Baton Christmas
This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
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This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
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This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
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- Jos van de Braak
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This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
This arrangement of Italian shepherd's music reserves a major role for the clarinetchoir in your orchestra. The simple shepherd's melody is arranged in 12/8 time as was customary in the pastoral tradi...
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The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)
The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)
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The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)
The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)
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In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)
In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)
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In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)
In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)
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In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)
In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)
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In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)
In December 1755 Mozart's father drew inspiration from a horse sleigh-ride. Needless to say, the sleigh bells and coachman's whip were not neglected. (Concert Band)
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The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
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The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
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In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
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In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
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The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
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The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
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Max Reger (1873 -1916), was a German composer, pianist, organist, conductor, and academic teacher. Between 1904 and 1912 Reger composed the "Schlichten Weisen" op. 76, 60 songs in 6 volumes. One of th...
Max Reger (1873 -1916), was a German composer, pianist, organist, conductor, and academic teacher. Between 1904 and 1912 Reger composed the "Schlichten Weisen" op. 76, 60 songs in 6 volumes. One of th...
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Max Reger (1873 -1916), was a German composer, pianist, organist, conductor, and academic teacher. Between 1904 and 1912 Reger composed the "Schlichten Weisen" op. 76, 60 songs in 6 volumes. One of th...
Max Reger (1873 -1916), was a German composer, pianist, organist, conductor, and academic teacher. Between 1904 and 1912 Reger composed the "Schlichten Weisen" op. 76, 60 songs in 6 volumes. One of th...
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Max Reger (1873 -1916), was a German composer, pianist, organist, conductor, and academic teacher. Between 1904 and 1912 Reger composed the "Schlichten Weisen" op. 76, 60 songs in 6 volumes. One of th...
Max Reger (1873 -1916), was a German composer, pianist, organist, conductor, and academic teacher. Between 1904 and 1912 Reger composed the "Schlichten Weisen" op. 76, 60 songs in 6 volumes. One of th...
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