Kalmus Orchestra Library

This arrangement from the pen of Alfred Reed is a welcome addition to any school or community orchestra's repertoire. This setting is strong, straightforward and makes an ideal opener or closer for an...

This arrangement from the pen of Alfred Reed is a welcome addition to any school or community orchestra's repertoire. This setting is strong, straightforward and makes an ideal opener or closer for an...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Concerto Grosso No. 1 was the first of two concerti grossi by Swiss-American composer Ernest Bloch (1880-1959), who wrote the piece in response to his students' assertion that such traditional styles...

Concerto Grosso No. 1 was the first of two concerti grossi by Swiss-American composer Ernest Bloch (1880-1959), who wrote the piece in response to his students' assertion that such traditional styles...

Claude Debussy once described the music of Peter Warlock (1894-1930) as encompassing a "fine dreamy musicality." CAPRIOL SUITE, one of his most popular works, is a dance suite based on Orchésographie,...

Claude Debussy once described the music of Peter Warlock (1894-1930) as encompassing a "fine dreamy musicality." CAPRIOL SUITE, one of his most popular works, is a dance suite based on Orchésographie,...

The six-movement LYRIC SUITE (IAB 6) for string quartet is among the first of Alban Berg's (1885-1935) works to utilize the 12-tone system developed by his mentor Arnold Schoenberg. Written between 19...

Daniel-François-Esprit Auber (1782-1871) composed his comic opera Fra Diavolo, ou L'hôtellerie de Terracine, AWV 18 in 1830, with a libretto by Eugène Scribe based loosely on the exploits of the legen...

Daniel-François-Esprit Auber (1782-1871) composed his comic opera Fra Diavolo, ou L'hôtellerie de Terracine, AWV 18 in 1830, with a libretto by Eugène Scribe based loosely on the exploits of the legen...

The three-act opéra comique Zampa, ou La fiancée de marbre (Zampa, or the Marble Bride) was written in 1831, and is one of Ferdinand Hérold's (1791-1833) most popular works during the 19th century. It...

La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...

La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...

Saul, HWV 53 was composed in 1738 by George Frideric Handel (1685-1759) as the grand introduction to his English oratorio Saul, based on the Old Testament narrative of King Saul, David, and Jonathan....

Spanish Basque composer Juan Crisóstomo Jacobo Antonio de Arriaga y Balzola (1806-1826) was nicknamed "the Spanish Mozart" after he died because he and Wolfgang Amadeus Mozart shared the status of a c...

Federal Overture: A Paraphrase, arranged by Romulus Franceschini was originally composed in the 1790s by Benjamin Carr (1768-1831), an English-born composer, organist, and publisher who became one of...

Federal Overture: A Paraphrase, arranged by Romulus Franceschini was originally composed in the 1790s by Benjamin Carr (1768-1831), an English-born composer, organist, and publisher who became one of...

Harry Rowe Shelley (1858-1947) , American composer, organist, and professor of music saw his Santa Clause Overture (A Lyrical Intermezzo) published in 1900. A musical presentation of St. Nicholas at a...

Charles Gounod (1818-1893) completed the five-act opera Roméo et Juliette (Romeo and Juliet) in 1867. With a libretto by Jules Barbier and Michael Carré, the opera tells the tragic story of Shakespear...