Henle Verlag Sheet Music

Gallant' and 'sensitive' by no means implies boring and old-fashioned. Proof of this is given by Franz (František) Benda, the Bohemian Paganini of the 18th Century. Not only was his life extremely col...

Nicolò Paganini numbers among the few musicians who attained fame by playing and writing for only a single instrument. His works for violin solo are unique, and his appearances as virtuoso fascinated...

'Virtuoso piece in the style of a Hungarian rhapsody” - thus reads Ravel's entry on 'Tzigane” in the so-called 'Autobiographical Sketch”. Composed in 1924, there are three versions of this work: with...

Bach's E major Violin Concerto has survived solely in the form of a copy, but in view of its significant compositional substance, and of Bach's arrangement (which has come down to us as an autograph)...

The violin part was edited by Wolf-Dieter Seiffert, who published further Urtext editions by Mozart with Henle Verlag (including the complete sonatas for piano and violin, HN77, 78, 79, 80). The caden...

'I would gladly have done some more fiddling, but I was accompanied so badly that it gave me the colic.' Thus Mozart, writing to his father on 16 October 1777. He would probably have taken great pleas...

In 1838 Robert Schumann complained: 'The piano is becoming too narrow for me. I often hear in my current compositions a lot of things that I can hardly indicate'. Thus, in 1840, Schumann dedicated him...

The 'little' D-major Violin Concerto has no need to hide behind its 'big sister', K. 218. Not only does it challenge the player's technique, it's a masterpiece of the first order. Henle's edition stan...

This is not only Mozart's first concerto for the violin but his first concerto altogether. He composed it at the age of 17, writing it in Salzburg in 1773 two years before his other four violin concer...

For years Henle has been issuing urtext piano reductions of Mozart's works for violin and orchestra at six-month intervals. Now the time has come for the three single movements. These incomparable tre...

Once again, Henle can boast of an important new addition to its Pantheon of great composers: Ernest Chausson. Based on a novella by the Russian novelist Ivan Turgenev, the Poème for violin and orchest...

The Sonata in G major owes its epithet 'Rain Song Sonata' to two melodies from Brahms' 'Rain Songs' op. 59 nos. 3 and 4 which are quoted at the beginning of the last movement. An ornamental leaf with...

They are in a light style, intended more for use in the home than for concert performance'. Thus Smetana described these two duets in which he memorialised his Bohemian homeland. It is a fact, though...

In 1849 Schumann endowed three wind instruments with chamber music works: the clarinet with the 'Three Fantasy Pieces' op. 73, the horn with the 'Adagio and Allegro' op. 70 and the oboe with the prese...

The genesis of Berg's Violin Concerto in 1935 is shrouded in tragedy. He had only just finished making the first sketches when Manon Gropius - the daughter of Walter Gropius and Alma Mahler, with whom...

Pablo de Sarasate’s Fantasy on themes from "The Magic Flute" was published in 1908 and is generally considered his last work. The dazzling operatic paraphrase showcases not only breathtaking virtuosit...

Who does not know them, the famous arias from Mozart’s "Don Giovanni", which in their contrasts show the whole gamut of human emotional states? Pablo de Sarasate wove the most popular of these melodie...

Ludwig van Beethoven wrote his ten violin sonatas during a period of just fifteen years, between 1797 and 1812. Using our carefully revised two-volume edition of the complete sonatas, the performer ca...

Fauré composed his violin sonata in 1875/76 and in so doing opened up a new tradition for this genre in French music. In a review, Saint-Saëns expressed his enthusiasm for this work by his friend and...

Johannes Brahms's organ works in a sense 'frame' his whole oeuvre. He wrote several preludes and fugues and the chorale prelude 'O Traurigkeit, o Herzeleid' in the mid-1850s, at a time when he was mak...

Robert Schumann revered Johann Sebastian Bach and his polyphonic style throughout his life. Thus the 'Six Studies in Canonic Form' op. 56 and 'Four Sketches' op. 58 for pedal piano, which are reminisc...

'For me, Sebastian Bach is the be-all and end-all of music; true progress lies and resides in him alone.' It was with these programmatic words that Max Reger prefaced his answer to a survey 'What does...

Max Reger, the creator of forbiddingly difficult organ music, could also take a different tack. His 'Thirty Little Chorale Preludes' are intended for semiprofessional organists always on the lookout f...

This volume brings together central works to Reger's output for the organ, such as the popular 'Introduction and Passacaglia' in d minor, which Reger wrote as a benefit-work to assist towards the rebu...

Leoš Janá?ek composed his Suite for wind instruments Mládí (in English youth) in 1924, so when he was over 70. Numerous sources still survive for this work, making it difficult to establish the defini...