Sheet Music for Instruments

The edition is part of the ABRSM syllabus (grade 7).

These duets for cello by Jacob Klein, now published complete for the first time, are among the most beautiful duets of their kind from the Baroque. Their melodic and harmonic richness coupled with a d...

Joseph Reinagle, 1762-1825, was a well-known cellist and cello teacher, who had worked under Joseph Haydn's direction during his time in London. These duets are highly recommended for tuition purposes...

The cellist Friedrich August Kummer is one of the best-known virtuosos of the 19th century. Among his numerous compositions, arrangements and concert paraphrases are these catchy transcriptions of Sch...

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

This reverent and emotional solo by Ernest Bloch, including the well-known first movement Prayer, is a beloved classic of the cello repertoire for good reason. This new edition of the moving work in i...

This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert, being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological...

Noten für 4 Violoncelli aus der Reihe ''cello by Birtel', Vol. 45.

Klengel wusste wie kaum ein anderer Interpret seiner Generation, mit welchen Stücken junge Cellisten locker und doch mit musikalischem Anspruch auf ihrem Instrument weiterkommen. Weil Klengel einfalls...

Die 'Kleine Suite op. 59' von Julius Klengel wendet sich an fortgeschrittene Cellisten. Für Unterricht und Vortrag bieten die fünf Sätze dem Zusammenspiel lohnende Aufgaben, zumal die drei Stimmen in...

Um 1830, als die Komposition für 'Violoncello und Klavier' fast immer dem virtuosen Soloinstrument verpflichtet war, schrieb Fanny Hensel für den in London lebenden Bruder Paul Mendelssohn-Bartholdy i...

'Novelty of form, selected modulations, strange tone colours, the use of completely unexpected rhythms', this is how Camille Saint-Saëns praised the debut work of a young colleague and continued: 'Abo...