Sheet Music for Symphonic Orchestra
Franz Joseph Haydn's (1732-1809) Symphony No. 101 in D major, Hob. 1:101, is the ninth of his twelve London symphonies. It is known as 'The Clock' due to the "ticking" rhythm that pervades the second...
Franz Joseph Haydn's (1732-1809) Symphony No. 101 in D major, Hob. 1:101, is the ninth of his twelve London symphonies. It is known as 'The Clock' due to the "ticking" rhythm that pervades the second...
- Orchestra
- Score
- Edwin F. Kalmus
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The Prince of Denmark's March was composed around 1700 by Jeremiah Clarke (c. 1674-1707) , an English Baroque composer and organist of St. Paul's Cathedral, and it became one of the most enduring cere...
The Prince of Denmark's March was composed around 1700 by Jeremiah Clarke (c. 1674-1707) , an English Baroque composer and organist of St. Paul's Cathedral, and it became one of the most enduring cere...
- Orchestra
- Score
- Clayton Westermann
- Edwin F. Kalmus
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The Prince of Denmark's March was composed around 1700 by Jeremiah Clarke (c. 1674-1707) , an English Baroque composer and organist of St. Paul's Cathedral, and it became one of the most enduring cere...
The Prince of Denmark's March was composed around 1700 by Jeremiah Clarke (c. 1674-1707) , an English Baroque composer and organist of St. Paul's Cathedral, and it became one of the most enduring cere...
- Orchestra
- Score and Parts
- Clayton Westermann
- Edwin F. Kalmus
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Nicolai Rimsky-Korsakov's (1844-1908) Piano Concerto in C-sharp minor, Op. 30, was written at the request of Mily Balakirev and was premiered at one of his Free Music School concerts in St. Petersburg...
Nicolai Rimsky-Korsakov's (1844-1908) Piano Concerto in C-sharp minor, Op. 30, was written at the request of Mily Balakirev and was premiered at one of his Free Music School concerts in St. Petersburg...
- Piano and Orchestra
- Score
- Edwin F. Kalmus
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Written by Camille Saint-Saëns (1835-1921) in 1869, the Piano Concerto No. 3 in E-flat Major, Op. 29 follows the standard concerto form while experimenting with harmony. Premiered on November 27th, 18...
Written by Camille Saint-Saëns (1835-1921) in 1869, the Piano Concerto No. 3 in E-flat Major, Op. 29 follows the standard concerto form while experimenting with harmony. Premiered on November 27th, 18...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...
Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Richard Strauss (1864-1949) composed his Symphonia Domestica, Op. 53 (TrV 209) in 1902-1903, creating one of his most expansive and personal tone poems, a richly orchestrated portrait of a day in the...
Richard Strauss (1864-1949) composed his Symphonia Domestica, Op. 53 (TrV 209) in 1902-1903, creating one of his most expansive and personal tone poems, a richly orchestrated portrait of a day in the...
- Orchestra
- Sheet Music
- Edwin F. Kalmus
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Fatum, Op. 77 was composed in 1868 by Pyotr Ilyich Tchaikovsky (1840 - 1893) as an early symphonic poem inspired by the Romantic idea of inescapable fate, a theme that would recur throughout his later...
Fatum, Op. 77 was composed in 1868 by Pyotr Ilyich Tchaikovsky (1840 - 1893) as an early symphonic poem inspired by the Romantic idea of inescapable fate, a theme that would recur throughout his later...
- Orchestra
- Sheet Music
- Edwin F. Kalmus
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LA BOHÈME (The Bohemian), one of the most beloved and commercially-successful operas, is based on the 1851 novel Scenes of Bohemian Life by Henri Murger. With a libretto by Luigi Illica and Giuseppe G...
LA BOHÈME (The Bohemian), one of the most beloved and commercially-successful operas, is based on the 1851 novel Scenes of Bohemian Life by Henri Murger. With a libretto by Luigi Illica and Giuseppe G...
- Orchestra, High Voice and Orchestra
- Score
- Edwin F. Kalmus
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Spring Song, Op. 16 (Vårsång) was written in 1894 by Jean Sibelius (1865-1957) and was initially titled Improvisation for Orchestra. Sibelius revised the single-movement tone poem a year later and ret...
Spring Song, Op. 16 (Vårsång) was written in 1894 by Jean Sibelius (1865-1957) and was initially titled Improvisation for Orchestra. Sibelius revised the single-movement tone poem a year later and ret...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Sergei Prokofiev (1891-1953) composed Overture on Jewish Themes (or Overture on Hebrew Themes), Op. 34, in 1919 for the uncommon combination of clarinet, string quartet, and piano, and this original v...
Sergei Prokofiev (1891-1953) composed Overture on Jewish Themes (or Overture on Hebrew Themes), Op. 34, in 1919 for the uncommon combination of clarinet, string quartet, and piano, and this original v...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Originally composed for piano, this orchestration from Lecuona's celebrated Andalucia Suite by Morton Gould is a sure crowd-pleaser! Instrumentation: 2(1st dPicc).2.2.2: 4Sax(AATB): 2.3.2.1: Timp.Perc...
Originally composed for piano, this orchestration from Lecuona's celebrated Andalucia Suite by Morton Gould is a sure crowd-pleaser! Instrumentation: 2(1st dPicc).2.2.2: 4Sax(AATB): 2.3.2.1: Timp.Perc...
- Orchestra
- Score and Parts
- Morton Gould
- Edwin F. Kalmus
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Claude Debussy (1862-1918) wrote the waltz La plus que lente for solo piano in 1910, a work that may or may not have been inspired by a small sculpture on his mantelpiece. The title is meant to wryly...
Claude Debussy (1862-1918) wrote the waltz La plus que lente for solo piano in 1910, a work that may or may not have been inspired by a small sculpture on his mantelpiece. The title is meant to wryly...
- Orchestra
- Score
- Edwin F. Kalmus
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A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS ("Mirrors") was written between 1904 and 1905, with each movement dedicated to a fellow member of the Fren...
A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS ("Mirrors") was written between 1904 and 1905, with each movement dedicated to a fellow member of the Fren...
- Orchestra
- Score
- Clinton F. Nieweg Nancy M. Bradburd
- Edwin F. Kalmus
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Written by Sergei Rachmaninoff (1873-1943) in 1934, this set of variations for piano solo and orchestra on Niccolò Paganini's Caprice No. 24 for solo violin is much like a concerto, though it consists...
Written by Sergei Rachmaninoff (1873-1943) in 1934, this set of variations for piano solo and orchestra on Niccolò Paganini's Caprice No. 24 for solo violin is much like a concerto, though it consists...
- Orchestra
- Score
- Edwin F. Kalmus
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In French, the word "villanelle" implies a rustic song or dance. It was used during the 16th century to describe songs which used simple language and were of a pastoral nature. Orchestrated by Donald...
In French, the word "villanelle" implies a rustic song or dance. It was used during the 16th century to describe songs which used simple language and were of a pastoral nature. Orchestrated by Donald...
- Horn and Orchestra
- Set of Parts
- Donald Miller Clinton Nieweg
- Edwin F. Kalmus
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SILETE VENTI, HWV 242 (BE SILENT, WINDS) is a Latin motet by George Frideric Handel (1685-1759) The uncertain date of its composition has provoked much debate, although careful study of the work sugge...
SILETE VENTI, HWV 242 (BE SILENT, WINDS) is a Latin motet by George Frideric Handel (1685-1759) The uncertain date of its composition has provoked much debate, although careful study of the work sugge...
- High Voice and Orchestra
- Score and Parts
- Friedrich Chrysander Max Seiffert
- Edwin F. Kalmus
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Spanish conductor and composer Gerónimo Giménez (1854-1923) was dedicated to writing zarzuelas, the populist Spanish genre of lyric-dramatic one-act operas popular at the end of the 19th century and b...
Spanish conductor and composer Gerónimo Giménez (1854-1923) was dedicated to writing zarzuelas, the populist Spanish genre of lyric-dramatic one-act operas popular at the end of the 19th century and b...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Andalucia Suite consists of six individual compositions. Included are the immortal Malaguena and the equally beautiful Andalucia, known as the The Breeze and I. Both Malaguena and Andalucia are comple...
Andalucia Suite consists of six individual compositions. Included are the immortal Malaguena and the equally beautiful Andalucia, known as the The Breeze and I. Both Malaguena and Andalucia are comple...
- Orchestra
- Score
- Gordon Jenkins
- Edwin F. Kalmus
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Ludwig Minkus (1826-1917) was a Jewish-Austian composer of ballet music, spending most of his career as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. Over th...
Ludwig Minkus (1826-1917) was a Jewish-Austian composer of ballet music, spending most of his career as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. Over th...
- Orchestra
- Score
- William McDermott
- Edwin F. Kalmus
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The BALLADE in A minor, Op. 33 is an early composition by Samuel Coleridge-Taylor (1875-1912) . Written only a year after completing his education at the Royal College of Music, this one-movement work...
The BALLADE in A minor, Op. 33 is an early composition by Samuel Coleridge-Taylor (1875-1912) . Written only a year after completing his education at the Royal College of Music, this one-movement work...
- Orchestra
- Score
- Nancy M. Bradburd
- Edwin F. Kalmus
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A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS ("Mirrors") was written between 1904 and 1905, with each movement dedicated to a fellow member of the Fren...
A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS ("Mirrors") was written between 1904 and 1905, with each movement dedicated to a fellow member of the Fren...
- Orchestra
- Score
- Edwin F. Kalmus
-
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Like most of Leroy Anderson's efforts, "Belle of the Ball" is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitaliz...
Like most of Leroy Anderson's efforts, "Belle of the Ball" is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitaliz...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Though Hubay was best known as a violinist, he also distinguished himself as a composer. His FANTAISIE BRILLANTE was written in 1877. Demanding considerable technique, it contains the opera's greatest...
Though Hubay was best known as a violinist, he also distinguished himself as a composer. His FANTAISIE BRILLANTE was written in 1877. Demanding considerable technique, it contains the opera's greatest...
- Violin and Orchestra
- Score
- Edwin F. Kalmus
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Though Hubay was best known as a violinist, he also distinguished himself as a composer. His FANTAISIE BRILLANTE was written in 1877. Demanding considerable technique, it contains the opera's greatest...
Though Hubay was best known as a violinist, he also distinguished himself as a composer. His FANTAISIE BRILLANTE was written in 1877. Demanding considerable technique, it contains the opera's greatest...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks