International Music Publications (IMP)

Mel Gibson's epic film Braveheart was a cinema hit (if historically inaccurate) and the music by James Horner was incredibly memorable. Andrew Duncan has taken some of these themes and created A Brave...

Hedwig's Theme, from Harry Potter and The Sorcerer's Stone, is probably the most recognisable of all the themes from John Williams' score to the Harrp Potter films. The music has been arranged for bra...

An arrangement for brass band, by Steve Sykes, of John Williams' theme from the final Star Wars film 'Return of the Jedi'.

'Fanfare And Flying Theme' From E. T. - The Extra Terrestrial, arranged for Brass Band by Steve Sykes. Music by John Williams. Includes Score and Parts.

Scooby Doo (Where Are You?) arranged for Brass Band. Words and music by Ben Raleigh and David Mook. Arranged by Andrew Duncan. Includes Score and Parts.

John Williams' fun-filled and rousing score from the motion picture The Cowboys reflects a Copland-influenced Western American landscape. Steve Sykes has skillfully arranged the Overture for Brass Ban...

Music from the movie blockbuster composed by James Horner and arranged for Brass Band by Andrew Duncan.

Music by John Williams arranged for Brass Band and Percussion by Andrew Duncan.

Music from Star Wars Episode I: The Phantom Menace and Star Wars Episode II: Attack of the Clones, arranged for Brass Band, Percussion and SATB Choir (or Keyboard) by Andrew Duncan.

A medley of John Williams favourites including Star Wars (Main Theme), March (1941), Imperial March from Star Was Episode V: The Empire Strikes Back, Olympic Spirit, and Superaman (Main Theme). Arrang...

The musical, My Fair Lady, a book and lyrics by Alan Jay Lerner and music by Frederick Loewe, is based on George Bernard Shaw's Pygmalion. The show's 1956 Broadway production was a smash hit, setting...

SATB a capella, with optional guitar, bass, and drums.

From the motion picture About a Boy comes this matching folio to accompany Damon Gough's album of music that so perfectly set the tone for the movie.

Progressive jazz piano solo written as part of the score for the Peter Gunn film by Henry Mancini.

D. Savino's luscious arrangement of the famous Harold Arlen song from Wizard of Oz for the late intermediate pianist will recall all the charm and beauty of the movie's original orchestral version.

Learn to play your favourite Film & T. V Themes with backing tracks. The book contains carefully selected and edited piano arrangements and chord symbols. The CD contains full backing tracks professio...

This intermediate-level arrangement in G Major uses primarily a single-note melody in the right hand and 2- and 3-note left hand chords. The sound is full and realistic, while being accessible to stud...

A collection of light repertoire pieces for pianists aiming towards grade two standard.

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing t...

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing t...

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing t...

The Take the Lead series provides all players with well-known songs and tunes as quartets. Parts have been arranged to ensure that playing any one of them is interesting and musically satisfying and t...

Learn to play your favourite Film & T. V Themes with backing tracks. The book contains carefully selected and edited top line arrangements and chord symbols. Also includes fingering charts and a guide...

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing t...

This opera had its premiere on December 31, 1879, at the Fifth Avenue Theater in New York with Arthur Sullivan conducting. It opened on April 3, 1880, at the Opera Comique in London and ran for 363 pe...