Bärenreiter Verlag Sheet Music

52 Liedsätze und kleine Motetten überwiegend für gleiche Stimmen, einige für gemischte Stimmen (SAMSt), einige mit Ritornellen für 3 Melodieinstrumente ad lib. zum Gebrauch in Kirchen-, Schul- und Lai...

> First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Singing translations in German (by Max Brod) and English (by Bernard Keefe) > Numbers 9 to 11...

Handel set the myth of the love of the shepherd Acis for the sea nymph Galatea from Ovid's Metamorphoses a total of three times: in the cantata "Aci, Galatea e Polifemo" HWV 72 (1708), the masque "Aci...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

In Georg Philipp Telemann’s opera “Orpheus”, the focus is not on Eurydice, but on Queen Orasia, who is inflamed with mad but unrequited love for the legendary singer. The first documented performance...

Sopran solo (2), Alt solo, Tenor solo (2), Bsolo, Gemischter Chor-SSATB, Trompete (2), Streicher, Basso continuo - Klavierauszug

English Masque in 3 parts. Piano reduction based on the Urtext of the Halle Handel Edition (English/ German) - Vocal Score based on the Urtext of the Halle Handel Edition (English/ German). Soprano so...

Sopran solo (2), Mezzosopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn (2), Streicher, Basso continuo - Klavierauszug; Gesamtausgabe; Urtextausgabe V o k A l m u s i...

Imeneo was performed for the first time on November 22, 1740 at the theater in Lincoln's Inn Field in London; a second performance took place on December 13, 1740. In contrast to the variety of events...

Melodrama in three acts (1852/1853) Libretto: Francesco Maria Piave (after Alexandre Dumas the Younger's novel "La Dame aux camélias" from 1848 in his stage adaptation from 1852) (Italian) Premiere: 6...

Dramma giocoso (opera) in 2 acts. Piano reduction after the Urtext of the New Mozart Edition (German/Italian). Soprano solo (3), tenor solo, baritone solo, mixed choir, bass solo (3), flute (2), oboe...

Due to numerous customer requests, Bärenreiter will be successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a lo...

Due to numerous customer requests, Bärenreiter will be successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a lo...

Opera buffa in 4 acts. Piano reduction after the Urtext of the New Mozart Edition (Italian/German). Soprano solo (5), tenor solo (2), bass solo (4), mixed choir, flute (2), oboe (2), clarinet in b fla...

Opera buffa in vier Akten (deutsch/italienisch). Neue Ausgabe des Klavierauszuges nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo (5), Tenor solo (2), Bass solo (4), Gemischter Chor, Flöte (2),...

The opera "Le nozze di Figaro" by Wolfgang Amadeus Mozart and Lorenzo Da Ponte, which premiered on May 1, 1786 at the Vienna Court Theatre, can be regarded as one of the greatest operatic successes of...

Soprano solo (3), Tenor solo (3), Mixed choir, Piano - Piano reduction; Urtext edition V o c a l m u s i c - Stage works - Opera

Alt solo, Tenor solo, Bass solo, KlGemCh-ATB, GrGemCh-STB+STB (2), Orchester - Klavierauszug; Urtextausgabe

Franz Schubert's 'Stabat Mater' D 175 is one of a number of church works that he wrote for his local congregation in Lichtental. This edition is based on the sole surviving source, the composer's auto...

This edition of Franz Schubert's 'Magnificat' D 486 is based on the composer's autograph score and is the first to make use of his authorised performance material. It offers alternative readings that...