Musik zu Passion & Ostern Noten

5 Motetten (Nr. 4-8) aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur

Osterkantate (deutsch/französisch). Gemischter Chor-SSATB - Chorpartitur

Osterkantate für Solostimmen, Chor und Instrumente. Die Chorpartitur enthält auch die Solopartien (deutsch/englisch). Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB - Spielpartitur...

Like most of his works, Johann Sebastian Bach's "St. John Passion" has not survived in a definitive version - e.g. as a printed edition or fair copy - but in four different versions. Arthur Mendel's e...

With the publication of this choral score the performance material for Johann Sebastian Bach’s St. Matthew Passion is now complete.

This choral score completes the performance material already available for Johann Sebastian Bach's St. Matthew Passion.

Johann Sebastian Bach's "St. Matthew Passion", as we know it today, apparently has a longer history dating back to before 1727. It is unclear whether the Passion performed in the 1729 Good Friday serv...

J. S. Bach's St. Mark Passion has already undergone many attempts at reconstruction. Only the text according to Picander has survived and thus allows conclusions to be drawn about the original form of...

> Complete scholarly-critical edition based on 'Georg Philipp Telemann Musical Works' > Bilingual Foreword (Ger/Eng) A festive piece for church and concert hall Composed around 1760, 'Die Auferstehung...

Unlike Bach's other oratorio compositions, there is no definitive version of the "St. John Passion". The first version from 1724, which is commonly used today, is a mixture of different readings. It w...

Passionsvertonung für 2 Solostimmen (Evangelist, Jesus) und Chor. Tenor solo, Bass solo, Gemischter Chor-SSATB - Singpartitur

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Posaune (2), Violine (2), Viola, Basso continuo (Cello, Kontrabass, Orgel) Antonio Caldara (1670-1736) verbindet man in erster Lin...

A setting of the Latin text from the Roman Missal, Requiem is the opening movement of a larger work entitled Songs of Peace, which was written in 2012 in memory of the composer's mother. Todd's gently...

This 17-minute choral sequence is scored for mixed chorus and organ, with optional percussion, and presents five of the Latin 'motets' which occur at the end of movements in MacMillan's St John Passio...

Scored for chorus, children's choir, organ and chamber orchestra, St Luke Passion adopts a pared-back focus on choral voices over its 75-minute span. Seeking a more spiritual, inward approach to match...

Kyrie is the only movement completed from a planned Mass and was left unperformed at the time of the composer's death. The edition was prepared for publication from the original manuscript by his son...

Die vorliegende Fassung von Pendereckis Trauergesang entstand anlässlich des zweiten Todestages des polnischen Komponisten, an dem die offizielle Trauerfeier nach der Corona-Pandemie unter großer Ante...

Hope is Easter music for mixed choir, alto saxophone, piano, bass and percussion by the Danish composer John Høybye, who enjoys high recognition as a (choral) conductor, arranger and composer far beyo...

The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...

On April 1, 1725, Bach formed the Easter cantata "Kommt, gehet und eilt" BWV 249.3, which was to become the nucleus of the Easter Oratorio, from the Shepherd's Cantata BWV 249.1 he had composed a few...

The autograph contains no reference to the participation of instruments, and there is no doubt that a purely vocal performance would do full justice to the work. On the other hand, there is nothing to...