Bote & Bock Sheet Music

Durch seine lebendige Streitlust bereichert der Disput der beiden (Gegen-)Spieler Horn und Klavier das Repertoire dieser Duo-Besetzung. In der musikalischen Auseinandersetzung schrecken die Kontrahent...

The 10-minute piece was written in 2006 for the Berlin Philharmonic's education/dance project 'Modern Times', three years after the orchestra had caused a sensation with 'Rhythm Is It!'. Purple Silenc...

Die Solostimmen sind nicht im Stimmensatz enthalten, sondern im Klavierauszug.

Aphorisms II' contains six short movements. - After the playful, restless two-part counterpoint of the first three movements Movement IV with its slow, melodic legato lines strikes a new tone. In cont...

1968 schuf Ursula Mamlok für den Klarinettisten Jack Kreiselman ein Solowerk, dass von jeglichem Klarinettenspieler nicht nur hohe Virtuosität sondern auch eine enorme Akribie erfordert und dazu noch...

Das dreieinhalbminütige Stück (eingespielt vom Acacia Quartet auf der CD Blue Silence beim Label Vexations840) gehört zu einer Reihe melancholischer Miniaturen, die die usbekisch-australische Komponis...

Ursula Mamlok hat in ihren Werken die Schoa nicht thematisiert. Eine Ausnahme bildet der Rückblick für Saxophon und Klavier, den sie 2002 im Auftrag der Temple University zur Erinnerung an die Reichsp...

The Shoa never was a theme in the works of Ursula Mamlok - with the exception of Rückblick for saxophone and piano which she wrote in 2002 on commission of the Temple University in memory of Kristalln...

In 1996, clarinettist Peter Jenkin, a member of the Sydney Alpha Ensemble, asked several composers in Australia to write one-minute pieces for a concert. Elena Kats-Chernin drew on melodic and harmoni...

Hopes and worries in the face of a social situation in Germany that the composer found disturbing find expression in this character piece in the Schumann tradition. Past and present enter into dialogu...

Grand Rag is part of a project in which 67 composers each composed a piece for solo musicians of ANAM (Australian National Academy of Music) in 2021. Elena Kats-Chernin wrote her piece in close collab...

While composing Joy in a Minor Key I attempted to achieve a fleeting, light, poetic, almost never 'touching the ground' quality. The piece is written in my favourite form of rondo waltz with a coda,'...

When I came to Sydney from Russia in 1975 with my sister and parents, we took only a few belongings with us, including beautiful hand-embroidered bed linen. It was so valuable that we never used it. O...

Born in Prague in 1901, Hans, or rather Hanuš Winterberg, had found his style around the mid-1930s, to which he would remain faithful until the end of his life, representing a unique but not untypical...

Piri came into being two and a half years after Isang Yun was imprisoned in Seoul. 'Piri' is the name of the traditional Korean oboe, of which at least three kinds exist in different sizes. They were...

In his preface to the new critical edition of the 'Seventh Symphony', Dr. Reinhold Kubik (editor and vice-president of the International Gustav Mahler Society) reflects on the reception of Mahler and...

Brahms' sketch of his 'Vier Ernste Gesänge' suggests the possibility of orchestration. 'Detlev Glanert took up this suggestion and developed it even further. He orchestrated the songs for orchestra, a...

Ursula Mamlock, who emigrated from Germany in 1939, composed 2000 Notes, her most important work for piano solo, in New York. Here she studied and taught composition until she returned to her native c...

Mike Svoboda continues his series of Concert Etudes for Solo Trombone consistently with Etudes Nos. 6 and 7. While the first five pieces of the ten-part collection were primarily pedagogically motivat...

Mike Svoboda continues his series of Concert Etudes for Solo Trombone consistently with Etudes Nos. 6 and 7. While the first five pieces of the ten-part collection were primarily pedagogically motivat...

Hans Winterberg, born in Prague in 1901, belonged to the group of young Czech composers following in the footsteps of Leoš Janá?ek, (who died in 1928), who had received their cultural formative years...