Carus-Verlag Sheet Music

Kantate zum 3. Weihnachtsfesttag (Urfassung) - Bachs Kantate BWV 151, deren wundervoll-innige Eingangsarie mit Recht den 'glücklichsten Eingebungen Bachs' (Alfred Dürr) zugerechnet wird, ist zum 3. We...

Kantate zum 3. Weihnachtsfesttag (Urfassung) - Bachs Kantate BWV 151, deren wundervoll-innige Eingangsarie mit Recht den 'glücklichsten Eingebungen Bachs' (Alfred Dürr) zugerechnet wird, ist zum 3. We...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

Kantate zum 2. Sonntag nach Epiphanias. Soli SATB, Coro SATB, Fg, Str, Org - Tonart d-Moll / F-Dur

Kantate zum 2. Sonntag nach Epiphanias. Soli SATB, Coro SATB, Fg, Str, Org - Tonart d-Moll / F-Dur

Kantate zum 2. Sonntag nach Epiphanias. Soli SATB, Coro SATB, Fg, Str, Org - Tonart d-Moll / F-Dur

Ich steh mit einem Fuß im Grabe BWV 156 is one of Johann Sebastian Bach's few surviving cantatas on texts from what is known as the Picander period. As in several other cantatas on texts by this poet,...

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

Kantate für eine Trauerfeier bzw. zum Fest Mariae Reinigung - Rekonstruktion der mutmasslichen Urfassung (Klaus Hofmann); Entstehungsdatum nicht sicher. Soli TB, Coro SATB, Fl, Obda, Vada (Vl), Org -...

Kantate für eine Trauerfeier bzw. zum Fest Mariae Reinigung - Rekonstruktion der mutmasslichen Urfassung (Klaus Hofmann); Entstehungsdatum nicht sicher. Soli TB, Coro SATB, Fl, Obda, Vada (Vl), Org -...

Possibly composed during the time at Weimar (1708-1717)

Kantate am Fest Mariae Reinigung, oder am dritten Osterfesttag - möglicherweise während der Weimarer Zeit (1708-1717) komponiert. Soli SB, Coro SATB, Ob, Vl solo, Vc/Cb, Org - Tonart D-Dur / e-Moll

Kantate zum Sonntag Estomihi. Soli SATB, Coro SATB, Ob, Fg, Str, Org - Tonart c-Moll / Es-Dur

Kantate zum Sonntag Estomihi. Soli SATB, Coro SATB, Ob, Fg, Str, Org - Tonart c-Moll / Es-Dur

Die Kantate wurde wahrscheinlich am 27.9.1716, dem 16. Sonntag nach Trinitatis, in der Weimarer Schlosskirche erstmals aufgeführt. Der Text entstammt dem Kantatenjahrgang 'Evangelisches Andachts-Opffe...