Sheet Music for Symphonic Orchestra
Richard Strauss composed his Horn Concerto No. 1, Op. 11, between 1882 and 1883. The work, which he wrote at the age of only eighteen and dedicated to his father, Franz Strauss—one of the most promine...
Richard Strauss composed his Horn Concerto No. 1, Op. 11, between 1882 and 1883. The work, which he wrote at the age of only eighteen and dedicated to his father, Franz Strauss—one of the most promine...
- Tuba and Orchestra
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- Angelo Piazzini
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New Critical Edition from the Internationalen Gustav Mahler Gesellschaft, Vienna
New Critical Edition from the Internationalen Gustav Mahler Gesellschaft, Vienna
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Requiem made a powerful impression at its Stockholm premiere in 1965, and it went on to win the Bonn Beethoven Prize in 1967.
Requiem made a powerful impression at its Stockholm premiere in 1965, and it went on to win the Bonn Beethoven Prize in 1967.
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This new edition incorporates the musicological findings of Jerry Bruck, sponsored by Gilbert Kaplan. Possibly the most important amongst many new discoveries in this new edition is the establishment...
This new edition incorporates the musicological findings of Jerry Bruck, sponsored by Gilbert Kaplan. Possibly the most important amongst many new discoveries in this new edition is the establishment...
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- Piano and Orchestra
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Schumann's Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann's original version of his Cello Concert...
Schumann's Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann's original version of his Cello Concert...
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New edition based on original sources by Reinhold Kubik
New edition based on original sources by Reinhold Kubik
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Written for the Ballets Russes to accompany choreography by Nijinsky, the intriguing mise en scene is, as Debussy described in a letter to Paris newspaper Le Matin: 'There is a park, a tennis court; t...
Written for the Ballets Russes to accompany choreography by Nijinsky, the intriguing mise en scene is, as Debussy described in a letter to Paris newspaper Le Matin: 'There is a park, a tennis court; t...
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- Violin and Orchestra
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Full score for Donizetti's 1832 opera Elisir D'Amore.
Full score for Donizetti's 1832 opera Elisir D'Amore.
- Soloists, Mixed Choir and Orchestra
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Paperback edition with new art cover.
- Soloists, Mixed Choir and Orchestra
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Italian only, with an introductory plot synopsis in English.
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- Piano and Orchestra
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- Edizioni Suvini Zerboni
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- Violin and Orchestra
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Klavierauszug inkl. Singstimmen. In 11 heiter beziehungsweise dramatischen Sätzen wird die märchenhafte Musik Humperdincks lebendig. Immer wieder stellen die Spieler fest: Das kenn' ich doch! Und dann...
Klavierauszug inkl. Singstimmen. In 11 heiter beziehungsweise dramatischen Sätzen wird die märchenhafte Musik Humperdincks lebendig. Immer wieder stellen die Spieler fest: Das kenn' ich doch! Und dann...
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- Piano reduction with part(s)
- Gerhard Buchner
- Musikverlag Andrea Wiegand
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Großer musikalischer Zoo mit Moderation Streichersatz: Partitur mit Text, Piano, 3 x VI l, 3 x VI lI, 1 x VI III, 2 x Va, 3 x Vc, / Kb. Die in Töne verkleideten Tiere garantieren fröhliches, kurzweil...
Großer musikalischer Zoo mit Moderation Streichersatz: Partitur mit Text, Piano, 3 x VI l, 3 x VI lI, 1 x VI III, 2 x Va, 3 x Vc, / Kb. Die in Töne verkleideten Tiere garantieren fröhliches, kurzweil...
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- Stefan Taupe
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Musik aus einer eigenen Welt - eine spannende Erfahrung für jedes Ensemble: In der Gemeinschaft des Orchesters erleben die Spieler ein romantisches Werk, das die fantastische Geschichte des Peer Gynt...
Musik aus einer eigenen Welt - eine spannende Erfahrung für jedes Ensemble: In der Gemeinschaft des Orchesters erleben die Spieler ein romantisches Werk, das die fantastische Geschichte des Peer Gynt...
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- Gerhard Buchner
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- Set of Parts
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Additional special parts: Wood I in Bb, Wood II in Bb and Eb, Wood III in C and Eb, Wood IV (1) in high Bb (tenor sax), Wood IV (2) in high Bb (bass clarinet), Brass I in C, Brass II in C, Brass III i...
Additional special parts: Wood I in Bb, Wood II in Bb and Eb, Wood III in C and Eb, Wood IV (1) in high Bb (tenor sax), Wood IV (2) in high Bb (bass clarinet), Brass I in C, Brass II in C, Brass III i...
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- Thomas Stapf
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Endlich ist Smetanas so stimmungsvolles wie mitreissendes Landschaftsbild aus Böhmen in einer Fassung für Schul- und Amateurorchester erhältlich: Mit dem geschickt vereinfachten Arrangement aus dem Mu...
Endlich ist Smetanas so stimmungsvolles wie mitreissendes Landschaftsbild aus Böhmen in einer Fassung für Schul- und Amateurorchester erhältlich: Mit dem geschickt vereinfachten Arrangement aus dem Mu...
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Ouvertüre für sinfonisches Orchester Zusatzstimmen: Holz I in B, Holz II in B, Holz III in Es (Altsax.), Holz IV in Es (Baritonsax.), Blech I in C, Blech II in C, Blech III in B (Tenorsax.), Blech IV...
Ouvertüre für sinfonisches Orchester Zusatzstimmen: Holz I in B, Holz II in B, Holz III in Es (Altsax.), Holz IV in Es (Baritonsax.), Blech I in C, Blech II in C, Blech III in B (Tenorsax.), Blech IV...
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Inhalt: C I/II in B, B I/II in C, Es I/II in F, C-Bass in hoch B
Inhalt: C I/II in B, B I/II in C, Es I/II in F, C-Bass in hoch B
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Sonderstimmenheft: Holz I (Flöte), Holz II (Oboe / Flöte), Holz III (Klarinette in B), Holz IV (Fagott), Blech I und II (Trompeten in B), Blech III (Posaune / Horn in F), Blech IV (Posaune / Tuba); Pa...
Sonderstimmenheft: Holz I (Flöte), Holz II (Oboe / Flöte), Holz III (Klarinette in B), Holz IV (Fagott), Blech I und II (Trompeten in B), Blech III (Posaune / Horn in F), Blech IV (Posaune / Tuba); Pa...
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- Thomas Stapf
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Für Streichensemble oder sinfonisches Orchester Die beiden Werke Golliwogg's Cakewalk (aus Children's Corner) und The Little Negro, entstanden in den Jahren 1908 bzw. 1909, greifen die Stilmittel des...
Für Streichensemble oder sinfonisches Orchester Die beiden Werke Golliwogg's Cakewalk (aus Children's Corner) und The Little Negro, entstanden in den Jahren 1908 bzw. 1909, greifen die Stilmittel des...
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- Barbara Fritsch
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