Kalmus Choral Library

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

Les Sept Paroles du Christ ("The Seven Last Words of Christ"), is one of Théodore Dubois's (1837-1924) two oratorios, and remains the composer's most frequently performed choral work. First performed...

Les Sept Paroles du Christ ("The Seven Last Words of Christ"), is one of Théodore Dubois's (1837-1924) two oratorios, and remains the composer's most frequently performed choral work. First performed...

Les Sept Paroles du Christ ("The Seven Last Words of Christ"), is one of Théodore Dubois's (1837-1924) two oratorios, and remains the composer's most frequently performed choral work. First performed...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

When the American, music-loving philanthropist, Mrs. Jeannette Thurber, convinced the world-renowned Czech composer Antonín Dvořák (1841-1904) to be the new director of her National Conservatory of Mu...

Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

George Frideric Handel (1685-1759) composed the three-act oratorio Hercules, HWV 60 during a four-week period in 1744. Telling the story of the ancient Greek hero Hercules' death through the jealousy...

George Frideric Handel (1685-1759) composed the three-act oratorio Hercules, HWV 60 during a four-week period in 1744. Telling the story of the ancient Greek hero Hercules' death through the jealousy...

During the semi-retirement from his long service as Kapellmeister to the Esterházy family, Franz Joseph Haydn (1732-1809) was tasked with composing a Coronation Mass for the wife of his patron, Prince...

During the semi-retirement from his long service as Kapellmeister to the Esterházy family, Franz Joseph Haydn (1732-1809) was tasked with composing a Coronation Mass for the wife of his patron, Prince...

During the semi-retirement from his long service as Kapellmeister to the Esterházy family, Franz Joseph Haydn (1732-1809) was tasked with composing a Coronation Mass for the wife of his patron, Prince...

The original setting for chorus and keyboard of the "Tui sun coeli" from Psalm 88 (Vulgate) vv. 12, 15a was completed by Franz Joseph Haydn (1732-1809) between 1796 and 1799. Alternate titles include:...

The original setting for chorus and keyboard of the "Tui sun coeli" from Psalm 88 (Vulgate) vv. 12, 15a was completed by Franz Joseph Haydn (1732-1809) between 1796 and 1799. Alternate titles include:...

The original setting for chorus and keyboard of the "Tui sun coeli" from Psalm 88 (Vulgate) vv. 12, 15a was completed by Franz Joseph Haydn (1732-1809) between 1796 and 1799. Alternate titles include:...

Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...

Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...

Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...