Baton Orchestral
Rosen aus dem Süden (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin inspired by a novel by Heinrich Bohrmann-R...
Rosen aus dem Süden (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin inspired by a novel by Heinrich Bohrmann-R...
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- Roger Niese
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'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...
'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...
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- Roger Niese
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'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...
'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...
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- Roger Niese
- Baton Music
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Dutch composer Johan Wagenaar (1862 - 1941) parodied the conventions of Romantic opera in his own operas and secular cantatas, his music itself is staunchly Romantic in voice, little troubled by even...
Dutch composer Johan Wagenaar (1862 - 1941) parodied the conventions of Romantic opera in his own operas and secular cantatas, his music itself is staunchly Romantic in voice, little troubled by even...
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- Christiaan Janssen
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'Il Pirata' (The Pirate) was Bellini's third opera. 'Il Pirata' is an opera in two acts to an Italian libretto by Felice Romani from a French translation of the tragic play 'Bertram', or 'The Castle o...
'Il Pirata' (The Pirate) was Bellini's third opera. 'Il Pirata' is an opera in two acts to an Italian libretto by Felice Romani from a French translation of the tragic play 'Bertram', or 'The Castle o...
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- Anton Haeck
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'Il Pirata' (The Pirate) was Bellini's third opera. 'Il Pirata' is an opera in two acts to an Italian libretto by Felice Romani from a French translation of the tragic play 'Bertram', or 'The Castle o...
'Il Pirata' (The Pirate) was Bellini's third opera. 'Il Pirata' is an opera in two acts to an Italian libretto by Felice Romani from a French translation of the tragic play 'Bertram', or 'The Castle o...
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- Anton Haeck
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'Joyeuse Marche' by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was 'Prélude Pastoral') first performed on 4 November 1888 in Angers, conducted by th...
'Joyeuse Marche' by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was 'Prélude Pastoral') first performed on 4 November 1888 in Angers, conducted by th...
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- Marc Koninkx
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Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...
Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...
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- Marc Koninkx
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Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...
Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...
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- Marc Koninkx
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The 'Limpid Stream' was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing succe...
The 'Limpid Stream' was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing succe...
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- Bernard Miller
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The 'Limpid Stream' was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing succe...
The 'Limpid Stream' was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing succe...
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- Bernard Miller
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The Limpid Stream" was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing succes...
The Limpid Stream" was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing succes...
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- David Miller
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The Limpid Stream was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing success...
The Limpid Stream was by far the most popular of Shostakovich ballets. Its deliberately simple-minded melodies, banal harmonies, straightforward rhythms, and garish colors had the work playing success...
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- David Miller
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Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
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- Andersen
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Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
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Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
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- Espen Andersen
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Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
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- Espen Andersen
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In 1933 Revueltas composed his brief symphonic poem 'Janitzio' named after an island in Lake Patzcuaro, in the state of Michoacßn, west of Mexico City, whose population had derived its income largely...
In 1933 Revueltas composed his brief symphonic poem 'Janitzio' named after an island in Lake Patzcuaro, in the state of Michoacßn, west of Mexico City, whose population had derived its income largely...
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- Douglas McLain
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In 1933 Revueltas composed his brief symphonic poem 'Janitzio' named after an island in Lake Patzcuaro, in the state of Michoacßn, west of Mexico City, whose population had derived its income largely...
In 1933 Revueltas composed his brief symphonic poem 'Janitzio' named after an island in Lake Patzcuaro, in the state of Michoacßn, west of Mexico City, whose population had derived its income largely...
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- Douglas McLain
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In 1933 Revueltas composed his brief symphonic poem "Janitzio" named after an island in Lake Patzcuaro, in the state of Michoacán, west of Mexico City, whose population had derived its income largely...
In 1933 Revueltas composed his brief symphonic poem "Janitzio" named after an island in Lake Patzcuaro, in the state of Michoacán, west of Mexico City, whose population had derived its income largely...
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- Douglas McLain
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The cantata Grief of Gravity tells the story of two lovers: Awareness', consciousness that connects us all and 'Gravity'. For billions of years, 'Gravity' and 'Awareness' intertwined until a light bea...
The cantata Grief of Gravity tells the story of two lovers: Awareness', consciousness that connects us all and 'Gravity'. For billions of years, 'Gravity' and 'Awareness' intertwined until a light bea...
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The cantata Grief of Gravity tells the story of two lovers: Awareness', consciousness that connects us all and 'Gravity'. For billions of years, 'Gravity' and 'Awareness' intertwined until a light bea...
The cantata Grief of Gravity tells the story of two lovers: Awareness', consciousness that connects us all and 'Gravity'. For billions of years, 'Gravity' and 'Awareness' intertwined until a light bea...
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The cantata Grief of Gravity tells the story of two lovers: Awareness", consciousness that connects us all and "Gravity". For billions of years, "Gravity" and "Awareness" intertwined until a light bea...
The cantata Grief of Gravity tells the story of two lovers: Awareness", consciousness that connects us all and "Gravity". For billions of years, "Gravity" and "Awareness" intertwined until a light bea...
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The cantata Grief of Gravity tells the story of two lovers: "Awareness", consciousness that connects us all and "Gravity". For billions of years, "Gravity" and "Awareness" intertwined until a light be...
The cantata Grief of Gravity tells the story of two lovers: "Awareness", consciousness that connects us all and "Gravity". For billions of years, "Gravity" and "Awareness" intertwined until a light be...
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This ouverture-like symphonic movement in C-minor has been ascribed in the past to as well Anton Bruckner as Gustav Mahler. But in the eighty's of the last century it became almost certain that Mahler...
This ouverture-like symphonic movement in C-minor has been ascribed in the past to as well Anton Bruckner as Gustav Mahler. But in the eighty's of the last century it became almost certain that Mahler...
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- Henk Mertens
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