Ensemble

The 'organ plus' one series was conceived primarily with semi-professional church musicians and instrumentalists in mind. Based on the liturgical year, the pieces can be readily performed in church se...

The series 'organ plus one' contains pieces which are freely-composed or based on hymn tunes, both original works as well as arrangements. The editions include solo parts in C, Bb, Eb and F, which can...

The 'organ plus' one series was conceived primarily with semi-professional church musicians and instrumentalists in mind. Based on the liturgical year, the pieces can be readily performed in church se...

Will Todd's Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible, short setting which embraces a variety of jazz styles, from the swinging jazz waltz Kyrie to the up-beat Lat...

Inspired by the medieval hymn "Stabat Mater", this work explores the deep sorrow of the Virgin Mary as she witnesses the crucifixion of her Son. Conceived as a continuous musical meditation, it follow...

Inspired by the medieval hymn "Stabat Mater", this work explores the deep sorrow of the Virgin Mary as she witnesses the crucifixion of her Son. Conceived as a continuous musical meditation, it follow...

Vashe Sharafyan’s *Offertorium* is a work of profound spirituality and introspection, in which the music becomes a space for meditation, self-reflection, and inner transformation. In keeping with the...

Vashe Sharafyan’s *Offertorium* is a work of profound spirituality and introspection, in which the music becomes a space for meditation, self-reflection, and inner transformation. In keeping with the...

2 Vl, Va, Bc [Fl o Blfl, Ob]

Soli SSATB, Coro SSATB, 2 Vl, 2 Va, Bc

Soli SATB, 2 Vl, 2 Va, Cb (Fg), Bc

Solo S, 3 Vl, Bc

Soli SATB, Fg, 2 Vl, 3 Va, Bc

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...

The office as a priest and the long years as musical director of the Ospedale della Pietà (a large orphonage in Venice) both occasioned and inspired him to compose church music in large variety. The M...

Soli SATB, Coro SATB/SATB, 2 Orch: 2 Ob, 2 Tr, 2 Vl, Va, Bc, [Timp]

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...