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Baton Orchestral

Variations on an Original Theme for orchestra(Enigma), Op. 36, commonly referred to as the Enigma Variations, is a set of a theme and its fourteen variations written for orchestra by Edward Elgar in 1...

Variations on an Original Theme for orchestra(Enigma), Op. 36, commonly referred to as the Enigma Variations, is a set of a theme and its fourteen variations written for orchestra by Edward Elgar in 1...

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In 1899 Edward Elgar finished his best-known large-scale composition, the 'Enigma Variations'. Elgar dedicated the piece to 'my friends pictured within', each variation being an affectionate portrayal...

In 1899 Edward Elgar finished his best-known large-scale composition, the 'Enigma Variations'. Elgar dedicated the piece to 'my friends pictured within', each variation being an affectionate portrayal...

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Edward Elgar
from the Enigma Variations

In 1899 Edward Elgar finished his best-known large-scale composition, the 'Enigma Variations'. Elgar dedicated the piece to 'my friends pictured within', each variation being an affectionate portrayal...

In 1899 Edward Elgar finished his best-known large-scale composition, the 'Enigma Variations'. Elgar dedicated the piece to 'my friends pictured within', each variation being an affectionate portrayal...

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Edward Elgar
from the Enigma Variations

In 1899 Edward Elgar finished his best-known large-scale composition, the "Enigma Variations". Elgar dedicated the piece to "my friends pictured within", each variation being an affectionate portrayal...

In 1899 Edward Elgar finished his best-known large-scale composition, the "Enigma Variations". Elgar dedicated the piece to "my friends pictured within", each variation being an affectionate portrayal...

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Edward Elgar
from the Enigma Variations

In 1899 Edward Elgar finished his best-known large-scale composition, the "Enigma Variations". Elgar dedicated the piece to "my friends pictured within", each variation being an affectionate portrayal...

In 1899 Edward Elgar finished his best-known large-scale composition, the "Enigma Variations". Elgar dedicated the piece to "my friends pictured within", each variation being an affectionate portrayal...

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Peter Iljitsch Tschaikowsky
4. Finale: Allegro con fuoco

Tschaikowsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878 and first performed at a Russian Musical Society concert in Saint Petersburg on February 1878 under Nikolai Rubinste...

Tschaikowsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878 and first performed at a Russian Musical Society concert in Saint Petersburg on February 1878 under Nikolai Rubinste...

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Peter Iljitsch Tschaikowsky
4. Finale: Allegro con fuoco

Tschaikowsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878 and first performed at a Russian Musical Society concert in Saint Petersburg on February 1878 under Nikolai Rubinste...

Tschaikowsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878 and first performed at a Russian Musical Society concert in Saint Petersburg on February 1878 under Nikolai Rubinste...

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Peter Iljitsch Tschaikowsky
4. Finale. Allegro con fuoco

Tschaikowsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878 and first performed at a Russian Musical Society concert in Saint Petersburg on February 1878 under Nikolai Rubinste...

Tschaikowsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878 and first performed at a Russian Musical Society concert in Saint Petersburg on February 1878 under Nikolai Rubinste...

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Peter Iljitsch Tschaikowsky
4. Finale. Allegro con fuoco

Tschaikowsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878 and first performed at a Russian Musical Society concert in Saint Petersburg on February 1878 under Nikolai Rubinste...

Tschaikowsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878 and first performed at a Russian Musical Society concert in Saint Petersburg on February 1878 under Nikolai Rubinste...

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Richard Wagner
Symphonic Suite

Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...

Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...

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Richard Wagner
Symphonic Suite

Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...

Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...

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Richard Wagner
Symphonic Suite

Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...

Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...

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Richard Wagner
Symphonic Suite

Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...

Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...

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Dmitri Schostakowitsch
Overture And Final

As a contribution to the opera 'Armer Columbus' by German composer Erwin Dressel, Shostakovich composed two of his quirkiest and oddest early orchestral pieces. An energetic 'Entr'acte' in c minor (Al...

As a contribution to the opera 'Armer Columbus' by German composer Erwin Dressel, Shostakovich composed two of his quirkiest and oddest early orchestral pieces. An energetic 'Entr'acte' in c minor (Al...

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Dmitri Schostakowitsch
Overture And Final

As a contribution to the opera 'Armer Columbus' by German composer Erwin Dressel, Shostakovich composed two of his quirkiest and oddest early orchestral pieces. An energetic 'Entr'acte' in c minor (Al...

As a contribution to the opera 'Armer Columbus' by German composer Erwin Dressel, Shostakovich composed two of his quirkiest and oddest early orchestral pieces. An energetic 'Entr'acte' in c minor (Al...

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Johann Strauss wrote the 'Russische Marsch-Fantasie' (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

Johann Strauss wrote the 'Russische Marsch-Fantasie' (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

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Order no.: BTM458-DL

Johann Strauss wrote the "Russische Marsch-Fantasie" (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

Johann Strauss wrote the "Russische Marsch-Fantasie" (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

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Johann Strauss wrote the "Russische Marsch-Fantasie" (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

Johann Strauss wrote the "Russische Marsch-Fantasie" (Russian March Fantasy) for a tour to Russia in 1872. Because the tour was cancelled, the successful first performance of the march was held in Vie...

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Johann Strauss (Sohn)

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

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Johann Strauss (Sohn)

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

'Künstlerleben' (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular 'The Blue Danube' waltz. The waltz was presented at the 'Hespe...

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Order no.: BTM460-DL
Johann Strauss (Sohn)
Artist's Life

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

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Johann Strauss (Sohn)
Artist's Life

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

Künstlerleben (Artist's Life) op. 316 is a waltz written by Johann Strauss jr. in 1867, following closely on the success of the popular "The Blue Danube" waltz. The waltz was presented at the "Hesperu...

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Charles Gounod
from the Oratorio Mors et Vita

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

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Order no.: BTM463SC
Charles Gounod
from the Oratorio Mors et Vita

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

The oratorio "Mors et Vita" (Death and Life) is the continuation of "The Redemption" and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...

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Nikolai Rimski-Korsakow
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