Sheet Music for Symphonic Orchestra
Richard Strauss composed his second horn concerto about 60 years after his first horn concerto, having recently considered that his actual creativity had come to an end with his opera Capriccio. The l...
Richard Strauss composed his second horn concerto about 60 years after his first horn concerto, having recently considered that his actual creativity had come to an end with his opera Capriccio. The l...
- Horn and Orchestra
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Ravel’s plans for a piano concerto can be traced back to 1906, but it was not until early 1929 that the composer began working on it in earnest. Since its successful premiere in January 1932, the Conc...
Ravel’s plans for a piano concerto can be traced back to 1906, but it was not until early 1929 that the composer began working on it in earnest. Since its successful premiere in January 1932, the Conc...
- Piano and Orchestra
- Score (Urtext)
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Orchestral material according to the new Brahms complete edition of the G. Henle Verlag. 4 milestones of the repertoire authentically edited Since recently, the four Brahms symphonies are available in...
Orchestral material according to the new Brahms complete edition of the G. Henle Verlag. 4 milestones of the repertoire authentically edited Since recently, the four Brahms symphonies are available in...
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The Song of Fingal, Op. 17b, for mixed choir and orchestra is an arrangement of the fourth movement from the Four Songs for Women’s Choir, horns, and harp, Op. 17, which Brahms composed in 1879 at the...
The Song of Fingal, Op. 17b, for mixed choir and orchestra is an arrangement of the fourth movement from the Four Songs for Women’s Choir, horns, and harp, Op. 17, which Brahms composed in 1879 at the...
- Mixed Choir (SATB) and Orchestra
- Score (Urtext)
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Breitkopf Urtext after the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna
Breitkopf Urtext after the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna
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Breitkopf Urtext after the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna
Breitkopf Urtext after the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna
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Johannes Brahms composed the Tragic Overture op. 81 in the summer of 1880 in Ischl, and the work was premiered that same year on December 26 under the baton of Hans Richter at the Vienna Musikverein....
Johannes Brahms composed the Tragic Overture op. 81 in the summer of 1880 in Ischl, and the work was premiered that same year on December 26 under the baton of Hans Richter at the Vienna Musikverein....
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Breitkopf Urtext after the Brahms-Gesamtausgabe of the Gesellschaft der Musikfreunde in Vienna EB 6043 is printed in score ; for performance two copies are needed
Breitkopf Urtext after the Brahms-Gesamtausgabe of the Gesellschaft der Musikfreunde in Vienna EB 6043 is printed in score ; for performance two copies are needed
- Piano and Orchestra
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Breitkopf Urtext after the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna Piano reduction by the composer
Breitkopf Urtext after the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna Piano reduction by the composer
- Low Voice, Men's Chorus (TTB) and Orchestra
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Choir: SATB / Orchestration: 2.2.2. - 2.2.3.0. - Pk - Strings
Choir: SATB / Orchestration: 2.2.2. - 2.2.3.0. - Pk - Strings
- Mixed Choir (SATB) and Orchestra
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Piano reduction by the composer
- Mixed Choir (SATB) and Orchestra
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The present Concertino in E-flat major, Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800-1846), to whom the work is also dedicated. The Concertino was firs...
The present Concertino in E-flat major, Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800-1846), to whom the work is also dedicated. The Concertino was firs...
- Bass Trombone and Orchestra
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The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...
The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...
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The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...
The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...
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formerly "Concerto grosso No. 26
formerly "Concerto grosso No. 26
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orch 16'
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- Soloists, Mixed Choir (SATB), Orchestra and Continuo
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- Soloists, Mixed Choir (SATB), Orchestra and Continuo
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- Voice, Organ and Orchestra
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For soprano, bass and orchestra. 20th Sunday after Trinity [S,B,Orch] 28' Soli: SB - 0.0.Ob d'am.0.0. - 0.0.0.0. - (Vc picc) - Bc - (Haverkampf, Ulrich)
For soprano, bass and orchestra. 20th Sunday after Trinity [S,B,Orch] 28' Soli: SB - 0.0.Ob d'am.0.0. - 0.0.0.0. - (Vc picc) - Bc - (Haverkampf, Ulrich)
- Soloists, Mixed Choir (SATB), Orchestra and Continuo
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