Sheet Music for Symphonic Orchestra
Samuel Coleridge-Taylor (1875-1912) composed FOUR CHARACTERISTIC WALTZES, Op. 22 in 1899. Full of wonderful orchestral colors and rhythmic vitality, each of the four waltzes showcases varied scenes. M...
Samuel Coleridge-Taylor (1875-1912) composed FOUR CHARACTERISTIC WALTZES, Op. 22 in 1899. Full of wonderful orchestral colors and rhythmic vitality, each of the four waltzes showcases varied scenes. M...
- Orchestra
- Director's Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Samuel Coleridge-Taylor (1875-1912) composed FOUR CHARACTERISTIC WALTZES, Op. 22 in 1899. Full of wonderful orchestral colors and rhythmic vitality, each of the four waltzes showcases varied scenes. M...
Samuel Coleridge-Taylor (1875-1912) composed FOUR CHARACTERISTIC WALTZES, Op. 22 in 1899. Full of wonderful orchestral colors and rhythmic vitality, each of the four waltzes showcases varied scenes. M...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
While librettist W.S. Gilbert (1836-1911) and composer Arthur Sullivan (1842-1900) had worked previously in 1871-72 to write Thespis, a work for the Christmas season, the 1875 one-act comic opera Tria...
While librettist W.S. Gilbert (1836-1911) and composer Arthur Sullivan (1842-1900) had worked previously in 1871-72 to write Thespis, a work for the Christmas season, the 1875 one-act comic opera Tria...
- Soloists, Choir and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
While librettist W.S. Gilbert (1836-1911) and composer Arthur Sullivan (1842-1900) had worked previously in 1871-72 to write Thespis, a work for the Christmas season, the 1875 one-act comic opera Tria...
While librettist W.S. Gilbert (1836-1911) and composer Arthur Sullivan (1842-1900) had worked previously in 1871-72 to write Thespis, a work for the Christmas season, the 1875 one-act comic opera Tria...
- Soloists, Choir and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
HOLOUBEK (THE WILD DOVE), Op. 110/B. 198, is an orchestra poem composed by Antonín Dvorák (1841-1904) in 1896. Revised in January of the next year, it tells the story of a woman who poisons her husban...
HOLOUBEK (THE WILD DOVE), Op. 110/B. 198, is an orchestra poem composed by Antonín Dvorák (1841-1904) in 1896. Revised in January of the next year, it tells the story of a woman who poisons her husban...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
HOLOUBEK (THE WILD DOVE), Op. 110/B. 198, is an orchestra poem composed by Antonín Dvorák (1841-1904) in 1896. Revised in January of the next year, it tells the story of a woman who poisons her husban...
HOLOUBEK (THE WILD DOVE), Op. 110/B. 198, is an orchestra poem composed by Antonín Dvorák (1841-1904) in 1896. Revised in January of the next year, it tells the story of a woman who poisons her husban...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
In 1896, soon after his return from America to his Bohemian homeland, Antonín Dvorák wrote a set of four orchestral pieces based on Karel Jaromír Erben's collection of poetry A BOUQUET OF FOLK LEGENDS...
In 1896, soon after his return from America to his Bohemian homeland, Antonín Dvorák wrote a set of four orchestral pieces based on Karel Jaromír Erben's collection of poetry A BOUQUET OF FOLK LEGENDS...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
In 1896, soon after his return from America to his Bohemian homeland, Antonín Dvorák wrote a set of four orchestral pieces based on Karel Jaromír Erben's collection of poetry A BOUQUET OF FOLK LEGENDS...
In 1896, soon after his return from America to his Bohemian homeland, Antonín Dvorák wrote a set of four orchestral pieces based on Karel Jaromír Erben's collection of poetry A BOUQUET OF FOLK LEGENDS...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
This most beautiful orchestration by Alfred Reed is now available with a full score and parts. The haunting, sonorous, transcendent charm of this beloved melody makes it an appropriate addition to any...
This most beautiful orchestration by Alfred Reed is now available with a full score and parts. The haunting, sonorous, transcendent charm of this beloved melody makes it an appropriate addition to any...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Gianni Schicchi is a one-act comic opera by Giacomo Puccini (1858-1924). The final and most popular opera in a trio known as Il trittico (The Triptych), each one dealing with the concealment of a deat...
Gianni Schicchi is a one-act comic opera by Giacomo Puccini (1858-1924). The final and most popular opera in a trio known as Il trittico (The Triptych), each one dealing with the concealment of a deat...
- Soloists and Orchestra
- Score
- Ettore Panizza
- Edwin F. Kalmus
-
ships within 2-4 weeks
Gianni Schicchi is a one-act comic opera by Giacomo Puccini (1858-1924). The final and most popular opera in a trio known as Il trittico (The Triptych), each one dealing with the concealment of a deat...
Gianni Schicchi is a one-act comic opera by Giacomo Puccini (1858-1924). The final and most popular opera in a trio known as Il trittico (The Triptych), each one dealing with the concealment of a deat...
- Soloists and Orchestra
- Score and Parts
- Ettore Panizza
- Edwin F. Kalmus
-
ships within 2-4 weeks
The GOLD AND SILVER WALTZES, Op. 79, was written by Franz Lehár (1870-1948) at the request of Princess Metternich to compose "something especially fine" for her "Gold und Silber" gala ball, commission...
The GOLD AND SILVER WALTZES, Op. 79, was written by Franz Lehár (1870-1948) at the request of Princess Metternich to compose "something especially fine" for her "Gold und Silber" gala ball, commission...
- Orchestra
- Score
- Tom McCanna
- Edwin F. Kalmus
-
ships within 2-4 weeks
In 1787, Wolfgang Amadeus Mozart (1756-1791) succeeded Christoph Gluck as the chamber composer for Joseph II. One of his principal tasks was to write music for the dances and balls that took place in...
In 1787, Wolfgang Amadeus Mozart (1756-1791) succeeded Christoph Gluck as the chamber composer for Joseph II. One of his principal tasks was to write music for the dances and balls that took place in...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
In 1787, Wolfgang Amadeus Mozart (1756-1791) succeeded Christoph Gluck as the chamber composer for Joseph II. One of his principal tasks was to write music for the dances and balls that took place in...
In 1787, Wolfgang Amadeus Mozart (1756-1791) succeeded Christoph Gluck as the chamber composer for Joseph II. One of his principal tasks was to write music for the dances and balls that took place in...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Samuel Coleridge-Taylor (1875-1912) wrote his four movement AFRICAN SUITE for piano in 1898, two years after the success of his BALLADE in A minor, as a result of meeting African-American poet Paul La...
Samuel Coleridge-Taylor (1875-1912) wrote his four movement AFRICAN SUITE for piano in 1898, two years after the success of his BALLADE in A minor, as a result of meeting African-American poet Paul La...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Samuel Coleridge-Taylor (1875-1912) wrote his four movement AFRICAN SUITE for piano in 1898, two years after the success of his BALLADE in A minor, as a result of meeting African-American poet Paul La...
Samuel Coleridge-Taylor (1875-1912) wrote his four movement AFRICAN SUITE for piano in 1898, two years after the success of his BALLADE in A minor, as a result of meeting African-American poet Paul La...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
In the summer of 1912, Mariya Danilova, a cello student at the Moscow Conservatory, stumbled across Konstantin Balmont's idiosyncratic, Russian translation of the poem THE BELLS by Edgar Allan Poe. Fe...
In the summer of 1912, Mariya Danilova, a cello student at the Moscow Conservatory, stumbled across Konstantin Balmont's idiosyncratic, Russian translation of the poem THE BELLS by Edgar Allan Poe. Fe...
- Soloists (SB), Mixed Choir and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
The Suite Algérienne, Op. 60, sparked by a trip that Camille Saint-Saëns (1835-1921) took to Algeria in 1873, debuted in Paris in December 1880 with Edouard Colonne conducting. For the rest of his lif...
The Suite Algérienne, Op. 60, sparked by a trip that Camille Saint-Saëns (1835-1921) took to Algeria in 1873, debuted in Paris in December 1880 with Edouard Colonne conducting. For the rest of his lif...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
The Suite Algérienne, Op. 60, sparked by a trip that Camille Saint-Saëns (1835-1921) took to Algeria in 1873, debuted in Paris in December 1880 with Edouard Colonne conducting. For the rest of his lif...
The Suite Algérienne, Op. 60, sparked by a trip that Camille Saint-Saëns (1835-1921) took to Algeria in 1873, debuted in Paris in December 1880 with Edouard Colonne conducting. For the rest of his lif...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
J.S. Bach (1685-1750) wrote the secular 'Hunting Cantata' (Jagdkantate) in 1713 for the occasion of Duke Christian von Sachsen-Weisenfels birthday. Sachsen-Weisenfels, a passionate hunter. The full ti...
J.S. Bach (1685-1750) wrote the secular 'Hunting Cantata' (Jagdkantate) in 1713 for the occasion of Duke Christian von Sachsen-Weisenfels birthday. Sachsen-Weisenfels, a passionate hunter. The full ti...
- Orchestra
- Score
- Alfred Reed
- Edwin F. Kalmus
-
ships within 2-4 weeks
J.S. Bach (1685-1750) wrote the secular 'Hunting Cantata' (Jagdkantate) in 1713 for the occasion of Duke Christian von Sachsen-Weisenfels birthday. Sachsen-Weisenfels, a passionate hunter. The full ti...
J.S. Bach (1685-1750) wrote the secular 'Hunting Cantata' (Jagdkantate) in 1713 for the occasion of Duke Christian von Sachsen-Weisenfels birthday. Sachsen-Weisenfels, a passionate hunter. The full ti...
- Orchestra
- Score and Parts
- Alfred Reed
- Edwin F. Kalmus
-
ships within 2-4 weeks
In March of 1791, Wolfgang Amadeus Mozart (1756-1791) composed the concert aria PER QUESTA BELLA MANO, K. 612, shortly before beginning work on THE MAGIC FLUTE. It is known for its double bass part, n...
In March of 1791, Wolfgang Amadeus Mozart (1756-1791) composed the concert aria PER QUESTA BELLA MANO, K. 612, shortly before beginning work on THE MAGIC FLUTE. It is known for its double bass part, n...
- Vocals (low), double bass and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
In March of 1791, Wolfgang Amadeus Mozart (1756-1791) composed the concert aria PER QUESTA BELLA MANO, K. 612, shortly before beginning work on THE MAGIC FLUTE. It is known for its double bass part, n...
In March of 1791, Wolfgang Amadeus Mozart (1756-1791) composed the concert aria PER QUESTA BELLA MANO, K. 612, shortly before beginning work on THE MAGIC FLUTE. It is known for its double bass part, n...
- Vocals (low), double bass and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Johann Nepomuk Hummel (1778-1837) wrote his CONCERTO FOR PIANO No. 3 in B minor, OP. 89 in 1819. Similar to his second piano concerto, it is composed in a proto-Romantic style that anticipated later c...
Johann Nepomuk Hummel (1778-1837) wrote his CONCERTO FOR PIANO No. 3 in B minor, OP. 89 in 1819. Similar to his second piano concerto, it is composed in a proto-Romantic style that anticipated later c...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Johann Nepomuk Hummel (1778-1837) wrote his CONCERTO FOR PIANO No. 3 in B minor, OP. 89 in 1819. Similar to his second piano concerto, it is composed in a proto-Romantic style that anticipated later c...
Johann Nepomuk Hummel (1778-1837) wrote his CONCERTO FOR PIANO No. 3 in B minor, OP. 89 in 1819. Similar to his second piano concerto, it is composed in a proto-Romantic style that anticipated later c...
- Piano and Orchestra
- Director's Score
- Edwin F. Kalmus
-
ships within 2-4 weeks