Kalmus Choral Library

This edition of George Frideric Handel's (1685-1759) most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offe...

Charles Gounod (1818-1893) wrote the St. Cecilia Mass (officially named Messe solennelle en l'honneur de Sainte-Cécile) in 1855 as an homage to St. Cecilia, the patron saint of music. It premiered on...

Charles Gounod (1818-1893) wrote the St. Cecilia Mass (officially named Messe solennelle en l'honneur de Sainte-Cécile) in 1855 as an homage to St. Cecilia, the patron saint of music. It premiered on...

St. Paul (Paulus), Op. 36 was composed in 1834-1836 by Felix Mendelssohn (1809-1847) as his first large-scale oratorio, a work that reflects his deep engagement with the sacred choral traditions of Ba...

Cantata No. 146: Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 (We must through much tribulation enter into the kingdom of God) was composed in 1726 by Johann Sebastian Bach (168...

Written by Georg Frideric Händel (1685-1759) in 1746, the 3-act oratorio Judas Maccabaeus (also spelled Judas Maccabeus) is based on 1 Maccabees, one of the deuterocanonical (or apocryphal) books of s...

Written by Georg Frideric Händel (1685-1759) in 1746, the 3-act oratorio Judas Maccabaeus (also spelled Judas Maccabeus) is based on 1 Maccabees, one of the deuterocanonical (or apocryphal) books of s...

Written by Georg Frideric Händel (1685-1759) in 1746, the 3-act oratorio Judas Maccabaeus (also spelled Judas Maccabeus) is based on 1 Maccabees, one of the deuterocanonical (or apocryphal) books of s...

Antonio Vivaldi (1678-1741) likely composed three settings of the hymn Gloria in excelsis Deo, though only two have survived. It was common for Vivaldi to write introductory motets to be performed bef...

Pour les funérailles d'un soldat (For the Funeral of a Soldier) was written by a then nineteen-year-old Lili Boulanger (1893-1918). Her first surviving choral work, it sets to music text from a sectio...

Pour les funérailles d'un soldat (For the Funeral of a Soldier) was written by a then nineteen-year-old Lili Boulanger (1893-1918). Her first surviving choral work, it sets to music text from a sectio...

Pour les funérailles d'un soldat (For the Funeral of a Soldier) was written by a then nineteen-year-old Lili Boulanger (1893-1918). Her first surviving choral work, it sets to music text from a sectio...

Pour les funérailles d'un soldat (For the Funeral of a Soldier) was written by a then nineteen-year-old Lili Boulanger (1893-1918). Her first surviving choral work, it sets to music text from a sectio...

The Hymn of Jesus, Op. 37 / H. 140 was composed in 1917 by Gustav Holst (1874-1934) and stands among the composer's most original and visionary choral works. Drawing its text from the apocryphal Acts...

The Hymn of Jesus, Op. 37 / H. 140 was composed in 1917 by Gustav Holst (1874-1934) and stands among the composer's most original and visionary choral works. Drawing its text from the apocryphal Acts...

This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering with continuo realization by Kurt Soldan. The chorus AND THE GLORY OF THE LORD is No. 4 from Part I of t...

This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering with continuo realization by Kurt Soldan. The chorus AND THE GLORY OF THE LORD is No. 4 from Part I of t...

George Frideric Handel (1685-1759) composed THE MESSIAH in 1741 - it is widely regarded as his most popular work. In 1789, Baron Gottfried Van Swieten commissioned Mozart to create a modernized versio...

George Frideric Handel (1685-1759) composed THE MESSIAH in 1741 - it is widely regarded as his most popular work. In 1789, Baron Gottfried Van Swieten commissioned Mozart to create a modernized versio...

While many works long believed to have been written by Giovanni Battista Pergolesi (1710-1736) were later discovered to be falsely attributed, his STABAT MATER, P. 77 is not among them as a manuscript...

Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...

Wolfgang Amadeus Mozart (1756-1791) completed his Mass No. 15 in C, K. 317 on March 23, 1779 after a period of seeking for employment in places such as Paris and Mannheim. Failing that, Mozart's fathe...

Camille Saint-Saëns (1835-1921) wrote his Oratorio de Noël in a matter of weeks, completing the work ten days before it premiered on Christmas in 1858 in Paris. Written and structured in a style that...

Attending performances of Handel's choral works while in England, Franz Josef Haydn (1732-1809) decided to write his own large-scale oratorio. He began to work on DIE SCHÖPFUNG (THE CREATION), Hob.XXI...