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The work is a tribute to the Hungarian composer Zoltán Kodály (1882-1967). The lyrical cantilenas, dramatic recitatives and the chamber music approach of the piece represent an equally demanding chall...
The work is a tribute to the Hungarian composer Zoltán Kodály (1882-1967). The lyrical cantilenas, dramatic recitatives and the chamber music approach of the piece represent an equally demanding chall...
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Five Miniatures for Solo Trombone shows both the technical agility and the lyrical, expressive side of the trombone. The work was composed for James Miller and consists of five contrasting movements:...
Five Miniatures for Solo Trombone shows both the technical agility and the lyrical, expressive side of the trombone. The work was composed for James Miller and consists of five contrasting movements:...
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Five Miniatures for Solo Trombone shows both the technical agility and the lyrical, expressive side of the trombone. The work was composed for James Miller and consists of five contrasting movements:...
Five Miniatures for Solo Trombone shows both the technical agility and the lyrical, expressive side of the trombone. The work was composed for James Miller and consists of five contrasting movements:...
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Sunbeam differs from the conventional idea of a trombone concerto. It is a work that was created with deliberate steps and without haste - like a walk through a landscape while the world rushes by. Th...
Sunbeam differs from the conventional idea of a trombone concerto. It is a work that was created with deliberate steps and without haste - like a walk through a landscape while the world rushes by. Th...
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Sunbeam differs from the conventional idea of a trombone concerto. It is a work that was created with deliberate steps and without haste - like a walk through a landscape while the world rushes by. Th...
Sunbeam differs from the conventional idea of a trombone concerto. It is a work that was created with deliberate steps and without haste - like a walk through a landscape while the world rushes by. Th...
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The three movements of this concerto, written 1990-91 in Erevan (Armenia) during a dramatic and difficult period (catastrophic earthquake and turbulent political situation) bring out not only the emot...
The three movements of this concerto, written 1990-91 in Erevan (Armenia) during a dramatic and difficult period (catastrophic earthquake and turbulent political situation) bring out not only the emot...
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The three movements of this concerto, written 1990-91 in Erevan (Armenia) during a dramatic and difficult period (catastrophic earthquake and turbulent political situation) bring out not only the emot...
The three movements of this concerto, written 1990-91 in Erevan (Armenia) during a dramatic and difficult period (catastrophic earthquake and turbulent political situation) bring out not only the emot...
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Exact instrumentation: 2.2.2.2. - 2.2.0.0. - timpani, grand cassa - strings The present work published here for the first time bears the title: 'Concertino für die Tenor Bass Posaune mit Begleitung de...
Exact instrumentation: 2.2.2.2. - 2.2.0.0. - timpani, grand cassa - strings The present work published here for the first time bears the title: 'Concertino für die Tenor Bass Posaune mit Begleitung de...
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- Istvan Mariassy
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When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...
When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...
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Trombone and string orchestra or piano.
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On a characteristic tango atmosphere, a melancholic and sensual melody opens the first piece. A simple and vibrant chant comes next, in a frame that's sometimes rarefied, sometimes passionate. The fin...
On a characteristic tango atmosphere, a melancholic and sensual melody opens the first piece. A simple and vibrant chant comes next, in a frame that's sometimes rarefied, sometimes passionate. The fin...
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The idea for the Olmütz Concerto was suggested by my husband, Richard, himself a trombone player and musicologist. When pursuing research in Olomouc, Czechoslovakia (formerly Olmütz, Moravia) he came...
The idea for the Olmütz Concerto was suggested by my husband, Richard, himself a trombone player and musicologist. When pursuing research in Olomouc, Czechoslovakia (formerly Olmütz, Moravia) he came...
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Concerto No. 1 (Trombone in Bass Clef)
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- Benny Sluchin
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Concerto No. 1 (Trombone in Bass Clef)
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- Benny Sluchin
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Commissioned by the International Geneva Music Competition as the required piece for its 54th competition in 1998, the work consists of three parts that are played without breaks. A motif of fifths an...
Commissioned by the International Geneva Music Competition as the required piece for its 54th competition in 1998, the work consists of three parts that are played without breaks. A motif of fifths an...
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- Bass Trombone and Piano
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Biagio Marini was born in 1597 in the remarkably musical Lombardy town of Brescia, which was, since the early sixteenth century, a center of organ, lute, and viol manufacture, and became even more ren...
Biagio Marini was born in 1597 in the remarkably musical Lombardy town of Brescia, which was, since the early sixteenth century, a center of organ, lute, and viol manufacture, and became even more ren...
- 2 bass trombones and basso continuo
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- Leslie Bassett
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Biagio Marini was born in 1597 in the remarkably musical Lombardy town of Brescia, which was, since the early sixteenth century, a center of organ, lute, and viol manufacture, and became even more ren...
Biagio Marini was born in 1597 in the remarkably musical Lombardy town of Brescia, which was, since the early sixteenth century, a center of organ, lute, and viol manufacture, and became even more ren...
- 2 bass trombones and basso continuo
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- Leslie Bassett
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