Sheet Music for Symphonic Orchestra

Already published twice in print during Bach's lifetime: an important document of the early classical period, a historical turning point with an outlook on musical development well into the 19th centu...

The Urtext edition of the 'Lobgesang' Symphony takes into account for the first time voice material prepared for the first performances in Leipzig and contributes to the clarification of several diffe...

Original cadenzas in EB 5940 36 cadenzas to own piano concertos

If 'several music lovers and music directors consider this mass to be genuine and well Mozartian' (original statement Ludwig Ritter von Köchel), we want to do the same with good reason. '

Mendelssohn composed his concert piece op. 113 on a (single) December day in 1832 for the clarinetist friends Heinrich and Carl Baermann with the humorous subtitle 'Ein großes Duett für Dampfnudel ode...

The search for an authoritative musical text led Christian Rudolf Riedel, among others, to the 'New World', specifically to the archives of the New York Philharmonic ...

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

A text-critical edition 'according to the sources' of the work first published by Breitkopf & Härtel in 1885.

The new edition is based on the autograph and contemporary voice material as authentic sources.

Choral score, piano reduction and libretto are usable for both versions. Sigismund Ritter von Neukomm completed Mozart's Reuqiem in 1821 with the liturgically necessary 'Libera me, Domine'.

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

In the case of the 1st Symphony, Clive Brown provides the optimal balance of source criticism and practical relevance.

The main differences from the available editions concern mainly articulation and dynamics in movements 1, 2 and 4. This Critical Report is a treasure trove for the practitioner ...