Sheet Music for Symphonic Orchestra
As with the other Beethoven reissues by Clive Brown and Peter Hauschild, the editor does not mechanically align the often very different indications in the sources for the 4th Symphony.
As with the other Beethoven reissues by Clive Brown and Peter Hauschild, the editor does not mechanically align the often very different indications in the sources for the 4th Symphony.
- Orchestra
- Score
- Breitkopf & Härtel KG
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The conducting score contains only an abridged version of the detailed Critical Report that was published separately in book form (Brown: The Reassessment of the Sources of Beethoven's 5th Symphony, B...
The conducting score contains only an abridged version of the detailed Critical Report that was published separately in book form (Brown: The Reassessment of the Sources of Beethoven's 5th Symphony, B...
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- Breitkopf & Härtel KG
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Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...
Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...
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- Breitkopf & Härtel KG
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With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.
With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.
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The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...
The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...
- Soloists, Mixed Choir and Orchestra
- Score (Urtext)
- Breitkopf & Härtel KG
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I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)
I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)
- Organ, Orchestra and Continuo
- Score
- Breitkopf & Härtel KG
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I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)
I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)
- Organ, Orchestra and Continuo
- Score
- Breitkopf & Härtel KG
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With the new Breitkopf Urtext orchestral material, the 'Prague' symphony will sound somewhat different.
With the new Breitkopf Urtext orchestral material, the 'Prague' symphony will sound somewhat different.
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- Breitkopf & Härtel KG
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The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
- Orchestra
- Score (Urtext)
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- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score
- Breitkopf & Härtel KG
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Schumann, The Symphonies 5 study scores in slipcase
Schumann, The Symphonies 5 study scores in slipcase
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- Score
- Breitkopf & Härtel KG
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Schumann, The Symphonies 5 study scores in slipcase
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- Breitkopf & Härtel KG
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- Orchestra
- Score
- Breitkopf & Härtel KG
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Märker's Urtext edition is based on the first printing of the score in 1835.
Märker's Urtext edition is based on the first printing of the score in 1835.
- 5 Soloists, Mixed Choir and Orchestra
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The revision of the frequently sung Mass in B-flat major brings to light a large number of new readings compared to the older Breitkopf edition.
The revision of the frequently sung Mass in B-flat major brings to light a large number of new readings compared to the older Breitkopf edition.
- Soloists (SATB), Mixed Choir, Organ and Orchestra
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The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.
The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.
- Orchestra, High Voice and Orchestra
- Score
- Franz Beyer
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A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann
A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann
- Cello and Orchestra
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Until now, Schubert's most popular 'Youth Mass' often sounded with strings only. Then the set of parts written by Franz Schubert himself was recovered in Klosterneuburg.
Until now, Schubert's most popular 'Youth Mass' often sounded with strings only. Then the set of parts written by Franz Schubert himself was recovered in Klosterneuburg.
- 3 Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score
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Schubert's last great mass, whose premiere in October 1829 he did not live to see. .
Schubert's last great mass, whose premiere in October 1829 he did not live to see. .
- 4 Soloists, Mixed Choir (SATB) and Orchestra
- Score
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Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...
Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...
- Cello and Orchestra
- Score
- Breitkopf & Härtel KG
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Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.
Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.
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When and where was Mozart's flute concerto written and for whom? 1777 or 1778, Salzburg or Mannheim? How much did Ferdinand Dejean actually pay, only 96 or the promised 200 florins?
When and where was Mozart's flute concerto written and for whom? 1777 or 1778, Salzburg or Mannheim? How much did Ferdinand Dejean actually pay, only 96 or the promised 200 florins?
- Flute and Orchestra
- Score (Urtext)
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Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...
Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...
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Original cadenzas in EB 594036 Cadenzas to own piano concertos
Original cadenzas in EB 594036 Cadenzas to own piano concertos
- Piano and Orchestra
- Score
- Breitkopf & Härtel KG
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[Vl,Orch] - (Christian R. Riedel)
[Vl,Orch] - (Christian R. Riedel)
- Violin and Orchestra
- Score (Urtext)
- Breitkopf & Härtel KG
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