Baton Instrumental

The 'Andante e Rondo Ungarese', was written in response to the success of Carl Maria von Weber's 'Bassoon Concerto' and was requested by the bassoonist in the Munich Orchestra, Georg Friedrich Brandt....

The 'Andante e Rondo Ungarese', was written in response to the success of Carl Maria von Weber's 'Bassoon Concerto' and was requested by the bassoonist in the Munich Orchestra, Georg Friedrich Brandt....

The 'Andante e Rondo Ungarese', was written in response to the success of Carl Maria von Weber's 'Bassoon Concerto' and was requested by the bassoonist in the Munich Orchestra, Georg Friedrich Brandt....

'Il Convegno' (in Italian 'the meeting' or the 'appointment') for two clarinets and piano was composed by Amilcare Ponchielli in 1857. 'Il Covegno' is in three sections, linked by cadenzas and other c...

'Il Convegno' (in Italian 'the meeting' or the 'appointment') for two clarinets and piano was composed by Amilcare Ponchielli in 1857. 'Il Covegno' is in three sections, linked by cadenzas and other c...

'Il Convegno' (in Italian 'the meeting' or the 'appointment') for two clarinets and piano was composed by Amilcare Ponchielli in 1857. 'Il Covegno' is in three sections, linked by cadenzas and other c...

As many French composers in those days, Vincent d'Indy (1851-1931) had a passion for ancestral lands and many of his compositions reflect this rural heritage. One of these is the 'Fantaisie sur des th...

As many French composers in those days, Vincent d'Indy (1851-1931) had a passion for ancestral lands and many of his compositions reflect this rural heritage. One of these is the 'Fantaisie sur des th...

As many French composers in those days, Vincent d'Indy (1851-1931) had a passion for ancestral lands and many of his compositions reflect this rural heritage. One of these is the 'Fantaisie sur des th...

As many French composers in those days, Vincent d'Indy (1851-1931) had a passion for ancestral lands and many of his compositions reflect this rural heritage. One of these is the 'Fantaisie sur des th...

Mozart wrote the 'Rondo for Piano and Orchestra' in Vienna in 1782 as an alternative final movement to his 'Piano Concerto No. 5', which he composed in 1773 at the age of eighteen. In fact, this 'rond...

Mozart wrote the 'Rondo for Piano and Orchestra' in Vienna in 1782 as an alternative final movement to his 'Piano Concerto No. 5', which he composed in 1773 at the age of eighteen. In fact, this 'rond...

Mozart wrote the 'Rondo for Piano and Orchestra' in Vienna in 1782 as an alternative final movement to his 'Piano Concerto No. 5', which he composed in 1773 at the age of eighteen. In fact, this 'rond...

Mozart wrote the 'Rondo for Piano and Orchestra' in Vienna in 1782 as an alternative final movement to his 'Piano Concerto No. 5', which he composed in 1773 at the age of eighteen. In fact, this 'rond...

Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...

Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...

Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...

Michael Kamen (1948 - 2003) was a fine musician and composer, active in many fields of music. First and foremost, he was an oboist and along with his friend Martin Fulterman (aka Mark Snow, most well-...

Max Bruch composed 'Kol Nidrei' for Cello and Orchestra in 1881. It is styled as an Adagio on two Hebrew Melodies and consists of a series of variations on two main themes of Jewish origin. The first...

Max Bruch composed 'Kol Nidrei' for Cello and Orchestra in 1881. It is styled as an Adagio on two Hebrew Melodies and consists of a series of variations on two main themes of Jewish origin. The first...

Max Bruch composed 'Kol Nidrei' for Cello and Orchestra in 1881. It is styled as an Adagio on two Hebrew Melodies and consists of a series of variations on two main themes of Jewish origin. The first...

Max Bruch composed 'Kol Nidrei' for Cello and Orchestra in 1881. It is styled as an Adagio on two Hebrew Melodies and consists of a series of variations on two main themes of Jewish origin. The first...

As a composer, Edward MacDowell is mostly remembered for his two piano concertos, a great number of compositions for piano, several important instrumental suites and a large number of songs that were...

As a composer, Edward MacDowell is mostly remembered for his two piano concertos, a great number of compositions for piano, several important instrumental suites and a large number of songs that were...

As a composer, Edward MacDowell is mostly remembered for his two piano concertos, a great number of compositions for piano, several important instrumental suites and a large number of songs that were...