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Roland Szentpali presents a light and playful piece with Latin American flavors. An excellent encore! Commissioned and recorded by Swiss euphonium soloist Fabian Bloch. Spot on! The Next Generation of...
Roland Szentpali presents a light and playful piece with Latin American flavors. An excellent encore! Commissioned and recorded by Swiss euphonium soloist Fabian Bloch. Spot on! The Next Generation of...
- Euphonium and Piano
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Roland Szentpali presents a light and playful piece with Latin American flavors. An excellent encore! Commissioned and recorded by Swiss euphonium soloist Fabian Bloch. Spot on! The Next Generation of...
Roland Szentpali presents a light and playful piece with Latin American flavors. An excellent encore! Commissioned and recorded by Swiss euphonium soloist Fabian Bloch. Spot on! The Next Generation of...
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1 Piazza San Carlo Piazza San Carlo impresses me with its beauty: the harmony of its forms slowly unfolds from one end of the square to the other, expressing a spectacular grandeur. But I also love it...
1 Piazza San Carlo Piazza San Carlo impresses me with its beauty: the harmony of its forms slowly unfolds from one end of the square to the other, expressing a spectacular grandeur. But I also love it...
- Euphonium and 4 Strings
- Score and Parts
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1 Piazza San Carlo Piazza San Carlo impresses me with its beauty: the harmony of its forms slowly unfolds from one end of the square to the other, expressing a spectacular grandeur. But I also love it...
1 Piazza San Carlo Piazza San Carlo impresses me with its beauty: the harmony of its forms slowly unfolds from one end of the square to the other, expressing a spectacular grandeur. But I also love it...
- Euphonium and 4 Strings
- Score and Parts Download
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1 Piazza San Carlo Piazza San Carlo impresses me with its beauty: the harmony of its forms slowly unfolds from one end of the square to the other, expressing a spectacular grandeur. But I also love it...
1 Piazza San Carlo Piazza San Carlo impresses me with its beauty: the harmony of its forms slowly unfolds from one end of the square to the other, expressing a spectacular grandeur. But I also love it...
- Tuba and String orchestra
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1 Piazza San Carlo Piazza San Carlo impresses me with its beauty: the harmony of its forms slowly unfolds from one end of the square to the other, expressing a spectacular grandeur. But I also love it...
1 Piazza San Carlo Piazza San Carlo impresses me with its beauty: the harmony of its forms slowly unfolds from one end of the square to the other, expressing a spectacular grandeur. But I also love it...
- Tuba and String orchestra
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Mezzo-Soprano and Piano.
- Medium Voice and Piano
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Vocals (bass) and chamber ensemble (flute, oboe, clarinet, trombone, percussion, piano, violin, cello, contrabass)
Vocals (bass) and chamber ensemble (flute, oboe, clarinet, trombone, percussion, piano, violin, cello, contrabass)
- Low Voice and Piano
- Piano Reduction Download
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Soprano Solo.
- High Voice
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The two main organizational elements that form the basis of this work are a rhythmic motive (which spans over the metres 2/4 3/4 3/4 2/4 3/4) and a tone row that mirrors around its middle (A, C, D, Eb...
The two main organizational elements that form the basis of this work are a rhythmic motive (which spans over the metres 2/4 3/4 3/4 2/4 3/4) and a tone row that mirrors around its middle (A, C, D, Eb...
- Drums and Piano
- Piano Score and Part(s)
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The two main organizational elements that form the basis of this work are a rhythmic motive (which spans over the metres 2/4 3/4 3/4 2/4 3/4) and a tone row that mirrors around its middle (A, C, D, Eb...
The two main organizational elements that form the basis of this work are a rhythmic motive (which spans over the metres 2/4 3/4 3/4 2/4 3/4) and a tone row that mirrors around its middle (A, C, D, Eb...
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The Spoon Bear of Beldibi for tuba and piano by composer Robert Delanoff is a work inspired by an experience that is as unusual as it is poetic. During a hike in the canyon of Beldibi in Turkey, the c...
The Spoon Bear of Beldibi for tuba and piano by composer Robert Delanoff is a work inspired by an experience that is as unusual as it is poetic. During a hike in the canyon of Beldibi in Turkey, the c...
- Tuba and Piano
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The Spoon Bear of Beldibi for tuba and piano by composer Robert Delanoff is a work inspired by an experience that is as unusual as it is poetic. During a hike in the canyon of Beldibi in Turkey, the c...
The Spoon Bear of Beldibi for tuba and piano by composer Robert Delanoff is a work inspired by an experience that is as unusual as it is poetic. During a hike in the canyon of Beldibi in Turkey, the c...
- Tuba and Piano
- Piano Score and Part(s) Download
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- Tuba
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- Tuba and Piano
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- Tuba
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Monument', a nine minute Elegy for solo tuba and strings (also with piano reduction by the composer) was written from November 2006 through January 2007. The work was commissioned by the renowned tuba...
Monument', a nine minute Elegy for solo tuba and strings (also with piano reduction by the composer) was written from November 2006 through January 2007. The work was commissioned by the renowned tuba...
- Tuba and Piano
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- Tuba
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This concerto, written in 1980, is a concertante work for the traditional audience, but without technical or musical concessions for the tuba. The structure is inspired by the classical sonata, with a...
This concerto, written in 1980, is a concertante work for the traditional audience, but without technical or musical concessions for the tuba. The structure is inspired by the classical sonata, with a...
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The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
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Some explanations by the composer: 'I chose to employ a medium sized orchestral instrumentation to create a larger sound palette for the solo instrument, and I have also used the traditional concerto...
Some explanations by the composer: 'I chose to employ a medium sized orchestral instrumentation to create a larger sound palette for the solo instrument, and I have also used the traditional concerto...
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Some explanations by the composer: 'I chose to employ a medium sized orchestral instrumentation to create a larger sound palette for the solo instrument, and I have also used the traditional concerto...
Some explanations by the composer: 'I chose to employ a medium sized orchestral instrumentation to create a larger sound palette for the solo instrument, and I have also used the traditional concerto...
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This sonata in one movement opens with recitatives before alternating lyrical, lively or meditative passages. A very pictorial and theatrical work which takes us through various scenes with colorful t...
This sonata in one movement opens with recitatives before alternating lyrical, lively or meditative passages. A very pictorial and theatrical work which takes us through various scenes with colorful t...
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This sonata in one movement opens with recitatives before alternating lyrical, lively or meditative passages. A very pictorial and theatrical work which takes us through various scenes with colorful t...
This sonata in one movement opens with recitatives before alternating lyrical, lively or meditative passages. A very pictorial and theatrical work which takes us through various scenes with colorful t...
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