl...

Gloss could be considered a companion piece to Random Girl (also for oboe and vibraphone), although it is rhythmically more formal and more restrained melodically.

for clarinet in B flat, zheng, and double bass Combining elements of both Western and Eastern musical traditions, Ding's thematic elements include a twelve-tone row and a tonal melody, which are treat...

Field Notes is a compact, one-movement piece of chamber music scored for oboe, violin, viola, and cello. The work is full of harmonic interest with chromatic and melodic passages shared equally betwee...

This atmospheric concert work for oboe and mixed ensemble was composed for leading oboist Sarah Francis, who performed both the 1972 premiere of the work and on the later CD recording (Lyrita SRCD.259...

A sacred scena for tenor, piano, and string quartet telling the story, in Biblical text, of the scene in the Garden of Gethsemane.

for violin, viola, cello, double bass, and piano. This stylish and approachable arrangement of Scarlatti's Sonata in D (K.119) (originally composed for keyboard) is vivacious and dance-like in charact...

for violin, viola, cello, double bass, and piano. This arrangement of Scarlatti's Sonata in E (K. 215), which was originally composed for keyboard, is restrained and melodic, as well as being stylish...

for flute, clarinet, violin, cello, piano. Phoenix is a series of interlinked, contrasting sections - by turns elegiac, radiant, and menacing - culminating in a luminous cantilena for the four melody...

This work for clarinet and string quartet is in three movements: a subdued prelude, an airy interlude, and a bluesy postlude.

for piano and string quartet Originally scored for solo piano and full orchestra, Skempton's Piano Concerto has been arranged by the composer for quintet, broadening its reach to smaller ensembles. Th...

for piano and string quartet. Originally scored for solo piano and full orchestra, Skempton's Piano Concerto has been arranged by the composer for quintet, broadening its reach to smaller ensembles. T...

The Moon is Flashing was originally scored for tenor solo and full orchestra, but has here been rescored for chamber ensemble, broadening its reach to smaller ensembles.

The Moon is Flashing was originally scored for tenor solo and full orchestra, but has here been rescored for chamber ensemble.This set of parts contains parts for clarinet, violin, cello, and piano. T...

Mini-Drama was commissioned for Chamber Music 2000. Chamber Music 2000 works were designed to be technically easy, but still retain the composer's own individuality and musical style.

for piano, clarinet, and vibraphone

for piano quintet with double bass Each of the four movements of the work concentrates on a tiny amount of highly-characterised musical material derived from the scales, gestures and performing practi...

Spring Rounds is a companion work to American Rounds, which Butler wrote for the Schubert Ensemble in 1998. It consists of the same type of folky material, organised throughout in canonic dialogue bet...

Bright Future ignoring Dark Past was commissioned for Chamber Music 2000. The Chamber Music 2000 works were designed to be technically easy, but still retain the composers own individuality and musica...

for piano trio Mathias's only piano trio is a concisely structured work in four movements, including pleasing sonorities and melodic main themes, ranging from the characteristically Celtic to twinges...

Sotto Voce consists of an intriguing interplay of isolated notes for the three instruments, with a good deal of pizzicato in the strings.

La gora di mulino was commissioned for Chamber Music 2000. The Chamber Music 2000 works were designed to be technically easy, but still retain the composers own individuality and musical style. La gor...