Kalmus Orchestra Library
Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms' (1833-1897) most popular works today, and they were the most...
Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms' (1833-1897) most popular works today, and they were the most...
- Orchestra
- Score
- Antonín Dvořák
- Edwin F. Kalmus
-
ships within 2-4 weeks
Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms' (1833-1897) most popular works today, and they were the most...
Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms' (1833-1897) most popular works today, and they were the most...
- Orchestra
- Score and Parts
- Antonín Dvořák
- Edwin F. Kalmus
-
ships within 2-4 weeks
Max Bruch (1838-1920) composed his VIOLIN CONCERTO No. 1 in G minor, Op. 26 in 1866, premiering on April 24, 1866, by Otto von Königslow on violin, with Max Bruch conducting. Following, the violin vir...
Max Bruch (1838-1920) composed his VIOLIN CONCERTO No. 1 in G minor, Op. 26 in 1866, premiering on April 24, 1866, by Otto von Königslow on violin, with Max Bruch conducting. Following, the violin vir...
- Violin and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Max Bruch (1838-1920) composed his VIOLIN CONCERTO No. 1 in G minor, Op. 26 in 1866, premiering on April 24, 1866, by Otto von Königslow on violin, with Max Bruch conducting. Following, the violin vir...
Max Bruch (1838-1920) composed his VIOLIN CONCERTO No. 1 in G minor, Op. 26 in 1866, premiering on April 24, 1866, by Otto von Königslow on violin, with Max Bruch conducting. Following, the violin vir...
- Violin and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Written in 1880 and premiered on February 22, 1881, by the Liverpool Philharmonic Society under the direction of the composer, with Joseph Joachim performing the solo violin, the SCHOTTISCHE FANTASIE...
Written in 1880 and premiered on February 22, 1881, by the Liverpool Philharmonic Society under the direction of the composer, with Joseph Joachim performing the solo violin, the SCHOTTISCHE FANTASIE...
- Violin and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Written in 1880 and premiered on February 22, 1881, by the Liverpool Philharmonic Society under the direction of the composer, with Joseph Joachim performing the solo violin, the SCHOTTISCHE FANTASIE...
Written in 1880 and premiered on February 22, 1881, by the Liverpool Philharmonic Society under the direction of the composer, with Joseph Joachim performing the solo violin, the SCHOTTISCHE FANTASIE...
- Violin and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Performed only three times during Anton Bruckner's (1824-1896) lifetime, the immense Symphony No. 8, considered the composer's most awesome and sweeping symphony, took over five years to write and rev...
Performed only three times during Anton Bruckner's (1824-1896) lifetime, the immense Symphony No. 8, considered the composer's most awesome and sweeping symphony, took over five years to write and rev...
- Orchestra
- Score
- Robert Haas
- Edwin F. Kalmus
-
ships within 2-4 weeks
Performed only three times during Anton Bruckner's (1824-1896) lifetime, the immense Symphony No. 8, considered the composer's most awesome and sweeping symphony, took over five years to write and rev...
Performed only three times during Anton Bruckner's (1824-1896) lifetime, the immense Symphony No. 8, considered the composer's most awesome and sweeping symphony, took over five years to write and rev...
- Orchestra
- Score and Parts
- Robert Haas
- Edwin F. Kalmus
-
ships within 2-4 weeks
LE ROI MALGRÉ LUI (THE RELUCTANT KING) is a comic opera by Emmanuel Chabrier (1841-1894), based on a 1836 vaudeville play by Virginie Ancelot. The stage work depicts the brief reign of Henri, Duke of...
LE ROI MALGRÉ LUI (THE RELUCTANT KING) is a comic opera by Emmanuel Chabrier (1841-1894), based on a 1836 vaudeville play by Virginie Ancelot. The stage work depicts the brief reign of Henri, Duke of...
- Orchestra
- Director's Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
LE ROI MALGRÉ LUI (THE RELUCTANT KING) is a comic opera by Emmanuel Chabrier (1841-1894), based on a 1836 vaudeville play by Virginie Ancelot. The stage work depicts the brief reign of Henri, Duke of...
LE ROI MALGRÉ LUI (THE RELUCTANT KING) is a comic opera by Emmanuel Chabrier (1841-1894), based on a 1836 vaudeville play by Virginie Ancelot. The stage work depicts the brief reign of Henri, Duke of...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
After España, the short work Joyeuse Marche is French composer Emmanuel Chabrier's (1841-1894) second most popular composition. The joyous and at times comical piece was originally written for piano,...
After España, the short work Joyeuse Marche is French composer Emmanuel Chabrier's (1841-1894) second most popular composition. The joyous and at times comical piece was originally written for piano,...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
After España, the short work Joyeuse Marche is French composer Emmanuel Chabrier's (1841-1894) second most popular composition. The joyous and at times comical piece was originally written for piano,...
After España, the short work Joyeuse Marche is French composer Emmanuel Chabrier's (1841-1894) second most popular composition. The joyous and at times comical piece was originally written for piano,...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Habanera, composed for piano in October 1885, explores a folk tune that Emmanuel Chabrier (1841-1894) collected on his five-month trip to Spain. The habanera derives its name from Havana, Cuba, charac...
Habanera, composed for piano in October 1885, explores a folk tune that Emmanuel Chabrier (1841-1894) collected on his five-month trip to Spain. The habanera derives its name from Havana, Cuba, charac...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Frédéric Chopin (1810-1849) composed the Andante Spianto and Grande Polonaise Brillante in E-flat Major, Op. 22, between 1830 and 1834. The polonaise, originally composed for solo piano and later scor...
Frédéric Chopin (1810-1849) composed the Andante Spianto and Grande Polonaise Brillante in E-flat Major, Op. 22, between 1830 and 1834. The polonaise, originally composed for solo piano and later scor...
- Piano and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Frédéric Chopin (1810-1849) composed the Andante Spianto and Grande Polonaise Brillante in E-flat Major, Op. 22, between 1830 and 1834. The polonaise, originally composed for solo piano and later scor...
Frédéric Chopin (1810-1849) composed the Andante Spianto and Grande Polonaise Brillante in E-flat Major, Op. 22, between 1830 and 1834. The polonaise, originally composed for solo piano and later scor...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Léo Delibes (1836-1891) looked to a play of the Italian Renaissance, Torquato Tasso's AMINTA, for narrative material when composing his full-length ballet SYLVIA. Choreographed by Louis Mérante, with...
Léo Delibes (1836-1891) looked to a play of the Italian Renaissance, Torquato Tasso's AMINTA, for narrative material when composing his full-length ballet SYLVIA. Choreographed by Louis Mérante, with...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Léo Delibes (1836-1891) looked to a play of the Italian Renaissance, Torquato Tasso's AMINTA, for narrative material when composing his full-length ballet SYLVIA. Choreographed by Louis Mérante, with...
Léo Delibes (1836-1891) looked to a play of the Italian Renaissance, Torquato Tasso's AMINTA, for narrative material when composing his full-length ballet SYLVIA. Choreographed by Louis Mérante, with...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Don Pasquale, regarded as one of the crowning gems of comic opera, had its first performance on January 3, 1843 by the Theatre-Italien at the Salle Ventadour in Paris. Gaetano Donizetti (1797-1848) co...
Don Pasquale, regarded as one of the crowning gems of comic opera, had its first performance on January 3, 1843 by the Theatre-Italien at the Salle Ventadour in Paris. Gaetano Donizetti (1797-1848) co...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Don Pasquale, regarded as one of the crowning gems of comic opera, had its first performance on January 3, 1843 by the Theatre-Italien at the Salle Ventadour in Paris. Gaetano Donizetti (1797-1848) co...
Don Pasquale, regarded as one of the crowning gems of comic opera, had its first performance on January 3, 1843 by the Theatre-Italien at the Salle Ventadour in Paris. Gaetano Donizetti (1797-1848) co...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Antonín Dvorák (1841-1904) composed his SYMPHONY No. 5 in F Major, Op. 76, in the summer of 1875. Originally published as SYMPHONY No. 3, it received its first performance at the Prague Zofín concert...
Antonín Dvorák (1841-1904) composed his SYMPHONY No. 5 in F Major, Op. 76, in the summer of 1875. Originally published as SYMPHONY No. 3, it received its first performance at the Prague Zofín concert...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Antonín Dvorák (1841-1904) composed his SYMPHONY No. 5 in F Major, Op. 76, in the summer of 1875. Originally published as SYMPHONY No. 3, it received its first performance at the Prague Žofín concert...
Antonín Dvorák (1841-1904) composed his SYMPHONY No. 5 in F Major, Op. 76, in the summer of 1875. Originally published as SYMPHONY No. 3, it received its first performance at the Prague Žofín concert...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
In 1879, Antonín Dvorák (1841-1904) was commissioned by Simrock, his publisher, to write a violin concerto. He dedicated his CONCERTO FOR VIOLIN in A Minor, Op. 53/B. 108, to Joseph Joachim, who had p...
In 1879, Antonín Dvorák (1841-1904) was commissioned by Simrock, his publisher, to write a violin concerto. He dedicated his CONCERTO FOR VIOLIN in A Minor, Op. 53/B. 108, to Joseph Joachim, who had p...
- Violin and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
In 1879, Antonín Dvorák (1841-1904) was commissioned by Simrock, his publisher, to write a violin concerto. He dedicated his CONCERTO FOR VIOLIN in A Minor, Op. 53/B. 108, to Joseph Joachim, who had p...
In 1879, Antonín Dvorák (1841-1904) was commissioned by Simrock, his publisher, to write a violin concerto. He dedicated his CONCERTO FOR VIOLIN in A Minor, Op. 53/B. 108, to Joseph Joachim, who had p...
- Violin and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Antonín Dvorák (1841-1904) composed his Concerto for Cello in B minor, Op. 104/B. 191 in 1894. It was the last solo concerto that the composer wrote, and it was the final work that he wrote during his...
Antonín Dvorák (1841-1904) composed his Concerto for Cello in B minor, Op. 104/B. 191 in 1894. It was the last solo concerto that the composer wrote, and it was the final work that he wrote during his...
- Cello and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Antonín Dvorák (1841-1904) composed his Concerto for Cello in B minor, Op. 104/B. 191 in 1894. It was the last solo concerto that the composer wrote, and it was the final work that he wrote during his...
Antonín Dvorák (1841-1904) composed his Concerto for Cello in B minor, Op. 104/B. 191 in 1894. It was the last solo concerto that the composer wrote, and it was the final work that he wrote during his...
- Cello and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks