Breitkopf & Härtel Sheet Music

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

Until now, Schubert's most popular 'Youth Mass' often sounded with strings only. Then the set of parts written by Franz Schubert himself was recovered in Klosterneuburg.

Franz Schubert’s Mass No. 2 in G major, D 167, is undoubtedly one of the most beloved and melodious early masses by the Viennese master. For a long time, this graceful masterpiece for soloists (STB) a...

Franz Schubert's Mass No. 2 in G major, D 167, is one of the most charming and beloved sacred works of the Romantic era. For a long time, this famous 'youth mass' was mostly performed in a version for...

Franz Schubert's Mass No. 2 in G major, D 167, is one of the most radiant and cherished masterpieces of his early period. For a long time, this graceful "youth mass" was performed primarily with strin...

Franz Schubert’s Mass No. 2 in G major, D 167, stands as one of the most touching and cherished sacred masterworks of the Romantic era. For generations, this popular early Mass was often performed wit...

Franz Schubert's Mass No. 2 in G major, D 167, is undoubtedly one of the most cherished and moving sacred works of the early Romantic era. For a long time, this famous "youthful mass" was performed pr...

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

Schubert's last great mass, whose premiere in October 1829 he did not live to see. .

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.