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In 1966, New York clarinetists Jack Kreiselman and Daniel H. Leeson were engaged to play the two Mendelssohn concert pieces at the Brooklyn Museum (broadcast live on WNYC radio). Daniel Leeson asked R...
In 1966, New York clarinetists Jack Kreiselman and Daniel H. Leeson were engaged to play the two Mendelssohn concert pieces at the Brooklyn Museum (broadcast live on WNYC radio). Daniel Leeson asked R...
- Ensemble
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Score and solo parts In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard La...
Score and solo parts In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard La...
- Flute, Viola d'Amore and Strings
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In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard Lane to consider writing...
In early 1986, with the approaching Third International Viola d'amore Congress, July 10-12, 1986 at The University of Texas at Austin, Texas, USA, I spoke to my friend Richard Lane to consider writing...
- Flute, Viola d'Amore and Strings
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Subtitled 'Suite Franþaise,' Le Jardin Provenþal consists of four movements, none of which describe a particular garden in Provence. The first movement is a brisk Ouverture in sonata form followed by...
Subtitled 'Suite Franþaise,' Le Jardin Provenþal consists of four movements, none of which describe a particular garden in Provence. The first movement is a brisk Ouverture in sonata form followed by...
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Trumpet and Carillon (or Marimba) October 15, 1985 French trumpet player Roger Delmotte played the premiere of Aubade, accompanied by the composer on the carillon of the International Watch Museum in...
Trumpet and Carillon (or Marimba) October 15, 1985 French trumpet player Roger Delmotte played the premiere of Aubade, accompanied by the composer on the carillon of the International Watch Museum in...
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Tuba, keyboard, viola, violoncello, bass, harp, percussion. Jim Self asked me to write a piece for him. At first, I felt there was nothing I'd less rather do than write a piece for tuba! However, I re...
Tuba, keyboard, viola, violoncello, bass, harp, percussion. Jim Self asked me to write a piece for him. At first, I felt there was nothing I'd less rather do than write a piece for tuba! However, I re...
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Tuba, keyboard, viola, violoncello, bass, harp, percussion. Jim Self asked me to write a piece for him. At first, I felt there was nothing I'd less rather do than write a piece for tuba! However, I re...
Tuba, keyboard, viola, violoncello, bass, harp, percussion. Jim Self asked me to write a piece for him. At first, I felt there was nothing I'd less rather do than write a piece for tuba! However, I re...
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The work begins on a tonal introduction with broken chords after which a quasi romantic melody evolves, suggesting reveries. A chromatic contrapuntal section follows, which shows different acoustical...
The work begins on a tonal introduction with broken chords after which a quasi romantic melody evolves, suggesting reveries. A chromatic contrapuntal section follows, which shows different acoustical...
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- Brass Band (Solo/Feature: Alphorn)
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Asterism scored for 12 tenor and 4 bass trombones,was commissioned by Joseph Alessi, Principal Trombone of the New York Philharmonic for one of his annual Trombone Workshops in 2003. I always thought...
Asterism scored for 12 tenor and 4 bass trombones,was commissioned by Joseph Alessi, Principal Trombone of the New York Philharmonic for one of his annual Trombone Workshops in 2003. I always thought...
- 16 Trombones
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