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Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...

Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...

Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...

Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...

Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...

Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...