Orgelwerke Band III/1: Choralbearbeitungen A-L
Urtext - Kritische Quellenedition der freien Orgelwerke: BuxWV 177-178, 180-202, 210, 218
in stock
ships within 1-2 working days
Dietrich Buxtehude
Orgelwerke Band III/1: Choralbearbeitungen A-L
Urtext - Kritische Quellenedition der freien Orgelwerke: BuxWV 177-178, 180-202, 210, 218
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Dietrich Buxtehude
Orgelwerke Band III/1: Choralbearbeitungen A-L

Urtext - Kritische Quellenedition der freien Orgelwerke: BuxWV 177-178, 180-202, 210, 218

in stock
ships within 1-2 working days
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Description:

  • Pages: 96
  • Release: 03.09.2025
  • Dimensions: 305 x 230 mm
  • Weight: 386 g
  • Opus: BuxWV177 BuxWV178 BuxWV180 BuxWV181 BuxWV182 BuxWV
  • Genre: Classical Music, Classical Music (Baroque)
  • ISMN: 9790004189504
  • Pure source edition (no mixing of different traditions)
  • With texts on sources, organs, chronology, use of keys, liturgical classification as well as detailed individual notes, incl. music examples
  • Good turning points
  • Flexible part distribution (on 2 or 3 staves, good readability)
  • Contains facsimile

    The chorale-bound organ works include traditional compositional forms such as chorale variations as well as large chorale fantasias. 3 staves, easy to read)
  • Includes facsimile

    The chorale-based organ works include traditional compositional forms such as the chorale variation and the chorale ricercar alongside the large chorale fantasias. The two compositions of the "Magnificat primi toni" belong to the chorale toccata genre, in which toccata sections and fugues alternate. The chorale preludes with the expressive figurations in the upper voice and the fugal interludes belong to the late section of Buxtehude's oeuvre.

    The chorale-bound organ works are again divided into two volumes in order to achieve a manageable size. This is a source edition in which the musical text has been prepared for practical use; for example, great importance has been attached to good legibility through a flexible distribution of parts on 2 or 3 staves and good turning points. In addition to the critical report, the extensive text apparatus (in volume III/2) contains detailed information on the notation, the ornamental style and the organs at Buxtehude's places of activity in Denmark, Sweden and Lübeck.