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Czech composer Leos Janácek (1854-1928) has been inspired by Moravian and other Slavic folk music to create an original, modern musical style and along with Dvorák and Smetana, he is considered one of...
Czech composer Leos Janácek (1854-1928) has been inspired by Moravian and other Slavic folk music to create an original, modern musical style and along with Dvorák and Smetana, he is considered one of...
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- Simon Scheiwiller
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Maurice Ravel finished In 1905 his piano cycle "Miroirs" of which some parts are orchestrated by the composer himself. Especially the fourth part, "Alborada del gracioso", created in 1919 in Paris for...
Maurice Ravel finished In 1905 his piano cycle "Miroirs" of which some parts are orchestrated by the composer himself. Especially the fourth part, "Alborada del gracioso", created in 1919 in Paris for...
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Czech composer Leos Janácek (1854-1928) has been inspired by Moravian and other Slavic folk music to create an original, modern musical style and along with Dvorák and Smetana, he is considered one of...
Czech composer Leos Janácek (1854-1928) has been inspired by Moravian and other Slavic folk music to create an original, modern musical style and along with Dvorák and Smetana, he is considered one of...
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'Die Moldau' (Vltava) is the second movement of the the symphonic poem cycle 'Ma Vlast' by Czech composer Bedrich Smetana. In this piece, Smetana uses tone painting to evoke the sounds of one of Bohem...
'Die Moldau' (Vltava) is the second movement of the the symphonic poem cycle 'Ma Vlast' by Czech composer Bedrich Smetana. In this piece, Smetana uses tone painting to evoke the sounds of one of Bohem...
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- Jos van de Braak
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The 'Piano Concerto No. 1' in B-flat minor, Op. 23, is one of the most popular of Tschaikowsky's compositions and among the best known of all piano concertos. The concerto follows the traditional form...
The 'Piano Concerto No. 1' in B-flat minor, Op. 23, is one of the most popular of Tschaikowsky's compositions and among the best known of all piano concertos. The concerto follows the traditional form...
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- Jos van de Braak
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Dutch composer Johan Wagenaar (1862 - 1941) parodied the conventions of Romantic opera in his own operas and secular cantatas, his music itself is staunchly Romantic in voice, little troubled by even...
Dutch composer Johan Wagenaar (1862 - 1941) parodied the conventions of Romantic opera in his own operas and secular cantatas, his music itself is staunchly Romantic in voice, little troubled by even...
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- Christiaan Janssen
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Zu den brillanten 'Danzas Fantasticas' wurde der spanische Komponist Joaquin Turina (1882-1949) durch die Erzählung 'La Orgia' von José Mas inspiriert. Das Werk ist dreisätzig, jeder Satz ist in einem...
Zu den brillanten 'Danzas Fantasticas' wurde der spanische Komponist Joaquin Turina (1882-1949) durch die Erzählung 'La Orgia' von José Mas inspiriert. Das Werk ist dreisätzig, jeder Satz ist in einem...
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1812 Ouverture Solenelle was written by Tschaikowsky in 1880 to commemorate Russia's defense of Moscow against Napoleon's advancing Grande Armee at the 'Battle of Borodino' in 1812. The overture debut...
1812 Ouverture Solenelle was written by Tschaikowsky in 1880 to commemorate Russia's defense of Moscow against Napoleon's advancing Grande Armee at the 'Battle of Borodino' in 1812. The overture debut...
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1812 Ouverture Solenelle" was written by Tschaikowsky in 1880 to commemorate Russia's defense of Moscow against Napoleon's advancing Grande Armée at the "Battle of Borodino" in 1812. The overture debu...
1812 Ouverture Solenelle" was written by Tschaikowsky in 1880 to commemorate Russia's defense of Moscow against Napoleon's advancing Grande Armée at the "Battle of Borodino" in 1812. The overture debu...
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After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
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After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
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After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
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After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
After Gioachino Rossini's death in 1868, Giuseppe Verdi suggested that a number of Italian composers collaborate on a Requiem in Rossini's honor. Unfortunately the project was abandoned by the organis...
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Anton Bruckner's fourth symphony - the 'Romantic' - is a veritable pinnacle of the symphonic repertoire. The first movement of this symphony features the famous horn solo, majestic tutti passages and...
Anton Bruckner's fourth symphony - the 'Romantic' - is a veritable pinnacle of the symphonic repertoire. The first movement of this symphony features the famous horn solo, majestic tutti passages and...
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- Jos van de Braak
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Anton Bruckner's fourth symphony - the 'Romantic' - is a veritable pinnacle of the symphonic repertoire. The first movement of this symphony features the famous horn solo, majestic tutti passages and...
Anton Bruckner's fourth symphony - the 'Romantic' - is a veritable pinnacle of the symphonic repertoire. The first movement of this symphony features the famous horn solo, majestic tutti passages and...
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In 1905 the Italian born composer Ferruccio Busoni (1866-1924) composed incidental music to Gozzi's fable Turandot - the story of the Chinese princess - of which he extracted in the same year an orche...
In 1905 the Italian born composer Ferruccio Busoni (1866-1924) composed incidental music to Gozzi's fable Turandot - the story of the Chinese princess - of which he extracted in the same year an orche...
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In 1905 the Italian born composer Ferruccio Busoni (1866-1924) composed incidental music to Gozzi's fable Turandot - the story of the Chinese princess - of which he extracted in the same year an orche...
In 1905 the Italian born composer Ferruccio Busoni (1866-1924) composed incidental music to Gozzi's fable Turandot - the story of the Chinese princess - of which he extracted in the same year an orche...
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- Jos van de Braak
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In 1926-1928 Mossolov composed the ballet Stal (steel) intending to glorify the time of industrialization. He wanted to express the feeling of the new industrial, urbanized machine-age in a barbaric s...
In 1926-1928 Mossolov composed the ballet Stal (steel) intending to glorify the time of industrialization. He wanted to express the feeling of the new industrial, urbanized machine-age in a barbaric s...
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In 1926-1928 Mossolov composed the ballet Stal (steel) intending to glorify the time of industrialization. He wanted to express the feeling of the new industrial, urbanized machine-age in a barbaric s...
In 1926-1928 Mossolov composed the ballet Stal (steel) intending to glorify the time of industrialization. He wanted to express the feeling of the new industrial, urbanized machine-age in a barbaric s...
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- Jos van de Braak
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Despite its title Kodaly's Dances of Galanta is not so much a dance-suite as a symphonic poem.The dances in this piece are derived from the 18th-century Verbunkos, a characteristic Hungarian dance of...
Despite its title Kodaly's Dances of Galanta is not so much a dance-suite as a symphonic poem.The dances in this piece are derived from the 18th-century Verbunkos, a characteristic Hungarian dance of...
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Despite its title Kodaly's Dances of Galanta is not so much a dance-suite as a symphonic poem.The dances in this piece are derived from the 18th-century Verbunkos, a characteristic Hungarian dance of...
Despite its title Kodaly's Dances of Galanta is not so much a dance-suite as a symphonic poem.The dances in this piece are derived from the 18th-century Verbunkos, a characteristic Hungarian dance of...
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- Jos van de Braak
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Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
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Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
Also sprach Zarathustra!', ('Thus Spoke Zarathustra') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel 'Thus Spoke Zarathustra!'. The compo...
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- Christiaan Janssen
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German composer Richard Strauss composed 'Don Juan', Op. 20, in 1888. The work is based on 'Don Juans Ende', a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after t...
German composer Richard Strauss composed 'Don Juan', Op. 20, in 1888. The work is based on 'Don Juans Ende', a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after t...
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- Simon Scheiwiller
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German composer Richard Strauss composed 'Don Juan', Op. 20, in 1888. The work is based on 'Don Juans Ende', a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after t...
German composer Richard Strauss composed 'Don Juan', Op. 20, in 1888. The work is based on 'Don Juans Ende', a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after t...
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- Simon Scheiwiller
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