Baton Orchestral

A miniature symphony by the Czech composer Antonin Dvorak (1841-1904) in a highly programmatic style. The work consists of four movements played without interruption and is based on The Noon Witch sto...

A miniature symphony by the Czech composer Antonin Dvorak (1841-1904) in a highly programmatic style. The work consists of four movements played without interruption and is based on The Noon Witch sto...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

In the final part Maestoso of the Second Symphony in c minor (1901), Scriabin wanted to bring to sound the radiant triumph of men over life's obstacles and defeats. His striving was a concept so simpl...

In the final part Maestoso of the Second Symphony in c minor (1901), Scriabin wanted to bring to sound the radiant triumph of men over life's obstacles and defeats. His striving was a concept so simpl...

In the final part Maestoso of the Second Symphony in c minor (1901), Scriabin wanted to bring to sound the radiant triumph of men over life's obstacles and defeats. His striving was a concept so simpl...

In the final part Maestoso of the Second Symphony in c minor (1901), Scriabin wanted to bring to sound the radiant triumph of men over life's obstacles and defeats. His striving was a concept so simpl...

In the Adagio of Dvorak's eighth symphony, there is a masterly alternation of minor-and major-mode themes picturing an old castle in his proud and melancholic aspects. (Concert Band)

In the Adagio of Dvorak's eighth symphony, there is a masterly alternation of minor-and major-mode themes picturing an old castle in his proud and melancholic aspects. (Concert Band)

In the Adagio of Dvorak's eighth symphony, there is a masterly alternation of minor-and major-mode themes picturing an old castle in his proud and melancholic aspects. (Concert Band)

In the Adagio of Dvorak's eighth symphony, there is a masterly alternation of minor-and major-mode themes picturing an old castle in his proud and melancholic aspects. (Concert Band)

The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...

The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...

The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...

The last movement, Allegro ma non troppo, of Dvorak's eighth symphony starts with a Trumpet fanfare followed by the dark coloured main theme that dominates throughout the piece: either in its slow lyr...

The 'Missa Solemnis in B flat' was Anton Anton Bruckner's first major work for choir and orchestra. In this transcription of the Agnus Dei, a brass choir of horns, Trumpets and trombones replaces the...