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George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...

George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...

George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...

To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....

Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Clarin-Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausga...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Clarin-Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...

The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

2. Fassung mit der Variante des Osanna in excelsis und der Cum Sancto Spiritu-Fuge aus der 1. Fassung. Urtext der Neuen Schubert-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-...

Urtext der Neuen Schubert-Ausgabe - Urtext of the New Schubert Edition. Sopran solo (2), Alt solo, Tenor solo (2), Bass solo, Gemischter Chor-SATB, Oboe (2), Klarinette in b (2), Fagott (2), Horn (2),...

For this scholarly-critical edition, the editor has considered no fewer than 16 sources, more than have ever been consulted for any other edition of the work. Some of these sources have been evaluated...

Sopran solo 1, Sopran solo 2, Alt solo 1, Alt solo 2, Tenor solo 1, Tenor solo 2, Bass solo 1, Bass solo 2, Chor, Orchester - Partitur; Urtextausgabe

The 'Gloria' RV 589 (BA 7674) is one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the 'Gloria' as an in...

Claudio Monteverdis 'Vespro della Beata Vergine' ist sicher eines der populärsten geistlichen Werke des 17. Jahrhunderts. Neben zahlreichen Einspielungen wird es immer wieder ganz oder in Teilen aufge...

Sacred works occupy a large part of Charles Gounod's oeuvre. It was the Messe solennelle en l'honneur de Sainte Cécile that established his fame as a church composer. Its melodic invention and effecti...

Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...

> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...

Sopran solo (2), Alt solo (2), Tsolo (2), Bass solo (2), Gemischter Chor: SSAATTBB, Orchester

> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...

Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...

Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...