Advanced Sheet Music for Mixed Choir

A new Liturgical setting of the first three Beatitudes for choir by Latvian composer Ēriks Ešenvalds. The work requires two solo sopranos.for mixed choir and organ. Advanced level of difficulty.

The Sanctus is an ancient Christian liturgical hymn and has been set to new music countless times over the centuries. In this arrangement, the composer wishes to evoke that "ancientness" by incorporat...

The text for the choral work 'Hominis dies' is partly form the book of psalms, partly from Isaiah in the Latin translation of the Bible. The words are relevant today - they are about the fate of human...

A wild ride from the composer of October and Ghost Train! Equus is the Latin word for horse, and this moto perpetuo perfectly captures the fury and majesty of this magnificent animial. Commissioned by...

A wild ride from the composer of October and Ghost Train! Equus is the Latin word for horse, and this moto perpetuo perfectly captures the fury and majesty of this magnificent animial. Commissioned by...

William Walton's vibrant cantata Belshazzar's Feast is adapted here by acclaimed organist David Briggs and percussionist David Bending for voices, organ, and percussion. Three performers, the organist...

Antonín Dvorák composed his penultimate and most well-known opera “Rusalka” in just seven months between April and November 1900. The premiere took place on 31 March 1901 at the National Theatre in Pr...

The Work Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a str...

The Work Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a str...

Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a strict purit...

Caroline Charriere felt at home in the world of the American poet Emily Dickinson (1830-1886) and it is not by coincidence. Writing poems in secret was for Emily Dickinson, who lived in a strict purit...

A one-act work for Dallas Opera based on the tragic climbing disaster on Mount Everest in 1996.

Clytus Gottwald's demanding transcriptions for choir a cappella have been enthusiastically received by choirs and performed with great success worldwide. In his transcriptions, Gottwald transfers voca...

Faurés Erlkönig wird diese Vertonung von "Fleur jetée" häufig genannt. Die hämmernde Wildheit der Klavierbegleitung und die Dramatik des Gesangs erinnern tatsächlich an Schuberts musikalische Umsetzun...

Faurés Erlkönig wird diese Vertonung von "Fleur jetée" häufig genannt. Die hämmernde Wildheit der Klavierbegleitung und die Dramatik des Gesangs erinnern tatsächlich an Schuberts musikalische Umsetzun...

A text by the American poet Sara Teasdale (1884–1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

A text by the American poet Sara Teasdale (1884-1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

The composer Peter Schindler on this single edition from "Perpetuum mobile": Amor is wild, strong and relentless! In the end, it's better to stay alone and connect with Phoenix. What a dramatic statem...

The composer Peter Schindler on this single edition from "Perpetuum mobile": Amor is wild, strong and relentless! In the end, it's better to stay alone and connect with Phoenix. What a dramatic statem...