Sheet Music for Symphonic Orchestra

Premiere 18 March 1910 in Vienna Musikverein, Tonkünstler Orchester; Franz Schreker, conductor First publication of the orchestral score The third movement was engraved, and the other movements remain...

ICB 19 (1888, rev. 1919) First edition published Margault [same imprint as Édition mutuelle], Paris, France, 1902 Orchestration solo piano with 2 flutes, piccolo, oboe, 2 B-flat clarinets, 2 bassoons,...

Excerpted from La habanera: Drame lyrique en trois actes (poème et musique de R. Laparra) Dedication: À Monsieur et Madame Albert Carré. Albert Carré (1852-1938) and Marguerite Giraud-Carré (1880-1947...

Foreword In Norway, it is called Fossegrim, in Sweden Strömkarlen or Näcken, and in Germany this legendary creature is known as Nöck: we are talking about a spirit or troll that lives in waterfalls, e...

COMMENTARY After the roaring success of Periodical Overture No. 20, it is no wonder that Robert Bremner (c.1713-1789) wanted to continue publishing works by Niccolò Piccinni (Piccini) (1728-1800). In...

Petr Iljitsch Tschaikowsky, whom Igor Stravinsky charakterized as being 'deeply national', represents the culmination of 'Russion Classical music' of the late-eighteenth and nineteenth centuries. Prob...

Petr Iljitsch Tschaikowsky, whom Igor Stravinsky charakterized as being 'deeply national', represents the culmination of 'Russion Classical music' of the late-eighteenth and nineteenth centuries. Prob...

With the publication of the critical commentary this edition of the 6th Symphony is now complete. It provides detailed information about the circumstances in which the work was written, documentation...

The aim of the edition is to present the composer's enormous legacy as it is known today, as exhaustively as possible. Every musical text published in this edition is an outcome of the comprehensive a...

The aim of the edition is to present the composer's enormous legacy as it is known today, as exhaustively as possible. Every musical text published in this edition is an outcome of the comprehensive a...

The aim of the edition is to present the composer's enormous legacy as it is known today, as exhaustively as possible. Every musical text published in this edition is an outcome of the comprehensive a...

The aim of the edition is to present the composer's enormous legacy as it is known today, as exhaustively as possible. Every musical text published in this edition is an outcome of the comprehensive a...

Henry Purcell's only Opera proper, Dido and Aeneas is a magnificent example of English Baroque music, with lively dances and passionate aria sections that demonstrate Purcell's masterful compositional...

formerly "Concerto grosso No. 26

Ballettmusiken Nr. 2 und Nr. 9 "Rosamunde" op. 26 D 797

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

Of all the leading composers of the 18th century, only Francesco Geminiani (1687-1762) is lacking a complete critical edition of his music and writings. Although held to be the equal of Corelli in his...

Geminiani’s Op. 3 Concertos have come down to us in no fewer than four different versions. The first is the one published by Walsh in 1732. The Amsterdam music publisher Michel-Charles Le Cène publish...

Geminiani’s six Concertos Op. 3 were first published in 1732 by John Walsh, in London; the next year, the Amsterdam music printer and publisher Michel-Charles Le Cène issued a revision by the composer...

In the second half of the 19th century, in Italy, melodrama was still the most practised musical genre, but space for instrumental production began to grow, especially thanks to the “Quartet societies...