Advanced Sheet Music from Editions Bim

I wrote Livia , my second work for guitar, for Maria Livia São Marcos. The Brazilian classical guitarist with an international reputation had settled in Switzerland in Geneva, where she taught at the...

I wrote Livia , my second work for guitar, for Maria Livia São Marcos. The Brazilian classical guitarist with an international reputation had settled in Switzerland in Geneva, where she taught at the...

Characterized by impressionistic and modal elements with far-ranging moods, from a whimsical carnival first movement to a sad soul-searching second movement, followed by a cheery, fairytale-like third...

Characterized by impressionistic and modal elements with far-ranging moods, from a whimsical carnival first movement to a sad soul-searching second movement, followed by a cheery, fairytale-like third...

The first movement has a dreamy and dramatic impressionistic quality, whereas the second movement is deeply melancholy and religious sounding. The third movement is playful with pulsating rhythms, whi...

The first movement has a dreamy and dramatic impressionistic quality, whereas the second movement is deeply melancholy and religious sounding. The third movement is playful with pulsating rhythms, whi...

A bold and invigorating first movement, a mysterious and tender second movement and a third movement with several mood shifts from lyrical to highly rhythmical. In 1971, Lane wrote his Piano Sonata 3...

A bold and invigorating first movement, a mysterious and tender second movement and a third movement with several mood shifts from lyrical to highly rhythmical. In 1971, Lane wrote his Piano Sonata 3...

Persistently melodic, with constant forward movement, accompanied by densely chromatic harmonies and many polyrhythmic sections, creating an intensely dramatic work. In 1975 Lane composed his Piano So...

Persistently melodic, with constant forward movement, accompanied by densely chromatic harmonies and many polyrhythmic sections, creating an intensely dramatic work. In 1975 Lane composed his Piano So...

Sami's Piece was written for a jazz musician, and should be played with a jazz feel (and a nod to polyrhythmic Balkan folk music). It's an exuberant work, relatively short, but dizzying, full of surpr...

Sami's Piece was written for a jazz musician, and should be played with a jazz feel (and a nod to polyrhythmic Balkan folk music). It's an exuberant work, relatively short, but dizzying, full of surpr...

In her Impromptu, Helena Winkelman conjures an atmosphere of timelessness, employing musical elements variously meditative and percussive, punctuated by shadowy accents in the contrabass register and...

In her Impromptu, Helena Winkelman conjures an atmosphere of timelessness, employing musical elements variously meditative and percussive, punctuated by shadowy accents in the contrabass register and...