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Bookended by two famous sonatas, the Waldstein op. 53 and the Appassionata op. 57, the F-major Sonata op. 54 has always lived in the shadows, regrettably. In this first large-scale two-movement sonata...

Mozart composed his Adagio in b minor K. 540 at a time when his financial situation was steadily deteriorating. The war against the Turks was constraining the Viennese people's interest in music - wor...

Welcome to G. Henle Publishers, dear Maestro Kissin! We are honoured and proud to be able to publish the first three opuses by world-renowned, inspired pianist Evgeny Kissin, who for some years now ha...

Like the 'Eroica Variations' op. 35, the Variations op. 34, were composed in 1802 on an original theme. The 'new fashion' Beethoven declared for both works to his publisher becomes apparent in opus 34...

The French Overture BWV 831 was published by J.S. Bach in 1735 together with the famous Italian Concerto as the second part of his 'Clavier-Übung'. The designation as 'overture' may be somewhat decept...

In addition to the great cycles such as the English and French Suites, the Goldberg Variations or the Well-Tempered Clavier, Bach also left behind a wealth of individual pieces with a wide variety of...

Aside from the violin Chaconne (HN557) and the ten Chorale Preludes for organ (HN1293), the Prelude and Fugue in D major ranks among the best-known piano transcriptions Busoni fashioned from J. S. Bac...

It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed f...

It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed f...

The compositions united here provide a good overview of the diversity of the variation genre in Beethoven's early piano works - and present such moderate technical demands that even advanced beginners...

Among the Variations on an Original Theme, WoO 80 from 1806 constitutes a special case in that Beethoven consciously draws on older practices. A chromatically descending bass line in the theme provide...

The composition and publication of the first two volumes of Liszt's 'Années de pèlerinage' are closely interlinked. Barely a year after returning from Switzerland, Liszt and his companion Marie d'Agou...

Charles Valentin Alkan's cycle of variations Le Festin d'Ésope derives from his monumental series of etudes op. 39, the 12 Études dans tous les Tons Mineurs, and forms the culmination of that work. No...

In the “Nocturnes” for orchestra and women’s chorus, composed between 1897 and 1899, Debussy realised his concept that the musical form should emerge freely from the material. With the tripartite stru...

> Joint publishing venture with Editio Musica Budapest Bartók used different melodies taken from Romanian instrumental folk music in his Sonatina. A look at the sources shows how, in 1915, the piece s...

The four-movement Suite op. 14 was composed in 1916 and was one of Bartók's favourite piano works throughout his life. Unlike in his other works for piano of these years, he did not use any folksong m...

In a note for the planned first edition of his Hungarian Peasant Songs in 1914, Bartók wrote that 'the melodies published here are folksongs in the truest sense of the word; more precisely, peasant so...

Bartók's Romanian Christmas carols are based on folk melodies that originated in a pagan celebration of the winter solstice, and which he felt gave 'the impression of a fiery, war-like type of song, r...

Of the many works Bartók composed on Hungarian and Romanian folk melodies between 1914 and 1918, these three piano pieces occupy a special place. Originally outlined for the collection 15 Hungarian Pe...

Bartók's Mikrokosmos is one of the milestones in the pedagogical piano repertoire - and yet it is also far more than a 'classical' piano primer. These 153 piano pieces, organised in ascending order of...

Bartók's Mikrokosmos is one of the milestones in the pedagogical piano repertoire - and yet it is also far more than a 'classical' piano primer. These 153 piano pieces, organised in ascending order of...

Bartók's Mikrokosmos is one of the milestones in the pedagogical piano repertoire - and yet it is also far more than a 'classical' piano primer. These 153 piano pieces, organised in ascending order of...

With these three studies Bartók quite deliberately aimed to leave his mark on New Music in 1918. The first study is a kind of super-charged, motorically vehement Allegro barbaro, while the second, wit...

The seven years that the Spanish composer Falla spent in Paris (from 1907 to 1914) marked a turning point in his compositions. His encounter with contemporary, French Impressionist music made a big im...