Symétrie

Far from being an isolated work in Max d'Ollone's production, L'Été (Summer) belongs with Hymne, Dans la tempête and Sous-Bois to a set of four chorus written in the particular context of the competit...

Far from being an isolated work in Max d'Ollone's production, Sous-Bois (Underwood) belongs with L'Été, Hymne and Dans la tempête to a set of four chorus written in the particular context of the compe...

Far from being an isolated work in Max d'Ollone's production, Pendant la tempête belongs with L'Été, Hymne and Sous-Bois to a set of four chorus written in the particular context of the competition fo...

The first thing that stands out in the overture is the instrumentation, which includes two harps and a celeste. We hear these instruments, in an andante in 3/8, for 22 of the first 24 bars. Their timb...

The Piano Concerto in B minor op. 3 (MoszWV 160) was composed during his time in Berlin at the Neue Akademie der Tonkunst where Moszkowski became a teacher in 1872 while he was still a student. Togeth...

Confronting the night is probably the first time a child feels destabilised. The familiar outlines of the bedroom fade away into the darkness, the comforting face of the mother disappears behind the d...