Advanced Classical Music of the Modern Age Sheet Music

In a quiet, entirely conventional barcarole à la Chopin or Tchaikovsky disturbing alarm bells ring, before getting finally brutalized (revealing the main theme of Reinhold Glière's ‘Hymn to a Great Ci...

Exhilarating and celebratory, the rhythmic demands of Dance Works as well as its physical nature are closer to rock, jazz and even medieval music. 'Dance works' was written specifically for dance thea...

Prayer was one of seven new works performed at Spannungen chamber music festival in memory of Lars Vogt (1970-2022).

Jörg Widmanns Diabelli-Variation entstand im Rahmen von Rudolf Buchbinders Diabelli 2020-Projekt, bei dem zahlreiche zeitgenössische Komponisten neue Variationen zu dem Zyklus Beethovens komponierten....

An old church near Petäjävesi forms the works starting point. Mustonen evokes its history in each of the works movements Die Kirchenbauer, Die Berührung des Heiligen, Dämonen, Der heilige Christophoru...

The Capriccio op. 146 is Nikolai Kapustin's last piano work for four hands. He wrote it for the duo "piaNA" in 2012. For the first time, it is now being published in a sheet music edition.

The Allegro movement "Nothing to Lose" was composed by Kapustin in 2004 and is now published for the first time as a sheet music edition.

Kapustin dedicated the piece "Countermove" to the Canadian pianist Marc-André Hamelin, who had released a complete CD of Kapustin's works in 2004. Kapustin himself later recorded "Countermove" for the...

Kapustin developed this scherzo from a short fun idea. The notes of the piano piece, which was already composed in 1999, now appear in print for the first time.

Der Titel von Hillis Komposition beschreibt das Zusammenspiel eines Zahnrades mit einer Zahnstange. Hilli übersetzt das Ineinandergreifen und die kontinuierliche Bewegung in eine metallische und masch...

Kapustin composed the rondo „Vanity of Vanities“ op. 121 in 2004 and then recorded it for his CD „Kapustin Returns!“, released in Japan in 2008.

Kapustin composed the „Two Etude-like Trinkets“ op. 122 in 2004 and later recorded them for his CD „Kapustin Returns!“, which was released in Japan in 2008.

Kapustin's Theme and Variations op. 80 were composed in 1996.

Nikolai Kapustin composed the Impromptu op. 83 in 1997 and later recorded it for the CD „Last Recording“, which was released in Japan in 2004.

Three for Two. Triptych for 2 pianos op. 145 was written by Kapustin in 2012 for the Japanese piano duo PiaNA, consisting of Natsuki Nishimoto and Asuka Matsumoto.

Heinz Holliger has dealt intensively with Friedrich Hölderlin and Robert Schumann. The third movement of his Partita, a Barcarole, is preceded by the motto: ‘We should let ourselves be cradled , As if...

Xiaogang Ye (b. 1955) is one of the best-known composers in China. He studied at the Central Conservatory of Music of China, won First Prize in the Alexander Tscherepnin Composition Competition and at...

Die zwölf Stücke dieser Sammlung führen die romantische Tradition der virtuosen Klavierparaphrase fort, die ihren Höhepunkt im 19. Jahrhundert durch Franz Liszt erlebte. Als doppelte Hommage bilden si...

This edition encompasses different styles and genres found in the piano works of Alexander Scriabin (1872-1915). Contents: Sonate-Fantaisie - Valse op. 1 - Étude op. 2 No. 1 - Poème op. 71 No. 1. Intr...

For piano, score 8 pages. Listen to the audio sample for an immediate impression of how this piece sounds. Restless peace or peaceful unrest - isn't that at the heart of everything we feel but rarely...

David Philip Hefti‘s fourth piano piece, 'Ritmico', is comprised of three fragmentary, individual movements. The focus of this brief work is on the rhythmic components of the music, leaving almost all...

The piano piece describes twilight, the night, dreams and sleeplessness with a gentle basic character. This calm is abruptly broken in the second part of the piece, tumbling out of a dream into a feve...