Bärenreiter Urtext
Iphigénie en Aulide' is the first of six operas that Gluck composed for the Académie Royale de Musique. In keeping with his plans for operatic reform, he sought to create noble, expressive and natural...
Iphigénie en Aulide' is the first of six operas that Gluck composed for the Académie Royale de Musique. In keeping with his plans for operatic reform, he sought to create noble, expressive and natural...
- Soloists (SSSSSTBBBB), Mixed Choir and Piano
- Piano Reduction
- Heinz Moehn Michael Töpel
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> First Urtext edition based on Georg Philipp Telemann Musical Works > An attractive addition to the repertoire with a view to the Telemann Year 2017 > Bilingual Foreword (Ger/Eng) > Uncluttered idiom...
> First Urtext edition based on Georg Philipp Telemann Musical Works > An attractive addition to the repertoire with a view to the Telemann Year 2017 > Bilingual Foreword (Ger/Eng) > Uncluttered idiom...
- Soloists (SATB), Mixed Choir (SATB) and Continuo
- Piano Score
- Andreas Köhs
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With its incomparable emotional power and dramatic intensity, Giuseppe Verdi's "Messa da Requiem" stands as one of the absolute pinnacles of the choral repertoire. This monumental masterpiece seamless...
With its incomparable emotional power and dramatic intensity, Giuseppe Verdi's "Messa da Requiem" stands as one of the absolute pinnacles of the choral repertoire. This monumental masterpiece seamless...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Andrea Campora
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Inspired by patterns from the Commedia dell'Arte, the plot, set in Seville, introduces the old "graybeard" Don Belflor (retired bullfighter and womanizer), his young wife Coraline and her lover Tracol...
Inspired by patterns from the Commedia dell'Arte, the plot, set in Seville, introduces the old "graybeard" Don Belflor (retired bullfighter and womanizer), his young wife Coraline and her lover Tracol...
- Soloists (STBB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
- Karl-Heinz Müller
- Bärenreiter Verlag
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Charles Gounod's international renown is based on the success of his opera 'Faust' after Goethe's drama: The aging Faust makes a pact with the devil. He sells his soul to Mephistopheles and in return...
Charles Gounod's international renown is based on the success of his opera 'Faust' after Goethe's drama: The aging Faust makes a pact with the devil. He sells his soul to Mephistopheles and in return...
- Soloists (SSSTBBB), Mixed Choir (SSTTBB) and Piano
- Piano Reduction (Urtext)
- Karl-Heinz Müller
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The vocal score of Henry Purcell's famous opera 'Dido and Aeneas' is based on the Bärenreiter Urtext edition of the full score. As its main source served the Tatton Park manuscript (National Trust), w...
The vocal score of Henry Purcell's famous opera 'Dido and Aeneas' is based on the Bärenreiter Urtext edition of the full score. As its main source served the Tatton Park manuscript (National Trust), w...
- Soloists, Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Timothy Roberts
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Step into the dawn of opera history with Claudio Monteverdi's timeless masterpiece, "L'Orfeo". This poignant Favola in musica in a prologue and five acts takes audiences on an emotional journey throug...
Step into the dawn of opera history with Claudio Monteverdi's timeless masterpiece, "L'Orfeo". This poignant Favola in musica in a prologue and five acts takes audiences on an emotional journey throug...
- Soloists, Mixed Choir, Male Choir and Piano
- Piano Reduction
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> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
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> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...
> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...
- 2 Oboes, 2 Clarinets, 2 Bassoons, 3 Horns, Cello and Double Bass
- Score (Urtext)
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> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...
> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...
- 2 Oboes, 2 Clarinets, 2 Bassoons, 3 Horns, Cello and Double Bass
- Set of Parts (Urtext)
- Bärenreiter Verlag
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> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
- Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
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Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
- Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
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- Bärenreiter Verlag
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Bärenreiter's scholarly-critical edition of Brahms' popular Quintet in F minor for piano and strings contains everything a cutting edge Urtext edition is meant to offer. It presents a solid and wellre...
Bärenreiter's scholarly-critical edition of Brahms' popular Quintet in F minor for piano and strings contains everything a cutting edge Urtext edition is meant to offer. It presents a solid and wellre...
- 2 Violins, Viola, Cello and Piano
- Score and Parts
- Daniel F. Boomhower
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Maurice Ravel broke new personal ground with his only piano trio, yet in a stroke of genius he created a work of the early 20th century that is outstanding in many respects and a key work of this genr...
Maurice Ravel broke new personal ground with his only piano trio, yet in a stroke of genius he created a work of the early 20th century that is outstanding in many respects and a key work of this genr...
- Piano, Violin and Cello
- Piano Score and Part(s)
- Douglas Woodfull-Harris
- Bärenreiter Verlag
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With his septet for clarinet, bassoon, horn, violin, viola, cello and double bass, Beethoven created a key chamber music work for larger ensembles. He composed the six-movement septet at the same time...
With his septet for clarinet, bassoon, horn, violin, viola, cello and double bass, Beethoven created a key chamber music work for larger ensembles. He composed the six-movement septet at the same time...
- Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass
- Set of Parts (Urtext)
- Bärenreiter Verlag
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New sources taken into account Elimination of discrepancies in previous editions With a detailed Introduction by Misha Donat, an editorial Foreword (Eng/Ger) as well as a Critical Commentary (Eng) Lud...
New sources taken into account Elimination of discrepancies in previous editions With a detailed Introduction by Misha Donat, an editorial Foreword (Eng/Ger) as well as a Critical Commentary (Eng) Lud...
- Violin, Cello and Piano
- Set of Parts (Urtext)
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music piece with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can happily write you...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music piece with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can happily write you...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Score (Urtext)
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music piece with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can happily write you...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music piece with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can happily write you...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Score (Urtext)
- Bärenreiter Verlag
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Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
- Soloists (SSATB), Mixed Choir (SATB), Harp, 2 Violins, Viola, Cello, Double Bass and Organ
- Score (Urtext)
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Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his exper...
Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his exper...
- Clarinet, Horn, 3 Violins and Viola
- Set of Parts (Urtext)
- Bärenreiter Verlag
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Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his exper...
Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his exper...
- Oboe, Clarinet, 4 Violins and Cello
- Set of Parts (Urtext)
- Bärenreiter Verlag
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This edition contains Couperin’s four 'Concerts royaux', which were published in 1722 as part of Book III of his 'Pièces de clavecin'. For the first time it makes these pieces, scored for chamber ense...
This edition contains Couperin’s four 'Concerts royaux', which were published in 1722 as part of Book III of his 'Pièces de clavecin'. For the first time it makes these pieces, scored for chamber ense...
- 1-2 Instruments, Bass Viol, Bassoon and Harpsichord
- Score and Parts (Urtext)
- Bärenreiter Verlag
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With the charming orchestral suite "Ouverture des Nations anciens et modernes" in G major (TWV 55:G4), Georg Philipp Telemann once again demonstrates his unmistakable wit and vivid musical character p...
With the charming orchestral suite "Ouverture des Nations anciens et modernes" in G major (TWV 55:G4), Georg Philipp Telemann once again demonstrates his unmistakable wit and vivid musical character p...
- 2 Violins, Viola, Cello, Double Bass and Continuo
- Score (Urtext) Download
- Bärenreiter Verlag
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Urtext der Telemann-Ausgabe. Streicher, Basso continuo - Partitur; Urtextausgabe
Urtext der Telemann-Ausgabe. Streicher, Basso continuo - Partitur; Urtextausgabe
- 2 Violins, Viola, Cello, Double Bass and Continuo
- Score (Urtext) Download
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Experience Baroque chamber music at its finest with Georg Philipp Telemann's brilliant Quartet from Tafelmusik 1 (TWV 43:G 2). This extraordinary work captivates with the harmonious interplay of flute...
Experience Baroque chamber music at its finest with Georg Philipp Telemann's brilliant Quartet from Tafelmusik 1 (TWV 43:G 2). This extraordinary work captivates with the harmonious interplay of flute...
- Flute, Oboe, Violin and Continuo
- Score and Parts (Urtext)
- Bärenreiter Verlag
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