Nieweg Performance Editions - Kalmus

LA MER was the second of Claude Debussy's (1862-1918) three orchestral works in three sections. Although the composition of LA MER took him more than a year and a half, this was unusually quick progre...

LA MER was the second of Claude Debussy's (1862-1918) three orchestral works in three sections. Although the composition of LA MER took him more than a year and a half, this was unusually quick progre...

The rondo third movement of Niccolò Paganini's VIOLIN CONCERTO NO. 2 owes its nickname "La Clochette" or "La Campanella" ("Little Bell") to the little bell which plays before each recurrence of the ro...

The rondo third movement of Niccolò Paganini's VIOLIN CONCERTO NO. 2 owes its nickname La Clochette or La Campanella (Little Bell) to the little bell which plays before each recurrence of the rondo th...

The premiere of Rachmaninoff's Symphony No. 2 was conducted by the composer himself in Saint Petersburg on February 8, 1908. The score is dedicated to Sergei Taneyev, a Russian composer, teacher, theo...

The premiere of Rachmaninoff's Symphony No. 2 was conducted by the composer himself in Saint Petersburg on February 8, 1908. The score is dedicated to Sergei Taneyev, a Russian composer, teacher, theo...

The Sultan Schariar, convinced of the falseness and faithlessness of women, vowed to kill each of his wives after their bridal night. The Sultana Scheherazade, however, saved her life by interested th...

Originally intended for solo violin and orchestra, Nicolai Rimsky-Korsakov (1844-1908) later determined that the five Spanish folk melodies used in each of the movements of his Capriccio Espagnol woul...

Nicolai Rimsky-Korsakov's (1844-1908) overture Russian Easter Festival was written in 1888, at the same time as the composer's well-known suite for orchestra, Scheherazade. Both works include short vi...

Nicolai Rimsky-Korsakov's (1844-1908) overture Russian Easter Festival was written in 1888, at the same time as the composer's well-known suite for orchestra, Scheherazade. Both works include short vi...

Written in only 17 days at the request of famed Russian pianist Anton Rubinstein so that Rubinstein could enjoy his Parisian conducting debut while Saint-Saëns, this PIANO CONCERTO NO. 2 in G minor is...

In 1875, Camille Saint-Saëns (1835-1921) created an innovative four-part structure for his CONCERTO FOR PIANO NO. 4 IN C MINOR, OP. 44. Dedicating the work to Anton Door, the composer gave the first p...

In 1875, Camille Saint-Saëns (1835-1921) created an innovative four-part structure for his CONCERTO FOR PIANO NO. 4 IN C MINOR, OP. 44. Dedicating the work to Anton Door, the composer gave the first p...

Camille Saint-Saëns' (1835-1921) opera SAMSON ET DALILA, Op. 47 tells the biblical story of Delilah's betrayal of Samson. Originally conceived as an oratorio due to Saint-Saëns' admiration of such wor...

In 1888, Erik Satie (1866-1925) completed his TROIS GYMNOPÉDIES, three lilting, dream-like exercises for solo piano. They were published separately, the second one appearing last in 1895. Working as a...

The fourth in a set of tone poems that Richard Strauss (1864-1949) wrote before his career as an opera composer, DEATH AND TRANSFIGURATION (TOD UND VERKLÄRUNG) portrays the death of an artist and the...

TILL EULENSPIEGELS LUSTIGE STREICHE (TILL EULENSPIEGEL'S MERRY PRANKS), is a tone poem written in 1894-95 by Richard Strauss (1864-1949). It chronicles the misadventures and pranks of the German peasa...

TILL EULENSPIEGELS LUSTIGE STREICHE (TILL EULENSPIEGEL'S MERRY PRANKS), is a tone poem written in 1894-95 by Richard Strauss (1864-1949). It chronicles the misadventures and pranks of the German peasa...

Richard Strauss's (1864-1949) tone poem DON JUAN, Op. 20, was composed in 1888. The work is based on Don Juans Ende, a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau...

German philosopher Friedrich Nietzsche's best-known work, "Also sprach Zarathustra!" ("Thus Spoke Zarathustra!") has been an inspiration for many composers' works, but the best known is this 1896 symp...

A dream inspired Charles Tomlinson Griffes (1884-1920) to compose The Pleasure Dome of Kubla Kahn, based on the poem by Samuel Taylor Coleridge. The composer originally wrote it for piano in 1912. Fou...

A dream inspired Charles Tomlinson Griffes (1884-1920) to compose The Pleasure Dome of Kubla Kahn, based on the poem by Samuel Taylor Coleridge. The composer originally wrote it for piano in 1912. Fou...

Maurice Ravel (1875-1937) completed his first published work for orchestra, RAPSODIE ESPAGNOLE, between 1907 and 1908, dedicating the work to the Belgian violinist Charles de Bériot. The Orchestre des...

Maurice Ravel (1875-1937) completed his first published work for orchestra, RAPSODIE ESPAGNOLE, between 1907 and 1908, dedicating the work to the Belgian violinist Charles de Bériot. The Orchestre des...

Originally written in 1899 by Maurice Ravel (1875-1937) for solo piano, and later orchestrated by the composer, PAVANE POUR UNE INFANTE DÉFUNTE (PAVANE FOR A DEAD PRINCESS) remains one of the enduring...