Sheet Music for Orchestra
SILETE VENTI, HWV 242 (BE SILENT, WINDS) is a Latin motet by George Frideric Handel (1685-1759) The uncertain date of its composition has provoked much debate, although careful study of the work sugge...
SILETE VENTI, HWV 242 (BE SILENT, WINDS) is a Latin motet by George Frideric Handel (1685-1759) The uncertain date of its composition has provoked much debate, although careful study of the work sugge...
- High Voice and Orchestra
- Score and Parts
- Friedrich Chrysander Max Seiffert
- Edwin F. Kalmus
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Spanish conductor and composer Gerónimo Giménez (1854-1923) was dedicated to writing zarzuelas, the populist Spanish genre of lyric-dramatic one-act operas popular at the end of the 19th century and b...
Spanish conductor and composer Gerónimo Giménez (1854-1923) was dedicated to writing zarzuelas, the populist Spanish genre of lyric-dramatic one-act operas popular at the end of the 19th century and b...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Andalucia Suite consists of six individual compositions. Included are the immortal Malaguena and the equally beautiful Andalucia, known as the The Breeze and I. Both Malaguena and Andalucia are comple...
Andalucia Suite consists of six individual compositions. Included are the immortal Malaguena and the equally beautiful Andalucia, known as the The Breeze and I. Both Malaguena and Andalucia are comple...
- Orchestra
- Score
- Gordon Jenkins
- Edwin F. Kalmus
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Ludwig Minkus (1826-1917) was a Jewish-Austian composer of ballet music, spending most of his career as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. Over th...
Ludwig Minkus (1826-1917) was a Jewish-Austian composer of ballet music, spending most of his career as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. Over th...
- Orchestra
- Score
- William McDermott
- Edwin F. Kalmus
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The BALLADE in A minor, Op. 33 is an early composition by Samuel Coleridge-Taylor (1875-1912) . Written only a year after completing his education at the Royal College of Music, this one-movement work...
The BALLADE in A minor, Op. 33 is an early composition by Samuel Coleridge-Taylor (1875-1912) . Written only a year after completing his education at the Royal College of Music, this one-movement work...
- Orchestra
- Score
- Nancy M. Bradburd
- Edwin F. Kalmus
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A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS ("Mirrors") was written between 1904 and 1905, with each movement dedicated to a fellow member of the Fren...
A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS ("Mirrors") was written between 1904 and 1905, with each movement dedicated to a fellow member of the Fren...
- Orchestra
- Score
- Edwin F. Kalmus
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Like most of Leroy Anderson's efforts, "Belle of the Ball" is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitaliz...
Like most of Leroy Anderson's efforts, "Belle of the Ball" is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitaliz...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Though Hubay was best known as a violinist, he also distinguished himself as a composer. His FANTAISIE BRILLANTE was written in 1877. Demanding considerable technique, it contains the opera's greatest...
Though Hubay was best known as a violinist, he also distinguished himself as a composer. His FANTAISIE BRILLANTE was written in 1877. Demanding considerable technique, it contains the opera's greatest...
- Violin and Orchestra
- Score
- Edwin F. Kalmus
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Though Hubay was best known as a violinist, he also distinguished himself as a composer. His FANTAISIE BRILLANTE was written in 1877. Demanding considerable technique, it contains the opera's greatest...
Though Hubay was best known as a violinist, he also distinguished himself as a composer. His FANTAISIE BRILLANTE was written in 1877. Demanding considerable technique, it contains the opera's greatest...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Pines of Rome (Pini di Roma) is a four-movement symphonic poem for orchestra completed in 1924 by the Italian composer Ottorino Respighi. The piece, which depicts pine trees in four locations in Rome...
Pines of Rome (Pini di Roma) is a four-movement symphonic poem for orchestra completed in 1924 by the Italian composer Ottorino Respighi. The piece, which depicts pine trees in four locations in Rome...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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The Nutcracker has achieved the status of being the world’s most popular and most often performed ballet. This is the first edition with a complete full score to accompany William McDermott's 1969 red...
The Nutcracker has achieved the status of being the world’s most popular and most often performed ballet. This is the first edition with a complete full score to accompany William McDermott's 1969 red...
- Orchestra
- Score and Parts
- William McDermott
- Edwin F. Kalmus
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Austrian composer Alban Berg (1885-1935) composed the three-act opera Wozzeck between 1914 and 1922 after seeing a production of German playwright Georg Büchner's incomplete drama Woyzeck. Beginning t...
Austrian composer Alban Berg (1885-1935) composed the three-act opera Wozzeck between 1914 and 1922 after seeing a production of German playwright Georg Büchner's incomplete drama Woyzeck. Beginning t...
- Orchestra
- Score
- Edwin F. Kalmus
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Leroy Anderson's "Jazz Pizzicato" and "Jazz Legato" stand as quintessential proof of his legendary status as a composer of light music. With a nostalgic nod toward the traditional American dance form...
Leroy Anderson's "Jazz Pizzicato" and "Jazz Legato" stand as quintessential proof of his legendary status as a composer of light music. With a nostalgic nod toward the traditional American dance form...
- Orchestra
- Score and Parts
- R. Mark Rogers
- Edwin F. Kalmus
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FESTE ROMANE (ROMAN FESTIVALS) , P 157 is a tone poem in four movements completed in 1928 by Ottorino Respighi (1879-1936) . It is the last of his three tone poems about Rome, following FOUNTAINS OF R...
FESTE ROMANE (ROMAN FESTIVALS) , P 157 is a tone poem in four movements completed in 1928 by Ottorino Respighi (1879-1936) . It is the last of his three tone poems about Rome, following FOUNTAINS OF R...
- Orchestra
- Score
- Edwin F. Kalmus
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FESTE ROMANE (ROMAN FESTIVALS) , P 157 is a tone poem in four movements completed in 1928 by Ottorino Respighi (1879-1936) . It is the last of his three tone poems about Rome, following FOUNTAINS OF R...
FESTE ROMANE (ROMAN FESTIVALS) , P 157 is a tone poem in four movements completed in 1928 by Ottorino Respighi (1879-1936) . It is the last of his three tone poems about Rome, following FOUNTAINS OF R...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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French composer Henri Rabaud (1873-1949) composed the incidental music for an adaptation of Shakespeare's THE MERCHANT OF VENICE (LE MARCHAND DE VENISE) by writer and Rabaud librettist Lucien Népoty....
French composer Henri Rabaud (1873-1949) composed the incidental music for an adaptation of Shakespeare's THE MERCHANT OF VENICE (LE MARCHAND DE VENISE) by writer and Rabaud librettist Lucien Népoty....
- Orchestra
- Score
- Edwin F. Kalmus
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French composer Henri Rabaud (1873-1949) composed the incidental music for an adaptation of Shakespeare's THE MERCHANT OF VENICE (LE MARCHAND DE VENISE) by writer and Rabaud librettist Lucien Népoty....
French composer Henri Rabaud (1873-1949) composed the incidental music for an adaptation of Shakespeare's THE MERCHANT OF VENICE (LE MARCHAND DE VENISE) by writer and Rabaud librettist Lucien Népoty....
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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TAHITI TROT, Op. 16 is an arrangement by Dmitri Shostakovich (1906-1975) for orchestra paraphrasing the song "Tea for Two" from the musical NO, NO, NANETTE by Vincent Youmans. It was composed in 1927...
TAHITI TROT, Op. 16 is an arrangement by Dmitri Shostakovich (1906-1975) for orchestra paraphrasing the song "Tea for Two" from the musical NO, NO, NANETTE by Vincent Youmans. It was composed in 1927...
- Orchestra
- Score
- Edwin F. Kalmus
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Franz Joseph Haydn (1732-1809) composed his CONCERTO FOR TRUMPET in E-flat, Hob.VIIe: 1 for the trumpet virtuoso Anton Weidinger. Weidinger was dissatisfied with the limited range of the "natural trum...
Franz Joseph Haydn (1732-1809) composed his CONCERTO FOR TRUMPET in E-flat, Hob.VIIe: 1 for the trumpet virtuoso Anton Weidinger. Weidinger was dissatisfied with the limited range of the "natural trum...
- Trumpet and Orchestra
- Score
- Hans Ferdinand Redlich
- Edwin F. Kalmus
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Franz Joseph Haydn (1732-1809) composed his CONCERTO FOR TRUMPET in E-flat, Hob.VIIe: 1 for the trumpet virtuoso Anton Weidinger. Weidinger was dissatisfied with the limited range of the "natural trum...
Franz Joseph Haydn (1732-1809) composed his CONCERTO FOR TRUMPET in E-flat, Hob.VIIe: 1 for the trumpet virtuoso Anton Weidinger. Weidinger was dissatisfied with the limited range of the "natural trum...
- Trumpet and Orchestra
- Score and Parts
- Hans Ferdinand Redlich
- Edwin F. Kalmus
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Revised version by the Gustav MahlerGesellschaft, Vienna
Revised version by the Gustav MahlerGesellschaft, Vienna
- Viola and Orchestra
- Score
- Edition Kunzelmann
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- Orchestra
- Score
- Edition Kunzelmann
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- Flute and Orchestra
- Score
- Edition Kunzelmann
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Revised version by the Gustav MahlerGesellschaft, Vienna
Revised version by the Gustav MahlerGesellschaft, Vienna
- Clarinet and Orchestra
- Score
- Edition Kunzelmann
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Partitur als Klavierauszug. Johann Christian Bach (1735-1782), der letztgeborene Sohn Johann Sebastian Bachs, bildete sowohl hinsichtlich der von ihm gepflegten Kunstgattungen, wie auch seiner Musiksp...
Partitur als Klavierauszug. Johann Christian Bach (1735-1782), der letztgeborene Sohn Johann Sebastian Bachs, bildete sowohl hinsichtlich der von ihm gepflegten Kunstgattungen, wie auch seiner Musiksp...
- 2 Choirs and Orchestra
- Score
- Akos Fodor
- Edition Kunzelmann
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Orchestra sheet music
With over 120,000 sheet music titles for string, salon, and symphony orchestra, you will find exactly what you need for your next concert! We offer original classical works as voice or score editions, as well as reworks of well-known titles from jazz, pop, rock, musicals, and film, and sheet music with solo instruments, vocals, or choir.