Sheet Music for Symphonic Orchestra

This four-act comic opera celebrating Shakespeares Sir John Falstaff was given its first professional performance in 1946. The libretto, written by the composer, is based on The Merry Wives of Windsor...

In this joyous and colourful piano concerto, John Rutter both reflects, and reflects upon, the many soundworlds and styles that have inspired him. The 40-minute work, in four movements, is virtuosic f...

This edition of the Concerto for piano in E flat major is based on the manuscript D-11708 (1) of the Bibliothèque nationale de France. The manuscript bundle comprises the individual parts for piano an...

This edition of the Concerto for piano in E flat major is based on the manuscript D-11708 (1) of the Bibliothèque nationale de France. The manuscript bundle comprises the individual parts for piano an...

The Second Concerto adopts the key of D minor for the first and third movements, and B flat major for the second. The fairly full orchestra consists of 2 flutes, 2 oboes, 2 bassoons, 2 horns and strin...

This score in two parts - Prologue and Epilogue -, with a specific libretto and requiring a staging, was commissioned by the Mozarteum University in Salzburg to provide a framework for the production...

Though listed in all d'Indy catalogues and biographies, the Italian Symphony had long remained unpublished. D'Indy was just 18 when he wrote these lines. When he obtained his French literature "Baccal...

With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...

Hérold's second, and last, symphony, the 2nd Symphony in D major, was composed in Naples in May 1814. In a letter to his mother, the composer writes: "Many greetings to Mr. Méhul. I have just written...

When Azémia ou Les Sauvages is created at the Comédie-Italienne in Paris on May 3rd, 1787, the opéra comique is a genre in full development, fostered by the uprising publishing industry, the travellin...

Faced with the evolution of the symphony prompted by Beethoven at the beginning of the 19th century, many composers turned away from this genre, considering his nine symphonies as an unsurpassable ide...

The Second Concerto adopts the key of D minor for the first and third movements, and B flat major for the second. The fairly full orchestra consists of 2 flutes, 2 oboes, 2 bassoons, 2 horns and strin...

During the French Revolution, the Consulate and the Empire, Méhul may have been the only major French composer to fully understand and assimilate the latest perfections of the music in his times. Taug...

Far from being an isolated work in Camille Saint-Saens' production, Ode belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de Rome....

With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...

In 1792, the political upheavals in Paris came along with an aesthetic revolution. Artists demonstrated a deliberate, at times opportunistic, attempt to turn their backs on the melodic refinements and...

Created on 9 March 1873 at the Concert national, the Symphonie romantique by Victorin Joncières enjoyed a real success. The 33-year-old composer was well-known for his dramatic works given at the Théâ...

This 4th Symphony was most probably created on 24 February 1857 at the Société des concerts du Conservatoire, as they announced as part of the programm a "new symphony" by Reber. The previous ones wer...

Far from being an isolated work in Max d'Ollone's production, L'Été (Summer) belongs with Hymne, Dans la tempête and Sous-Bois to a set of four chorus written in the particular context of the competit...

Far from being an isolated work in Max d'Ollone's production, Sous-Bois (Underwood) belongs with L'Été, Hymne and Dans la tempête to a set of four chorus written in the particular context of the compe...

Far from being an isolated work in Max d'Ollone's production, Pendant la tempête belongs with L'Été, Hymne and Sous-Bois to a set of four chorus written in the particular context of the competition fo...

The first thing that stands out in the overture is the instrumentation, which includes two harps and a celeste. We hear these instruments, in an andante in 3/8, for 22 of the first 24 bars. Their timb...

The Piano Concerto in B minor op. 3 (MoszWV 160) was composed during his time in Berlin at the Neue Akademie der Tonkunst where Moszkowski became a teacher in 1872 while he was still a student. Togeth...

Confronting the night is probably the first time a child feels destabilised. The familiar outlines of the bedroom fade away into the darkness, the comforting face of the mother disappears behind the d...