Baton Christmas
The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
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The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
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The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
The Italian Arcangelo Corelli (1653-1713) may have been the first to embody the tradition of the sheperds music, the Pastorale in orchestral music. In this transcription special attention has to be gi...
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In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
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In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
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In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
In this transcription of Giovanni Gabrieli's Christmas Motet 'Angelus ad pastores ait' for twelve voices in two choirs, the choirs are presented by the woodwind- and the brasschoir of the Symphonic Ba...
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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...
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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...
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In the years 1873-76 Franz Liszt composed 'Weihnachtsbaum' (Christmas Tree), a suite 12 of pieces for solo piano and later for piano four-hands. The suite does not demand great virtuosity and it has b...
In the years 1873-76 Franz Liszt composed 'Weihnachtsbaum' (Christmas Tree), a suite 12 of pieces for solo piano and later for piano four-hands. The suite does not demand great virtuosity and it has b...
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In the years 1873-76 Franz Liszt composed 'Weihnachtsbaum' (Christmas Tree), a suite 12 of pieces for solo piano and later for piano four-hands. The suite does not demand great virtuosity and it has b...
In the years 1873-76 Franz Liszt composed 'Weihnachtsbaum' (Christmas Tree), a suite 12 of pieces for solo piano and later for piano four-hands. The suite does not demand great virtuosity and it has b...
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In the years 1873-76 Franz Liszt composed 'Weihnachtsbaum' (Christmas Tree), a suite 12 of pieces for solo piano and later for piano four-hands. The suite does not demand great virtuosity and it has b...
In the years 1873-76 Franz Liszt composed 'Weihnachtsbaum' (Christmas Tree), a suite 12 of pieces for solo piano and later for piano four-hands. The suite does not demand great virtuosity and it has b...
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In the years 1873-76 Franz Liszt composed 'Weihnachtsbaum' (Christmas Tree), a suite 12 of pieces for solo piano and later for piano four-hands. The suite does not demand great virtuosity and it has b...
In the years 1873-76 Franz Liszt composed 'Weihnachtsbaum' (Christmas Tree), a suite 12 of pieces for solo piano and later for piano four-hands. The suite does not demand great virtuosity and it has b...
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The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
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Es ist ein Ros entsprungen (commonly translated in English as "Lo, how a rose e"er blooming") is a Christmas carol and Marian Hymn of German origin. Because of its prophetic theme, the song is popular...
Es ist ein Ros entsprungen (commonly translated in English as "Lo, how a rose e"er blooming") is a Christmas carol and Marian Hymn of German origin. Because of its prophetic theme, the song is popular...
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Es ist ein Ros entsprungen (commonly translated in English as "Lo, how a rose e'er blooming") is a Christmas carol and Marian Hymn of German origin. Because of its prophetic theme, the song is popular...
Es ist ein Ros entsprungen (commonly translated in English as "Lo, how a rose e'er blooming") is a Christmas carol and Marian Hymn of German origin. Because of its prophetic theme, the song is popular...
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Es ist ein Ros entsprungen (commonly translated in English as "Lo, how a rose e"er blooming") is a Christmas carol and Marian Hymn of German origin. Because of its prophetic theme, the song is popular...
Es ist ein Ros entsprungen (commonly translated in English as "Lo, how a rose e"er blooming") is a Christmas carol and Marian Hymn of German origin. Because of its prophetic theme, the song is popular...
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Es ist ein Ros entsprungen (commonly translated in English as "Lo, how a rose e'er blooming") is a Christmas carol and Marian Hymn of German origin. Because of its prophetic theme, the song is popular...
Es ist ein Ros entsprungen (commonly translated in English as "Lo, how a rose e'er blooming") is a Christmas carol and Marian Hymn of German origin. Because of its prophetic theme, the song is popular...
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The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
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The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
The Sinfonia is the opening of the second part of the Christmas Oratorio: `Am zweiten Weihnachtsfeiertage'. This romantic piece of music was in the tradition of the shepherd music as set by Italian co...
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In 1906 Richard Strauss composed the song "Die heiligen drei Könige aus Morgenland" on a text by Heinrich Heine. The text is a simple telling of the Three Kings following the star, and entering the ho...
In 1906 Richard Strauss composed the song "Die heiligen drei Könige aus Morgenland" on a text by Heinrich Heine. The text is a simple telling of the Three Kings following the star, and entering the ho...
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