Symétrie

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

Details: 1 flute (flute in G), 1 oboe (English horn, oboe d'amore), 1 bass clarinet in B-flat (basset horn in F, piccolo clarinet in E-flat), 1 horn, 1 trumpet, 1 piano and celesta, 1 percussionist (v...

This work is a motet with several numbers dividing the Magnificat in 7 parts. The piece is entirely handwritten like all works by Grénon currently known. We have a five-part full score (that we will c...

After I had transcribed the Épigraphes antiques, beautifully performed several times by the Ensemble orchestral contemporain, I was invited by Daniel Kawka to renew the experience with Debussy's Prélu...

After I had transcribed the Épigraphes antiques, beautifully performed several times by the Ensemble orchestral contemporain, I was invited by Daniel Kawka to renew the experience with Debussy's Prélu...

As I was working on this transcription of Ernest Chausson's Poème de l'amour et de la mer op. 19 for voice, string quartet and piano, I wanted above all to respect the absolute uniqueness of that work...

As I was working on this transcription of Ernest Chausson's Poème de l'amour et de la mer op. 19 for voice, string quartet and piano, I wanted above all to respect the absolute uniqueness of that work...

As I was working on this transcription of Ernest Chausson's Poème de l'amour et de la mer op. 19 for voice, string quartet and piano, I wanted above all to respect the absolute uniqueness of that work...

As I was working on this transcription of Ernest Chausson's Poème de l'amour et de la mer op. 19 for voice, string quartet and piano, I wanted above all to respect the absolute uniqueness of that work...

Confronting the night is probably the first time a child feels destabilised. The familiar outlines of the bedroom fade away into the darkness, the comforting face of the mother disappears behind the d...

For a long time I have been trying to transpose… The dance writing, in its notation and drawing of symbolic elements, has always appeared to me, through the various work collaborations with choreograp...

The scene published here is taken from the first act. It consists of seven main sections, with an overall structure of three parts: soliloquy - dialogue - duet. We see first of all Phaon, who is singi...

The Wesendonck-Lieder were written in 1857-1858 in an exceptional momentum of creative effervescence, of musical and cultural search, and of passionate love. Wagner develops the chromatic writing that...

The Wesendonck-Lieder were written in 1857-1858 in an exceptional momentum of creative effervescence, of musical and cultural search, and of passionate love. Wagner develops the chromatic writing that...

Heather Dohollau's poetry always ventures to the border of words and silence. A native of Wales but having lived in France since 1950, Heather Dohollau (1925-2013) had found, through the confrontation...

Like Vom Blau, Kristall, Gegenlicht, Sommerbericht, written respectively for double bass, alto saxophone, bass clarinet and a percussion septuor, Lob der Ferne is a poem from Paul Celan's cycle "Der S...

Like Vom Blau, Kristall, Gegenlicht, Sommerbericht, written respectively for double bass, alto saxophone, bass clarinet and a percussion septuor, Lob der Ferne is a poem from Paul Celan's cycle "Der S...

Details: chromatic trumpet and string quintet

Three vocal quartets; a small assembly of percussions; a composition written for twelve different voice parts; three languages in a text incuding the Occitan of Bernard de Ventadour; rhythmical layers...

Three vocal quartets; a small assembly of percussions; a composition written for twelve different voice parts; three languages in a text incuding the Occitan of Bernard de Ventadour; rhythmical layers...

Like Vom Blau, Kristall, Gegenlicht, Sommerbericht, written respectively for double bass, alto saxophone, bass clarinet and a percussion septuor, Lob der Ferne is a poem from Paul Celan's cycle "Der S...