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Dutch composer Johan Wagenaar (1862 - 1941) parodied the conventions of Romantic opera in his own operas and secular cantatas, his music itself is staunchly Romantic in voice, little troubled by even...
Dutch composer Johan Wagenaar (1862 - 1941) parodied the conventions of Romantic opera in his own operas and secular cantatas, his music itself is staunchly Romantic in voice, little troubled by even...
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- Christiaan Janssen
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Dutch composer Johan Wagenaar (1862 - 1941) parodied the conventions of Romantic opera in his own operas and secular cantatas, his music itself is staunchly Romantic in voice, little troubled by even...
Dutch composer Johan Wagenaar (1862 - 1941) parodied the conventions of Romantic opera in his own operas and secular cantatas, his music itself is staunchly Romantic in voice, little troubled by even...
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Rienzi, der Letzte der Tribunen (WWV 49) (Rienzi, the Last of the Tribunes) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Bulwer-Lytton's novel of t...
Rienzi, der Letzte der Tribunen (WWV 49) (Rienzi, the Last of the Tribunes) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Bulwer-Lytton's novel of t...
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Rienzi, der Letzte der Tribunen (WWV 49) (Rienzi, the Last of the Tribunes) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Bulwer-Lytton's novel of t...
Rienzi, der Letzte der Tribunen (WWV 49) (Rienzi, the Last of the Tribunes) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Bulwer-Lytton's novel of t...
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- Douglas McLain
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George Gershwin composed his 'Cuban Overture' in July and August 1932. Originally was the work titled 'Rumba' and was the result of a two-week holiday which Gershwin took in Havana, Cuba in February 1...
George Gershwin composed his 'Cuban Overture' in July and August 1932. Originally was the work titled 'Rumba' and was the result of a two-week holiday which Gershwin took in Havana, Cuba in February 1...
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George Gershwin composed his "Cuban Overture" in July and August 1932. Originally was the work titled "Rumba" and was the result of a two-week holiday which Gershwin took in Havana, Cuba in February 1...
George Gershwin composed his "Cuban Overture" in July and August 1932. Originally was the work titled "Rumba" and was the result of a two-week holiday which Gershwin took in Havana, Cuba in February 1...
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George Gershwin composed his "Cuban Overture" in July and August 1932. Originally was the work titled "Rumba" and was the result of a two-week holiday which Gershwin took in Havana, Cuba in February 1...
George Gershwin composed his "Cuban Overture" in July and August 1932. Originally was the work titled "Rumba" and was the result of a two-week holiday which Gershwin took in Havana, Cuba in February 1...
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Many see Wagner's Tristan und Isolde as the beginning of the move away from common practice harmony and tonality and consider that it lays the groundwork for the direction of classical music in the 20...
Many see Wagner's Tristan und Isolde as the beginning of the move away from common practice harmony and tonality and consider that it lays the groundwork for the direction of classical music in the 20...
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Many see Wagner's Tristan und Isolde as the beginning of the move away from common practice harmony and tonality and consider that it lays the groundwork for the direction of classical music in the 20...
Many see Wagner's Tristan und Isolde as the beginning of the move away from common practice harmony and tonality and consider that it lays the groundwork for the direction of classical music in the 20...
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The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
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The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
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- Jacques Claessens
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The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
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- Jacques Claessens
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The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
The idea of a 'Hamlet overture' had first occurred to Tschaikowsky in 1876. However, by 1888 he had altered these plans when he was asked to write incidental music for a production of Shakespeare's pl...
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- Jacques Claessens
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Beethoven's only opera 'Fidelio' embodies his ideals of heroism and freedom from political oppression. The opera was first produced in Vienna in 1805, under the title of 'Leonora' with the overture no...
Beethoven's only opera 'Fidelio' embodies his ideals of heroism and freedom from political oppression. The opera was first produced in Vienna in 1805, under the title of 'Leonora' with the overture no...
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- Simon Scheiwiller
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Beethoven's only opera 'Fidelio' embodies his ideals of heroism and freedom from political oppression. The opera was first produced in Vienna in 1805, under the title of 'Leonora' with the overture no...
Beethoven's only opera 'Fidelio' embodies his ideals of heroism and freedom from political oppression. The opera was first produced in Vienna in 1805, under the title of 'Leonora' with the overture no...
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- Simon Scheiwiller
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In his early years, Richard Straus was primarily a 'domestic' composer with dances, songs, piano pieces, sonatas and sonatinas after Classical models alternate with first cautious attempts. In this pr...
In his early years, Richard Straus was primarily a 'domestic' composer with dances, songs, piano pieces, sonatas and sonatinas after Classical models alternate with first cautious attempts. In this pr...
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- Jos van de Braak
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In his early years, Richard Straus was primarily a 'domestic' composer with dances, songs, piano pieces, sonatas and sonatinas after Classical models alternate with first cautious attempts. In this pr...
In his early years, Richard Straus was primarily a 'domestic' composer with dances, songs, piano pieces, sonatas and sonatinas after Classical models alternate with first cautious attempts. In this pr...
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French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
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French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
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- Bruno Peterschmitt
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French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
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French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...
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- Bruno Peterschmitt
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Mozart composed 'The Coronation Mass' (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the 'Ordinary of the Mass'. This setting, like the majority of Mozart's...
Mozart composed 'The Coronation Mass' (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the 'Ordinary of the Mass'. This setting, like the majority of Mozart's...
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Mozart composed 'The Coronation Mass' (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the 'Ordinary of the Mass'. This setting, like the majority of Mozart's...
Mozart composed 'The Coronation Mass' (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the 'Ordinary of the Mass'. This setting, like the majority of Mozart's...
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- Davide Donazzolo
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Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
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- Davide Donazzolo
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Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
- Concert Band, Soloists (SATB) and Choir
- Score Download
- Davide Donazzolo
- Baton Music
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