Advanced Sheet Music for Piano

> Based on the Urtext of the New Schubert Edition > First scholarly-critical performing edition of the Fantasy in C minor (D 2 E) > Notes on performance practice (Ger/Eng) > Includes an informative fo...

Die berühmteste der Fantasien, die 'Wandererfantasie', erscheint auch als Einzelausgabe. Als Schubert selbst einmal die Wandererfantasie im Freundeskreis spielte und dabei ins Stocken geriet, rief er...

Smetana's piano sketch Macbeth, also known as Macbeth and the Witches, after William Shakespeare's tragedy, originated in 1859 while the composer was living in Sweden. Some scholars believe that it wa...

> New critical performing editions at the cutting edge of scholarship > Optimum page-turns > Introductions with valuable notes on historical performance practice (Eng/Ger) and Critical Commentaries (E...

Owing to severe illness, Beethoven had to wait for over a year after completing op. 109 before beginning work on the second piece in his triptych of late sonatas: the Piano Sonata in A-flat major op....

Mit Hinweisen zur Aufführungspraxis von Jonathan Del Mar und Misha Donat

At the end of 1821, Beethoven began work on op. 111, his last piano sonata, which has been regarded as the pinnacle since its publication and to which Thomas Mann dedicated a literary monument in Dr....

Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Bärenreiter now presents Beethoven's Complete Piano Sonatas in three volumes. This edition, which is unpara...

Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Bärenreiter now presents Beethoven's Complete Piano Sonatas in three volumes. This edition, which is unpara...

Der Pianist Christian Köhn, mit Brahms' Klavierwerk intensiv vertraut, gibt diese 1861 entstandenen Variationen über das achttaktige Thema aus Händels Suite Nr. 1 (Suite de pièces de Clavecin, 2. Band...

> Urtext edition with new readings > Notes on performance practice (Ger/Eng) > With historically informed fingering and practical page-turns > Informative Foreword (Ger/Eng) and detailed Critical Comm...

Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...

Piano Sonatas 3

Mit Hinweisen zur Aufführungspraxis von Mario Aschauer

« Si les artistes rendent si rarement compte de leurs instants d'inspiration, la raison en est bien simple: c'est qu'à ces moments-là du processus créateur ils ne sont nullement présents par la consci...

This small virtuoso rondo with jazz elements from 2003 is now published for the first time in a sheet music edition.

As an avowed Schubert fan, Franz Liszt also liked to play transcriptions of Schubert’s songs in his piano recitals. He initially had an arrangement of the "Trout" by Stephen Heller in his repertoire,...

Bach's death meant that the Art of Fugue was left unfinished. In his father's manuscript Carl Philipp Emanuel noted exactly where the last fugue of the Art of Fugue broke off: 'While working on this f...

The 'Goldberg' Variations are without a doubt the most important piano cycle of the 18th century. Only Beethoven's 'Diabelli' Variations from the 19th century can be compared to them as far their far-...

Finally, G. Henle Publishers is able to offer one of Rachmaninov's most important, most substantial piano works in a meticulous Urtext edition that does justice to the work and to the editorial diffic...

Fingering: Marc-André Hamelin Between 1914 and 1917, Sergei Rachmaninoff published two volumes of Études-Tableaux - a term coined by the composer with which he succeeded in expressing the blend of tec...

Johannes Brahms's piano sonatas opp. 1, 2 and 5 were among the first works that the then 20-year-old composer published. Much of the music of the f-minor Sonata is closely connected to Brahms's visit...

Beethoven allegedly told his publisher Artaria, in connection with this Sonata, that 'Here you have a sonata that will be a hard nut to crack'. Indeed, the enormous dimensions of the work, which was s...

With these three studies Bartók quite deliberately aimed to leave his mark on New Music in 1918. The first study is a kind of super-charged, motorically vehement Allegro barbaro, while the second, wit...

Schumann began work on the Toccata op. 7 when he was only 20 years old. At the time he was studying law, following his family's wishes. He did not, however, intend to have his first manuscript, entitl...