Bärenreiter Urtext
Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
- Mixed Choir (STTTB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
- Mixed Choir (STTTB) and Orchestra
- Instrumental Parts: Cello, Bassoon, Double Bass and Organ (Urtext)
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This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Michael Ostrzyga
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This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Michael Ostrzyga
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This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Michael Ostrzyga
- Bärenreiter Verlag
-
ships within 2-4 working days
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola (Urtext)
- Michael Ostrzyga
- Bärenreiter Verlag
-
ships within 2-4 working days
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Michael Ostrzyga
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Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled 'Der für die Sünde der Welt gemarterte und sterbende...
Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled 'Der für die Sünde der Welt gemarterte und sterbende...
- Soloists (SAATTBB), Mixed Choir (SATB) and Orchestra
- Score (Urtext)
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Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled 'Der für die Sünde der Welt gemarterte und sterbende...
Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled 'Der für die Sünde der Welt gemarterte und sterbende...
- Soloists (SAATTBB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Walter Heinz Bernstein Andreas Köhs
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Zwischen 1716 und 1717 komponierte Händel sein einziges oratorisches Werk in deutscher Sprache nach dem zu seiner Zeit beliebten Passionstext "Der für die Sünden der Welt gemarterte und sterbende Jesu...
Zwischen 1716 und 1717 komponierte Händel sein einziges oratorisches Werk in deutscher Sprache nach dem zu seiner Zeit beliebten Passionstext "Der für die Sünden der Welt gemarterte und sterbende Jesu...
- Soloists (SAATTBB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
- Walter Heinz Bernstein Andreas Köhs
- Bärenreiter Verlag
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Utrechter Te Deum. Flöte, Oboe (2), Trompete (2) - Harmoniestimmen
Utrechter Te Deum. Flöte, Oboe (2), Trompete (2) - Harmoniestimmen
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- Harmony Parts (Urtext)
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Utrechter Te Deum. Orgel/ Basso continuo - Einzelstimme
Utrechter Te Deum. Orgel/ Basso continuo - Einzelstimme
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- Instrumental Parts: Organ & Continuo (Urtext)
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Utrechter Te Deum. Violine 1 - Einzelstimme
Utrechter Te Deum. Violine 1 - Einzelstimme
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- Instrumental Part: Violin 1 (Urtext)
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Utrechter Te Deum. Violine 2/ 3 - Einzelstimme
Utrechter Te Deum. Violine 2/ 3 - Einzelstimme
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- Instrumental Parts: Violin 2 & Violin 3 (Urtext)
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Utrechter Te Deum. Viola - Einzelstimme
Utrechter Te Deum. Viola - Einzelstimme
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- Instrumental Part: Viola (Urtext)
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Utrechter Te Deum. Violoncello/ Kontrabass/ Fagott/ Basso continuo - Einzelstimme
Utrechter Te Deum. Violoncello/ Kontrabass/ Fagott/ Basso continuo - Einzelstimme
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- Instrumental Parts: Cello, Double Bass, Bassoon and Continuo (Urtext)
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Klarinette in b (2), Fagott (2), Clarin-Trompete (2), Bassetthorn (2), Posaune (3), Pauke - Harmoniestimmen
Klarinette in b (2), Fagott (2), Clarin-Trompete (2), Bassetthorn (2), Posaune (3), Pauke - Harmoniestimmen
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Harmony Parts
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- Instrumental Part: Organ
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- Instrumental Part: Violin 1
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- Instrumental Part: Violin 2
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- Instrumental Part: Viola
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- Instrumental Parts: Cello and Double Bass
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (4), Trompete (2), Pauke - Harmoniestimmen
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (4), Trompete (2), Pauke - Harmoniestimmen
- Mixed Choir (SATB), Organ and Orchestra
- Harmony Parts (Urtext)
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- Mixed Choir (SATB), Organ and Orchestra
- Instrumental Part: Organ (Urtext)
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- Mixed Choir (SATB), Organ and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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ships within 2-4 working days