Bärenreiter Verlag Sheet Music

Zadok the priest' and 'The King shall rejoice' are the two best-known of the four Coronation Anthems that Handel wrote for the coronation of George II in London in 1727. HWV 258 was performed for the...

Zadok the priest and "The King shall rejoice" are the two best-known of the four Coronation Anthems that Handel wrote for the coronation of George II in London in 1727. HWV 258 was performed for the k...

Beethoven often incorporated musical influences from other countries in his works. Jean Kleeb has picked up on this idea and developed it further in these arrangements for piano solo. In his tributes...

Beethoven's music spans the whole world - and this inspired Jean Kleeb to create his arrangements for piano. He arranges his echoes of Beethoven's music in a way that is typical of the style and count...

270 Volkslieder in leichten Klaviersätzen verschiedener Komponisten. Text unterlegt und Folgestrophen. Klavierausgabe - Sammelband; Liederbuch

Mazel tov Durch die Klarinette, einem der Hauptinstrumente der Klezmermusik, erschließt sich das Spektrum aschkenasisch-jüdischen Musizierens in den vorliegenden Arrangements sofort. Acht Stücke stehe...

Spirituals erfreuen sich weiterhin wachsender Beliebtheit, neue Formationen werden täglich gegründet, Schul- und Kirchenchöre bekommen mit diesem Schwerpunkt ihre Nachwuchssorgen in den Griff. Die vor...

Basierend auf dem Notentext der Bärenreiter-Klavierauszüge erscheinen drei Bände, die einige von Händels wohl bekanntesten Arien für Mezzosopran / Alt, Tenor und Bass, aber auch einige weniger bekannt...

Die für diesen Band ausgewählten sechs Kammerduette für Sopran und Alt entstanden 1710-12 in Hannover (HWV 178, 185, 197) sowie 1740-45 in London (HWV 181, 190, 186). Durch ihr hohes Maß an Konsequenz...

To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....

> Third volume from the new five-volume Urtext edition of Dvorák's complete songs > One of the most popular and best-known song cycles of the romantic repertoire > Extensive Foreword (Cz/Eng/Ger) and...

> Third volume from the new five-volume Urtext edition of Dvorák's complete songs > One of the most popular and best-known song cycles of the romantic repertoire > Extensive Foreword (Cz/Eng/Ger) and...

Handel's three-act opera 'Sosarme, Re di Media' (HWV 30) was performed for the first time in 1732 with star castrato Senesino in the title role. The plot centres on a family conflict over the successi...

Three poems by the French lyricist Louis Amade, known for his texts for Edith Piaf and Gilbert Bécaud, form the basis for a series of pictograms of human emotional states. While keeping to singeable m...

Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" – both...

The "Missa Cellensis", composed in 1782, is better known as the "Mariazell Mass", with reference to the pilgrimage site of Mariazell in Styria, where it was performed. The revision of the complete vol...

> Second volume of the new five-volume Urtext edition of the complete songs > First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Some songs appear f...

> Second volume of the new five-volume Urtext edition of the complete songs > First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Some songs appear f...

The Czech composer Zdenek Fibich (1850-1900) had a keen interest in classical German literature. It therefore comes as no surprise that he had already set songs to texts by Johann Wolfgang von Goethe...

The Missa in B flat KV 275 was written in 1777. Following the tradition of the "Missa brevis", the movements are short, and in text-rich movements such as the "Credo", different text passages are sung...

Prince-Archbishop Hieronymus Graf von Colloredo demanded a mixed form for the masses performed in Salzburg: a Missa brevis in length, a Missa solemnis with timpani and trumpets in the instrumentation....