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Many anecdotes surround String Quartet op. 131: Beethoven is said to have considered it to be his finest quartet and of his late period works, the one dearest to his heart. It is also believed that th...
Many anecdotes surround String Quartet op. 131: Beethoven is said to have considered it to be his finest quartet and of his late period works, the one dearest to his heart. It is also believed that th...
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There are many anecdotes surrounding the String Quartet op. 131: Beethoven described it as his best work; looking back on the works of his last creative period, this string quartet was closest to his...
There are many anecdotes surrounding the String Quartet op. 131: Beethoven described it as his best work; looking back on the works of his last creative period, this string quartet was closest to his...
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After years of several personal and creative crises, the last two years of Beethoven's life were marked by an irrepressible creative urge that was directed almost exclusively towards the string quarte...
After years of several personal and creative crises, the last two years of Beethoven's life were marked by an irrepressible creative urge that was directed almost exclusively towards the string quarte...
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a tremendous work, tremendously special in the lyrical movement and the indescribable last (Thomas Mann) After years of several personal and creative crises, the last two years of Beethoven's life wer...
a tremendous work, tremendously special in the lyrical movement and the indescribable last (Thomas Mann) After years of several personal and creative crises, the last two years of Beethoven's life wer...
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Even by today's standards, the Grosse Fuge is a complicated work and presents a challenge for its performers. But it was published - for the first time in music history - with a helpful addition: rehe...
Even by today's standards, the Grosse Fuge is a complicated work and presents a challenge for its performers. But it was published - for the first time in music history - with a helpful addition: rehe...
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The String Quartet op. 127 marks the beginning of a series of five works in this genre, which Ludwig van Beethoven predominantly occupied himself with during the last years of his life and after sever...
The String Quartet op. 127 marks the beginning of a series of five works in this genre, which Ludwig van Beethoven predominantly occupied himself with during the last years of his life and after sever...
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The String Quartet op. 127 marks the beginning of a series of five works in this genre, which Ludwig van Beethoven predominantly occupied himself with during the last years of his life and after sever...
The String Quartet op. 127 marks the beginning of a series of five works in this genre, which Ludwig van Beethoven predominantly occupied himself with during the last years of his life and after sever...
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Beethoven worked on his String Quartet in F major op. 135 in Gneixendorf near Krems, where he hoped to recover with his nephew Karl from his failed suicide attempt in the summer of 1826. The work stan...
Beethoven worked on his String Quartet in F major op. 135 in Gneixendorf near Krems, where he hoped to recover with his nephew Karl from his failed suicide attempt in the summer of 1826. The work stan...
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> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
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> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
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> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
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> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
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> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
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Streichorchester (mit und ohne Bc) - Streichorchester mit 1 Soloinstrument - Orgel
Streichorchester (mit und ohne Bc) - Streichorchester mit 1 Soloinstrument - Orgel
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