Sheet Music for Symphonic Orchestra
Haydn schrieb seine Kurzmesse vermutlich 1775 für den Orden der Barmherzigen Brüder im Kloster Eisenstadt. Dem Benedictus mit seinem Orgelsolo verdankt das Werk seinen Beinamen 'Kleine Orgelmesse'. Di...
Haydn schrieb seine Kurzmesse vermutlich 1775 für den Orden der Barmherzigen Brüder im Kloster Eisenstadt. Dem Benedictus mit seinem Orgelsolo verdankt das Werk seinen Beinamen 'Kleine Orgelmesse'. Di...
- Women's Choir (SMezAA) and Orchestra
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- Heribert Breuer
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For this scholarly-critical edition, the editor has considered no fewer than 16 sources, more than have ever been consulted for any other edition of the work. Some of these sources have been evaluated...
For this scholarly-critical edition, the editor has considered no fewer than 16 sources, more than have ever been consulted for any other edition of the work. Some of these sources have been evaluated...
- Mixed Choir (SATB) and Orchestra
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Sopran solo 1, Sopran solo 2, Alt solo 1, Alt solo 2, Tenor solo 1, Tenor solo 2, Bass solo 1, Bass solo 2, Chor, Orchester - Partitur; Urtextausgabe
Sopran solo 1, Sopran solo 2, Alt solo 1, Alt solo 2, Tenor solo 1, Tenor solo 2, Bass solo 1, Bass solo 2, Chor, Orchester - Partitur; Urtextausgabe
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The 'Gloria' RV 589 (BA 7674) is one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the 'Gloria' as an in...
The 'Gloria' RV 589 (BA 7674) is one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the 'Gloria' as an in...
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- Malcolm Bruno
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Claudio Monteverdis 'Vespro della Beata Vergine' ist sicher eines der populärsten geistlichen Werke des 17. Jahrhunderts. Neben zahlreichen Einspielungen wird es immer wieder ganz oder in Teilen aufge...
Claudio Monteverdis 'Vespro della Beata Vergine' ist sicher eines der populärsten geistlichen Werke des 17. Jahrhunderts. Neben zahlreichen Einspielungen wird es immer wieder ganz oder in Teilen aufge...
- Soloists, Mixed Choir (SSATTB), Mixed Choir (SATTB) and Orchestra
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SSolo/ASolo/TSolo/BSolo/GemCh-SATB/2Pos/2V/Va/Bc(Vc/KB/Org)
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Sacred works occupy a large part of Charles Gounod's oeuvre. It was the Messe solennelle en l'honneur de Sainte Cécile that established his fame as a church composer. Its melodic invention and effecti...
Sacred works occupy a large part of Charles Gounod's oeuvre. It was the Messe solennelle en l'honneur de Sainte Cécile that established his fame as a church composer. Its melodic invention and effecti...
- Soloist, Mixed Choir (SATB), Organ and Orchestra
- Piano Reduction
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Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
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- Piano Reduction (Urtext)
- Andrea Campora
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> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
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Sopran solo (2), Alt solo (2), Tsolo (2), Bass solo (2), Gemischter Chor: SSAATTBB, Orchester
Sopran solo (2), Alt solo (2), Tsolo (2), Bass solo (2), Gemischter Chor: SSAATTBB, Orchester
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> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
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- Felix Mendelssohn Bartholdy
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Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
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- Felix Mendelssohn Bartholdy
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Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
- Soloists (SSTB), 2 Mixed Choirs (SATB) and Orchestra
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- Ulrich Leisinger
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- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
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It is regarded by many as his masterpiece in the non-operatic sphere: Britten's War Requiem, premiered in 1962 to celebrate the opening of the new cathedral at Coventry, built to replace the one destr...
It is regarded by many as his masterpiece in the non-operatic sphere: Britten's War Requiem, premiered in 1962 to celebrate the opening of the new cathedral at Coventry, built to replace the one destr...
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Jeden Sommer mobilisiert die Kathedrale von Chichester im englischen Sussex zusammen mit ihren Nachbarn aus Winchester und Salisbury alle Kräfte und stemmt eines der wichtigsten Krichenusikfestivals G...
Jeden Sommer mobilisiert die Kathedrale von Chichester im englischen Sussex zusammen mit ihren Nachbarn aus Winchester und Salisbury alle Kräfte und stemmt eines der wichtigsten Krichenusikfestivals G...
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- Soloists, Mixed Choir (SATB), Organ and Orchestra
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Max Bruch succeeded in composing an impressive setting of the well known Advent text, 'O Heiland, reiß die Himmel auf' (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated...
Max Bruch succeeded in composing an impressive setting of the well known Advent text, 'O Heiland, reiß die Himmel auf' (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated...
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- Carus-Verlag
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Bruckner’s mighty "Mass in F minor" is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music...
Bruckner’s mighty "Mass in F minor" is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music...
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Das etwa Te Deum von 1832 überzeugt durch rasche Ausdruckswechsel und warme Orchesterfarben. Chöre, auch für Doppelchor, wechseln mit Arien und Solistenensembles, weiche Holzbläserklänge und obligate...
Das etwa Te Deum von 1832 überzeugt durch rasche Ausdruckswechsel und warme Orchesterfarben. Chöre, auch für Doppelchor, wechseln mit Arien und Solistenensembles, weiche Holzbläserklänge und obligate...
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Das Requiem von Gabriel Fauré liegt bei Carus in zwei Fassungen vor, der 1900 abgeschlossenen 'sinfonischen Fassung' sowie einer rekonstruierten Fassung mit kleinem Orchester von 1889. - kritische Aus...
Das Requiem von Gabriel Fauré liegt bei Carus in zwei Fassungen vor, der 1900 abgeschlossenen 'sinfonischen Fassung' sowie einer rekonstruierten Fassung mit kleinem Orchester von 1889. - kritische Aus...
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Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revi...
Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revi...
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Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...
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As Kapellmeister of the royal court theater in Dresden, Carl Maria von Weber's primary task was to establish a German opera at court. However, it was also part of his duties to provide the "church ser...
As Kapellmeister of the royal court theater in Dresden, Carl Maria von Weber's primary task was to establish a German opera at court. However, it was also part of his duties to provide the "church ser...
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